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“In the beginner's mind there are many possibilities” Shunryu SuzukiThis workshop is rooted in the teachings of Jacques Lecoq and is for actors, theatre-makers, musicians, dancers, circus performers and the curious who would like to explore the realm of the theatre clown.
The Red Nose is a rich tool for creators of various disciplines: it deepens our imagination and allows us to find pleasure, spontaneity and playfulness in being on stage. Exploring this style of performance helps us to overcome a range of inner blocks, for example, stage fright, stay grounded and more confidently share our humanity and vulnerability with an audience on stage.
The workshop is open to everyone with or without clowning experience. No specific knowledge or background is needed, more important is the passion, empathy, curiosity and desire to explore. The work is ensemble-oriented, with a strong emphasis on movement, play and physicality. There's time for observation, participation, feedback and reflection.
During this workshop you will:
- research and develop your clown
- play in solo and ensemble improvisations
- understand your clown’s relationship with an audience
- capture your clown’s physical impulses
- explore the scale of clowning from the mundane to the surreal, absurd and existential
- work physically and use your body as an instrument for creation
- explore a range of ideas that can be developed into a clown performance
PRACTICAL INFORMATION
Date and Venue: 24-25 January, 2026 at Tit4Tat Studio (Greenbank, Bristol)
Times: 10.00-18.00 both days (with 1 hour lunch break, tea, coffee fruit and biscuits provided)
Prices: £130 Early Bird until 4 January 2026 *** payment in 2 instalments accepted.
After 4 January: £165 (full) £150 (students, everyone under 30) £140 (low-income, regular returners) ***payment in 2 instalments accepted.
Email: [email protected]
FACILITATOR
Igne Barkauskaite is a Lithuanian-born theatre-maker, performer, and musician, based in Bristol since 2008. Her practice explores lived migration, mental health, the natural world and a relationship between personal and collective memory through mixed mediums - movement, poetry and sound, often in co-creation with others.
Her role in collaborative work ranges from being a deviser, dramaturg and movement director, or a combination of these.
In 2011-13 Igne trained at Jacques Lecoq Theatre School. She has since devised work with Complicité (Drive Your Plow Over The Bones of the Dead) Mechanimal (UND; Megalith; Still Life ), Wassail Theatre (Lorna Doone), 2019 Sarah Corbett (The Swimmer; Very Modern) and Bristol Old Vic. In 2017 she founded Bristol Physical Theatre Project which facilitates theatre-making and ensemble-based training for professional performers and the wider community. She has also worked as a visiting tutor/workshop facilitator at Bristol Old Vic Theatre School, Bristol School of Acting and the University of the Arts London.
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Event Venue & Nearby Stays
Tit for Tat, 42 Stanley Park, Bristol, BS5 6DT, United Kingdom
Concerts, fests, parties, meetups - all the happenings, one place.
