Name: The Driver (1978)
Start: 2026-05-20T19:30:00-04:00
Location: 227 Bridge St, Phoenixville, PA

This National Streaming Day, the Colonial invites you to see what you can’t stream.
ABOUT
“Characters without names, deeds executed without words—Hill reduces everything to its archetypal basics in order to celebrate the nobility and exhilaration of work executed with precision. In the process, he delivers a film that—culminating with a cat-and-mouse duel of mounting suspense—combines existential anxiety and kinetic thrills in a meticulous manner that would make its protagonist proud.” — Nick Schager, A.V. Club
“The Driver is a writer’s film only in the best sense: it was written as a film. Dialogue is relegated to its proper place, as only one tool among the range of expressive equipment at the director’s disposal. Hill’s camera placement, his cutting, his sense of décor, and his careful sequencing join his abstract dialogue as component parts of a single articulation.” — Dave Kehr, Chicago Reader
SYNOPSIS
Walter Hill’s lean, propulsive neo-noir begins with a premise stripped to its essentials: a taciturn getaway driver (Ryan O’Neal) and the obsessive Detective (Bruce Dern) determined to catch him. What follows is a high-stakes game of cat-and-mouse across a nocturnal Los Angeles, as each man tests the limits of the other’s precision, discipline, and code. Drawing equally from 1940s American noir and French auteur Jean-Pierre Melville’s ascetic reworking of it, The Driver reduces character to function and dialogue to abstraction, privileging movement and ritual over psychology. Hill’s rigorously composed set-pieces emphasize spatial clarity and duration, transforming each chase into a study in velocity and control. By fusing genre minimalism with an almost existential sense of professional identity, Walter Hill’s overlooked classic stands as a masterclass in cinematic economy: where style is substance, and to drive is to exist.
In honor of National Streaming Day (April 20), a reminder that some things can’t be found scrolling on your favorite service. Largely absent from major platforms, The Driver is best experienced the way it was meant to be seen: projected on a big screen with an audience; immersive, immediate, and in constant motion (no buffering required).