这次对谈中，我们邀请到了三位来自不同岗位的戏剧从业者，从实际的创作经验出发，聊聊导演如何与production中的不同角色合作、不同岗位分别负责什么，以及导演如何在这些关系之间沟通、协调，并推动整个创作过程向前。About this Event
在一部戏的制作过程中，导演不仅需要与演员一起完成排练，也常常处在整个团队的沟通中枢：从制作人、设计师到演员，导演需要和不同部门的合作伙伴建立有效沟通，并在创作过程中不断面对和做出决定。
In theatrical productions, the director not only works with actors throughout the rehearsal process, but also often serves as a central point of communication for the entire team. From producers and designers to actors, directors need to communicate effectively with collaborators across different departments while continuously navigating and making creative decisions throughout the process.
这次对谈中，我们邀请到了三位来自不同岗位的戏剧从业者，从实际的创作经验出发，聊聊导演如何与production中的不同角色合作、不同岗位分别负责什么，以及导演如何在这些关系之间沟通、协调，并推动整个创作过程向前。
For this conversation, we’re bringing together three theater practitioners working in different roles to share their experiences from the rehearsal room and the production process. We’ll talk about how directors work with different members of a production, how responsibilities are divided across roles, and how directors communicate, coordinate, and make decisions to move the creative process forward.
导演：制作的沟通中枢｜导演需要负责哪些决定，又如何和各部门沟通、协作？
导演 × Creative Team｜ 导演如何与设计师、戏剧构作、编舞、consultants 等不同领域的 collaborators 分工与合作？不同的专业意见又如何进入同一个创作过程？
导演 × 制作人｜导演和producer如何分工？又如何在预算、现实限制与artistic vision之间沟通、取舍和做决定？
导演 × 演员｜导演如何与演员沟通？什么样的沟通方式既健康又高效？
Director as the Communication Hub | As the central point of communication within a production, what decisions does a director need to make, and how do they approach effective communication across departments?
Director × Creative Team | How does a director work with designers, dramaturgs, choreographers, consultants, and other creative collaborators? How are responsibilities divided, and how do different areas of expertise come together in the creative process?
Director × Producer | What are the respective responsibilities of the director and producer? How do they navigate budgets, practical constraints, and artistic priorities together?
Director × Actor | How do directors communicate with actors? What does a healthy and effective conversation in the rehearsal room look like?
嘉宾信息 | Panelists Info
💡王子骏，戏剧导演、舞台灯光设计师。毕业于美国纽约大学Tisch艺术学院（NYU Tisch School of the Arts），获BFA戏剧艺术学士学位，师从百老汇灯光设计师 Jeanette Oi-Suk Yew。现就读于卡内基梅隆大学戏剧学院（Carnegie Mellon University School of Drama），攻读灯光设计艺术MFA硕士学位。导演作品包括《七月半遗愿清单》《虚无的十字架》《你好，疯子！》《一个无政府主义者的意外死亡》，并同时担任上述作品的灯光设计。
其他灯光设计作品包括纽约外百老汇剧院 The Flea 全球首演剧目《The Nursery》、2025年爱丁堡艺穗节Edinburgh Festival Fringe的《俺抬杠?!》，以及2026年于中国巡演并最终亮相北京国家大剧院第十五届中国儿童戏剧节的《咕咚》。曾担任2023年托尼奖最佳音乐剧《Kimberly Akimbo》2024年全美巡演的灯光设计助理。本科毕业后于纽约创立小隙大作戏剧工作室（Shall See Theater），并担任艺术总监，致力于以戏剧为媒介，推动东方故事与美学在西方舞台上的表达与传播，促进跨文化艺术交流。
Zijun Wang is a theater director and lighting designer. He holds a BFA in Drama from NYU Tisch School of the Arts, where he studied under Broadway lighting designer Jeanette Oi-Suk Yew. He is currently pursuing his MFA in Lighting Design at Carnegie Mellon University School of Drama on a full-tuition scholarship. Lighting Design: The Nursery (World Premiere, The Flea); Here Comes Gudong (China National Tour, concluding at the National Centre for the Performing Arts in Beijing as part of the China Children’s Theatre Festival); Anti-Gone?! (2025 Edinburgh Festival Fringe & A.R.T./New York); Jagged Little Pill (CMU School of Drama); The Little Prince (CMU School of Drama); Anxiety Is the Dizziness of Freedom (Tisch Drama Stage); Cabaret (Tisch New Theatre); and all directing works listed below. He also served as Assistant Lighting Designer for the 2024 National Tour of Kimberly Akimbo, winner of the 2023 Tony Award for Best Musical. Directing: Of Ashes and Souls (Shall See Theater, The Flea); Hollow Cross (Soho Rep); The Insanity (TNC); Accidental Death of an Anarchist (Theatre Row). Following his undergraduate studies, Zijun founded Shall See Theater in New York City, where he proudly serves as Artistic Director. Through his work, he is dedicated to bringing Eastern stories and aesthetics to Western audiences through the medium of theater.
zijunneilwang.com
💡田子禾，戏剧制作人、投资人、译作及戏剧构作。本科毕业于纽约大学，后于哥伦比亚大学获得戏剧构作MFA硕士学位。她长期关注跨文化改编与国际戏剧交流，参与的项目涵盖纽约商业及非营利制作、国际巡演与新作品开发。近期作品包括：The Fear of 13（The James Earl Jones Theatre）、The Monkey King（旧金山歌剧院）、The Censorship of Dreams（La MaMa Ellen Stewart Theatre）、Julie（Chain Theatre），以及Anti-Gone 俺抬杠?!（A.R.T./New York & 爱丁堡艺穗节）等。即将上演的作品：Broom Play (The Player’s Theatre)，The Black Monk (HERE Arts Center)，The Unraveling (A.R.T./New York)。
Zihe Tian, theater producer, investor, translator, and dramaturg. She holds a BA from New York University and an MFA in Dramaturgy from Columbia University. Her work focuses on cross-cultural adaptation and international theatrical exchange, spanning commercial and nonprofit productions in New York, international touring, and new work development.
Some recent credits include The Fear of 13 (James Earl Jones Theatre), The Monkey King (San Francisco Opera), The Censorship of Dreams (La MaMa’s Ellen Stewart Theatre), Julie (Chain Theatre), and Anti-Gone 俺抬杠?! (A.R.T./New York and Edinburgh Fringe). Upcoming works: Broom Play (The Players Theatre), The Black Monk (HERE Arts Center), and The Unraveling (A.R.T./New York).
💡彭景怡，演员、编剧。毕业于纽约大学Tisch艺术学院，获艺术学士学位。作为演员，她曾参与纽约外百老汇制作，并随参演作品参加爱丁堡艺穗节、棱镜 Mini 戏剧节，在纽约、爱丁堡、北京等地均有演出经历。作为编剧，她关注公共场域、身份构成等议题，并持续探索戏剧形式及其边界。她的原创作品在2026年入选北美历史最悠久的亚裔戏剧团体之一Pan Asian Repertory Theatre举办的NuWorks戏剧节。过往作品：《She Said Fuck That's a Pretty Giant Deep Ocean》（编剧，联合导演，演员，Pan Asian Repertory Theatre NuWorks 2026, Theatre Row），《七月半遗愿清单》（演员，The Flea Theater），《Anti-Gone 俺抬杠?!》（演员，爱丁堡艺穗节，A.R.T./New York Theater），《她是九毫米口径》（演员，AMT Theater），《Sound of Silence》（演员，棱镜Mini戏剧节）等。
JINGYI LUNA PENG is an actor and playwright based in New York City. As an actor, she has performed in Off-Broadway productions and at the Edinburgh Fringe, with credits across New York, Edinburgh, and Beijing. As a playwright, her work explores the public sphere, identity construction, and the boundaries of theatrical form. Her original work was selected for Pan Asian Repertory Theatre’s NuWorks 2026 and presented at Theatre Row. Recent theater credits: She Said Fuck That's a Pretty Giant Deep Ocean (Writer/Co-Director/Actor, Pan Asian Repertory Theatre NuWorks 2026, Theatre Row), The Pill Play (Actor, The Actors Temple Theatre), Anti-Gone (Actor, Edinburgh Fringe & A.R.T./New York Theatres), Of Ashes and Souls (Actor, The Flea), Femme 9 19 (Actor, AMT Theater). New York University '26, BFA in Theatre, Tisch School of the Arts; double major in Media, Culture, and Communication. For more: umaygonowhere.com
10月17日晚上7点，小隙大作邀请你参加锅炉房车间例会｜专题对谈：戏剧导演的沟通与协作，和我们一起聊聊戏剧导演的那些事。
This upcoming Saturday, join Shall See Theater for a conversation about theater directing ✨
*本次活动将使用中文进行｜This event will be in Mandarin
*取消及退款政策： 报名费用一经支付，原则上概不退还。如因突发疾病、重大交通中断等不可预见的特殊情况无法参与，可联系主办方说明情况并提供必要证明，主办方将根据实际情况酌情处理。最终处理结果以主办方确认为准。
Event venue
520 8th Ave 3rd fl studio d, 520 8th Avenue, New York, United States
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