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Tickets:🎟 truewest.info/Atwell27On Sale Friday, October 16th at 10am PT
THIS EVENT IS 21+ AND GENERAL ADMISSION.
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Sometimes we have to leave what we know behind, in order to find ourselves. For British artist Bess Atwell, a spontaneous move to Canada – where she lived for nine months – proved the catalyst for one of her most vividly realised, honest albums to date. Cut a Figure, her fourth record, doesn’t just trace the outlines; it digs deep, as Atwell analyses a lifetime’s worth of relationships, decisions and motivations.
To make such an album, she had to abandon some of the creative processes that had become second-nature. “The songs I really enjoyed performing from my last record were the rare moments where I put down any instruments, and it was just me singing to my audience, which can be a bit scary,” she says, referring to 2024’s Aaron Dessner-produced Light Sleeper. “But those were the songs that seemed to connect the most, and where I felt most free to actually live with the song and what it was about.”
Continuing her streak of working with some of the industry’s most in-demand producers, for Cut a Figure she teamed up with Chris Coady, whose credits include revered albums from Foals, Slowdive, Beach House, Future Islands and Yeah Yeah Yeahs. “He was in the upper echelon of people I wanted to work with, and I’d considered him to be very out of my league as a producer,” Atwell says with a laugh. Yet Coady heard the early demos and loved what he heard, of course, and she joined him at his studio in Glendale, California, for three weeks: “The longest I’ve ever spent in the studio making a record.”
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Event venue
1300 SE Stark St., Portland, OR, United States, Oregon 97214
Tickets
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