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Alash are masters of Tuvan throat singing (xöömei), a remarkable technique for singing multiple pitches at the same time. What distinguishes this group from earlier generations of Tuvan throat singers is the subtle infusion of modern influences into their traditional music. One can find complex harmonies, western instruments, and contemporary song forms in Alash’s music, but its overall sound and spirit remain decidedly Tuvan.Trained in traditional Tuvan music since childhood, the Alash musicians studied at Kyzyl Arts College just as Tuva was beginning to open up to the West. They formed a traditional ensemble and won multiple awards for traditional throat singing in international xöömei competitions, both as an ensemble and as individuals. At the same time, they paid close attention to new trends coming out of the West. They have borrowed new ideas that mesh well with the sound and feel of traditional Tuvan music, but they have never sacrificed the integrity of their own heritage in an effort to make their music more hip.
Alash first toured the U.S. under the sponsorship of the OpenWorld Leadership program of the Library of Congress and the National Endowment for the Arts. Since then they have returned many times, to the delight of American audiences. The Washington Post described their music as “utterly stunning,” quipping that after the performance“audience members picked their jaws up off the floor.”
Alash enjoys collaborating with musicians of all stripes. Since their early partnership with the legendary Sun Ra Arkestra, they have joined forces with musicians across the spectrum—from country to classical to jazz to beatboxing. Alash appeared as guest artists on Béla Fleck & the Flecktones’ Grammy-winning holiday CD Jingle All the Way (2008). They joined Chicago’s innovative Fifth House Ensemble in a groundbreaking concert series called Sonic Meditations, and later were part of a “global jam band” which recorded the soundtrack for the video game The Pathless. Most recently, Bady-Dorzhu Ondar teamed up with beatboxer Shodekeh in a live recording of original Tuvan songs filtered through the creative artistry of hip hop musicians.
Beyond performing, Alash has a passion for teaching and promoting understanding between cultures. Their tours often include workshops in which they introduce Tuvan music to students in primary, middle and high schools, colleges, universities, and music conservatories. Children as young as 8 and 9 have learned to throat-sing. One inspired student exclaimed, “Alash opened my eyes to a whole new world!”
Alash is Bady-Dorzhu Ondar (vocals, igil, guitar, bayan), Ayan-ool Sam (vocals, doshpuluur, igil, xomus), Ayan Shirizhik (vocals, kengirge, shyngyrash, shoor, xomus), Kang-Khüler Saaia (vocals, byzaanchy, chadagan).
Jonathan Scales Fourchestra
You’ve heard this before, but the whimsically named Jonathan Scales Fourchestra is really tough to describe. Veering from in-your-face, jaw dropping chops and passion, to those quiet moments when the background noise disappears and you hold your breath to take in a soundscape of solitude, the power trio of electric bass (E'Lon JD), drums (Maison Guidry), and steel pans (Jonathan Scales) combines elements of jazz, classical, and progressive rock, peppered with Latin rhythms and soulful outbursts of funk. From club and festival stages across North America and Europe, and tours of Africa, Southeast and Central Asia as a Cultural Ambassador for the US Department of State, to their NPR Tiny Desk Concert featuring Béla Fleck, the Fourchestra’s live shows make even the most jaded listeners forget where they are… even if just for a precious moment.
This may seem an odd thing to say, but on the verge of releasing their eighth studio recording, Jonathan Scales Fourchestra is only now truly embracing their identity as a group. For many years, Jonathan’s live band was a fluid lineup of top-notch musicians, and even included an “all-star” version with bassist MonoNeon (Prince, Nas), drummer Sput Searight (Snarky Puppy, Snoop Dogg) and percussionist Weedie Braimah (Trombone Shorty, Christian Scott aTunde Adjuah), as well as a number of other marquee players. Now, however, the Fourchestra is a decidedly indivisible band, and Jonathan is writing for the trio, not just the pans.
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