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Wir alle,wir alle
leben in Erwartung.
In Erwartung von Ereignissen, die unser Leben verändern werden.
Doch womit beschäftigt man sich während des Wartens?
Die beste Wahl ist die Kreativität.
In der Ausstellung werden ausschließlich neue Arbeiten aus den Jahren 2025–2026 präsentiert.
Aus den Projekten:
„Typologie imitieren“
Ein sarkastischer Blick auf künstlerische Forschungen, die in Wirklichkeit gar keine Forschungen sind.
„Irrationale Bewegung“
Um sein Leben aufrechtzuerhalten, führt der Mensch eine Vielzahl von Bewegungen aus: Er steht auf, setzt sich, geht, rennt, wenn er zu spät kommt.
All dies sind rationale und notwendige Bewegungen.
Doch wie verhält es sich mit den Bewegungen von Tänzern, Turnern, Zirkusartisten und Darstellern des Bewegungstheaters?
Wozu das alles?
Performance als irrationale Handlung?
Das Projekt dokumentiert die Bewegungen von Künstlern, Sportlern und Akrobaten während ihrer Auftritte. Alle Aufnahmen sind dokumentarisch und entstanden unmittelbar während der jeweiligen Aufführungen.
In der Ausstellung werden sowohl Performances präsentiert, die gemeinsam mit der Künstlergruppe Bel.Climate realisiert wurden, als auch solche, die der Autor als Zuschauer fotografisch festgehalten hat, einschließlich Aufnahmen, die als Streetfotograf auf der Straße entstanden sind.
Projekt
Stil — Neopiktorialismus.
Die Bilder sind digitale Fotografien, die anschließend manuell bearbeitet und als Original im Format 35 × 24 mm (Dia) angefertigt werden.
Hochauflösender Scan.
Fotografischer Abzug.
Das gesamte Projekt ist eine direkte Fortsetzung der künstlerischen Linie der Künstlergruppe „Belarusian Climate“ – Fototheater, die bereits 1989 mit Performances wie „Die Eroberung der belarussischen Wüsten“, „Aeronauten“ und anderen begann.
EN
All of us,
we all
live in anticipation.
In anticipation of events that will change our lives.
But how do we occupy ourselves while we wait?
The best choice is creativity.
The exhibition presents exclusively new works created in 2025–2026.
Among the projects:
“Imitating Typology”
A sarcastic look at artistic research that, in fact, is not research at all.
“Irrational Movement”
To sustain everyday life, a person performs countless movements: getting up, sitting down, walking, running when late.
These are all rational and necessary movements.
But what about the movements of dancers, gymnasts, circus performers, and actors in physical theatre?
What is the purpose of all this?
Performance as an irrational act?
The project captures the movements of artists, athletes, and acrobats during their performances. All the images are documentary photographs, taken directly during live shows.
The exhibition includes both performances created with the Bel.Climate art group and performances documented by the artist as a spectator, as well as images taken in the streets in his practice as a street photographer.
The Project
Style — Neo-Pictorialism.
The images are digital photographs followed by manual processing and the creation of a 35 × 24 mm original slide.
High-resolution scanning.
Photographic printing.
The entire project is a direct continuation of the creative direction developed by the Belarusian Climate art group through its photographic theatre practice, which began in 1989 with performances such as The Conquest of the Belarusian Deserts, Aeronauts, and others.
Philippe Tschmyr
Born 30 May 1968 in Minsk (USSR)
Profile
Multidisciplinary artist from a family of artists, with extensive experience in music, theatre, photography, and creative direction. Founder and frontman of the internationally renowned project DrumEcstasy, with a strong background in audiovisual production and performance art.
Education
2023–2026 – Agnès Varda School of Photography and Visual Techniques, Brussels
1980–1986 – Music School (Double Bass)
1983–1985 – Art Courses (Sculpture)
Artistic Experience
1985–1987 – Actor at the Pantomime Theatre Studio under the direction of V. Prokofiev.
Since 1987 – Co-founder and member of the art group Belarusian Climate, working across music, photography, performance, installations, environmental art, video art, and theatre.
Since 1992 – Founder and frontman of DrumEcstasy: 5 studio albums, original music for 7 feature films, and more than 1,900 live performances worldwide.
Director and cinematographer of all DrumEcstasy video productions.
YouTube: https://youtube.com/@drumecstasy?si=zHTAbYZQFd9yM93X
Website: drumecstasy.com
Solo Music Career
Composer of original music for three audiobooks and a radio play for Swedish Radio Theatre (Stockholm).
Composer of original music for theatre productions at the Belarusian Contemporary Drama Theatre (Minsk) and the Moscow Art Theatre Studio (Moscow).
Composer of music for a ballet by Swedish choreographer Sybrig Dokter (Minsk).
Professional Experience
1997–2024 – Creative Director and Special Events Producer at the advertising agency Grey World White (Belarus, Georgia).
Responsible for creative direction and event production; currently continues to collaborate with the agency as a consultant.
Since 2019 – Active in street photography following his move to New York.
He regularly maintains a photography blog on Instagram:
https://www.instagram.com/philippe_tschmyr_drum_ecstasy?igsh=cTUzbndhZmp0aGhu
Additional Information
Coordinator of the Belarusian Climate art group, whose members are based in Warsaw, Berlin, Stockholm, New York, Vilnius, and Minsk.
Since 2022, Philippe Tschmyr has lived and worked in Brussels, Belgium.
Group and Solo Exhibitions
April 1988 – House of Cinema, Minsk
May 1989 – The End of Summer in Mesopotamia, Exhibition Hall of the Palace of Culture of Trade Unions, Minsk
September 1990 – Ethiopka, Exhibition Hall of the House of Teachers, Minsk
October 1991 – Belarusian Climate 1991, Copenhagen, Denmark
April 1992 – Jasina and the Smell of Tamarisk, AV-ART Gallery, Copenhagen, Denmark
March 1993 – Belarusian Climate 1993, Tacheles, Berlin
June 1994 – Belarusian Climate 1994, Franz Mehring Gallery, with the support of Kunstamt Kreisberg. Curated by Ulrich von Buer, Berlin
October 1994 – Belarusian Climate 1994, public-space exhibition, Minsk
October 1995 – Belarusian Climate 1995, 2B, Eindhoven
February 1997 – Isa la mas bonita, Alternaiva, Minsk
February 1998 – Belarusian Climate 1998, De Fabric, Eindhoven
August 2000 – 8 Installations, Alphege Church, London
2004–2005 – K841 project for British American Tobacco – concept, installations, and spatial design, Minsk
2005 – 3-tek project for British American Tobacco – concept, spatial design, and beach installation, Minsk
2005 – Experiment Street project for British American Tobacco – concept and spatial design, Minsk
2006 – Experiment Kino project for British American Tobacco – concept, video installations, and spatial design, Minsk
2007 – Experiment Broadcasting project for British American Tobacco – concept, video installations, and spatial design, Minsk
2008 – Three installations for British American Tobacco: Personal Jazz, Fixing Meals, Seeing Sound, Minsk
November 2010 – OPENING THE DOOR? BELARUSIAN ART TODAY, curated by Kestutis Kuizinas, CAC, Vilnius
May 2011 – OPENING THE DOOR? BELARUSIAN ART TODAY, curated by Kestutis Kuizinas, Zachęta – National Gallery of Art, Warsaw
October 2012 – Retrospective, Museum of Modern Art, Minsk
October–November 2014 – Photography Month programme, Pi, House of Fisher, Minsk
2014 – Belarusian Climate 2014, Museum of Modern Art, Minsk
October 2015 – 4 Self-Destructing Installations, Triennale, Tbilisi
November 2015 – Around the Battle, photography exhibition, Gallery U, Minsk
October 2017 – Retrospective, Dome of Visions, Stockholm
December 2017 – BK Exhibition Project at Tate Modern, Panda Theater, Berlin
2017 – Exhibition stand for the United Nations Population Fund (UNFPA) – concept and design
2018 – Participation in the Zbor in Progress exhibition, “Ў” Gallery, Minsk
2018 – Exhibition stand for UNFPA, It’s Too Early to Lay Down Your Hands – concept and design, New York and Geneva
June 2023 – FOTOFESTIWAL, Łódź
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Event venue
BAS CS Galerie Soldiner Str. 103, 13359 Berlin, Germany, Soldiner Straße 103, 13359 Berlin, Deutschland, Berlin, Germany
Tickets