About this Event
The Italian Cultural Institute of Washington in collaboration with the Music Program of the Corcoran School of the Arts and Design at the Columbia College of Arts and Sciences of The George Washington University, invites you to a harpsichord concert dedicated to Baroque Italian music from the age of Piranesi in the company of harpsichordist Patrick Merrill and the presentation of the exhibition catalogue and interactive website for "".
The exhibition “Piranesi’s Rome: Views of the Eternal City“, curated by Professor Rachel Pollack and Olivia Kohler-Maga, Assistant Director of the Brady Art Gallery, showcases 18th century masterful etchings in The George Washington University Collection, currently on display on our premises.
Please join us for an evening of music and art and come discover Giovanni Battista Piranesi’s etchings.
CONCERT PROGRAM
- Toccata Settima (from Toccate e partite d'intavolatura, Libro 1), by Girolamo Frescobaldi (1583–1643)
- Toccata Settima (from Toccate e correnti d'intavolatura d'organo e cembalo), by Michelangelo Rossi (ca. 1601/1602–1656)
- Toccata al secondo tono; Ricercare del secondo tono; Sonata del Primo Tono; by Bernardo Pasquini (1637–1710)
- Sonata da Chiesa a tre in F, Op. 3 No. 1, by Arcangelo Corelli (1653–1713)
- Folia (from Primo e Secondo Libro di Toccate per Cembalo), by Alessandro Scarlatti (1660–1725)
- Sonata in Re Maggiore:
I. Andante
II. Adagio
III. Allegro
by Niccolò Jommelli (1714–1774)
- Sonata in B minor, K. 27; Sonata in D major, K. 29; by Domenico Scarlatti (1685–1757)
LOCATION
Embassy of Italy
3000 Whitehaven Street, NW
Washington DC 20008
REGISTRATION AND PHOTO ID REQUIRED
REGISTRATION DISCLAIMER
Registration required and accepted exclusively through Eventbrite. RSVPs are not available via phone or email. Please note that all registered guests must provide their full legal name for accurate event records. Duplicate or incomplete registrations will be rejected.
Please note: Doors close at event start- time. Arriving late to an event can be disruptive to both the audience and the overall experience. When someone enters after the event has started, it can disturb others by blocking their view or causing noise as they settle in. This not only takes away from the enjoyment of the event for others but can also distract from the atmosphere it is trying to create. We kindly encourage everyone to arrive on time, so everyone can enjoy the full experience without interruptions. Your cooperation helps ensure that everyone has a great time from start to finish.
Please
ABOUT PATRICK MERRILL
Patrick Merrill is a harpsichordist, organist, and pianist based in Washington, DC, where he is active as a solo and collaborative keyboard recitalist, choral conductor, and educator. In addition to performing a wide variety of solo and ensemble repertoire, Dr. Merrill is a passionate practitioner and advocate of historical improvisation. Dr. Merrill completed his Doctor of Musical Arts in harpsichord performance at the Peabody Institute of the Johns Hopkins University, where he studied with Dr. Adam Pearl. In 2016, he won second prize at the eighth Mae and Irving Jurow International Harpsichord Competition. His chamber and continuo work includes performances with Washington Bach Consort, Pro Musica Rara, Tempesta di Mare, Handel Choir of Baltimore, the Bach in Baltimore series, Modern Musick, Mountainside Baroque, Pressenda Chamber Players, and the Baltimore Symphony Orchestra. In addition to teaching at George Washington University, Dr. Merrill serves on the faculty at the Baltimore School for the Arts, and as the organist and director of music at St. Stephen Martyr Catholic Church in Washington, DC.
Event Venue & Nearby Stays
Italian Cultural Institute of Washington, 3000 Whitehaven Street NW, Washington, United States
USD 0.00
