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"Nathan Fielder’s Documentary About Elizabeth Holmes Is a Shameless, Fascinating, Reality-TV-Eats-Its-Tail Look at Entitled Duplicity" - Variety Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss. From boundary-pushing directors Nathan Fielder and Lance Oppenheim comes You Can See Everything.
The prospect of TV’s grand illusionist versus emblematic girl-boss scammer seemed potentially too good to be true; buzz for You Can See Everything, Fielder’s furtive documentary co-directed with wunderkind du jour Lance Oppenheim (whose narrative feature debut, the Robert Pattinson-starring Primetime, premiered last month) was such that access to the film’s New York film festival premiere on Wednesday became this fall’s hottest ticket.
Those who were there can confirm: the hype is deserved. You Can See Everything is, somehow, more shocking, twistier, thornier and revealing than billed – a stupefying and gloriously destabilizing hall of psychological mirrors, a thrilling once-in-a-lifetime collision of director and subject. You know from the minute Billy Evans, Holmes’s shifty husband...business partner who entered the picture post-Theranos, claims that “the best way for people to see who she is … is to give as much access as possible into our daily lives”, while lying with Holmes on a playroom floor, that you’re in for a wild ride. - The Guardian
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