Name: ORGAN SEQUENCES XXXII w/ FEAR OF THE OBJECT & Eva Maria HOUBEN + Arthur VIDAL
Start: 2026-05-17T18:30:00+02:00
Location: Taborkirche (Berlin-Kreuzberg)

$ORGAN SEQUENCES XXXII w\/ FEAR OF THE OBJECT & Eva Maria HOUBEN + Arthur VIDAL$

𝐎𝐑𝐆𝐀𝐍 𝐒𝐄𝐐𝐔𝐄𝐍𝐂𝐄𝐒 𝐗𝐗𝐗𝐈𝐈
17th May - day 2 Fest Organ Sequences starts at 6.30
Spread it !!!
Thirty second chapter of a DIY series dedicated to organ
Taborkirche
Taborstraße 17, 10997 Berlin-Kreuzberg

EVA MARIA HOUBEN
ARTUR VIDAL

FEAR OF THE OBJECT
KJELL BJØRGEENGEN
INGA MARGRETE AAS
ANDREA GIORDANO
INGAR ZACH
AIMEE THERIOT
ROMAIN C. BERTHEAU

FEAR OF THE OBJECT is a site-specific intervention utilizing live video and sound performance to put into dialogue the architectural resonances and dissonances found within physical space, sound, and light.
https://vimeo.com/1017836835
https://fearoftheobject.bandcamp.com/album/fear-of-the-object

Kjell Bjørgeengen (f. 1951) is a Norwegian pioneer in video art, with a significant international position.
Bjørgeengen has exhibited and performed at institutions and galleries like The Museum of Contemporary Art (Oslo), Kunstnerforbundet (Oslo), Kunstnernes Hus (Oslo), Henie Onstad Art Center (Høvikodden), Kristiansand Kunsthall (Kristiansand), KODE (Bergen), Dundee Contemporary Arts (Dundee), Ludwig Forum für Internationale Kunst (Aachen) and Hara Museum of Contemporary Art (Tokyo). His works are in the collections of The Natinoal Museum of Norway, National Gallery of Canada and Louisiana Museum of Modern Art. He was professor at the Norwegian National Academy of Fine Arts between 1996 and 2002.
https://vimeo.com/kjellbjorgeengen

Inga Margrete Aas is an Oslo-based composer, improviser, and musician, working in the field of experimental music. As a composer, Aas sees the musical work as a catalyst for inquiry, sparking new modes of listening, unconventional thinking, and imaginative exploration. She envisions composition as an art of relational positioning, where sounds, actions, objects, text, light, and technology are woven together according to a musical logic (the logic of the muses). Aas has written music for esteemed ensembles and artists, including Boyes Musikkompani, Musica Vitae, Jennifer Torrence, and Tøyen fil og klafferi, among others.
https://sofamusic.bandcamp.com/album/silfr

Andrea Giordano is an experimental musician, singer, and composer from Cuneo, Italy
and based in Oslo. In works characterized by rich chamber orchestration, Giordano
investigates how acoustic instruments can be augmented by electronic means. Since
2018, Giordano has been creating vocal works in Piedmontese, drawing upon ongoing
research into her family’s dialect.
https://sofamusic.bandcamp.com/album/lea

Ingar Zach (born 29 June 1971 in Oslo, Norway) is a Norwegian percussionist.
In the 1990s, Zach played within Chateau Neuf Spelemannslag and 'Harnihomba', while studying music at the University of Oslo (1993) and composition on Jazz program at Trondheim Musikkonsevatorium (1994–97). Within the trio 'Tri-Dim' (1997–2000) he released two albums together with Håkon Kornstad (saxophone) and David Stackenäs (guitar). With the steel guitarist Ivar Grydeland he established the record label Sofa, releasing improvisational music (2000), a collaboration that led to a master's degree in improvisation (2004) and the trio Huntsville including with Tonny Kluften (five albums, 2013).
Zach also collaborated in a duo with free jazz guitarist Derek Bailey (1930–2005), the Norwegian ditto Anders Hana, within the Norwegian trio 'No Spaghetti Edition' (four releases), and in the two orchestras Batagraf and Magnetic North Orchestra led by Jon Balke. In addition, he has played on releases by Karl Seglem and Carl Petter Opsahl.

https://sofamusic.bandcamp.com/album/m-o-s

Aimée Theriot (MX) is a sound artist, researcher, organizer and musician interested in understanding the world through its sounds and vibrations. She has a shapeshifting practice that manifests as text, music, curatorial work, installation, research, and performance. With a background in free improvisation and experimental music, she draws from ambient, ASMR, deep listening, and soundscape recordings, with a heavy dose of experimentation using live electronics, e-cello, guitar, voice and other sounding objects. Her work has been presented at festivals and galleries internationally, and her music can be found in labels such as Sofa Music, Editions Verde, Unheard Records, Relative Pitch Records amongst others. She lives in Amsterdam.
https://fearoftheobject.bandcamp.com/album/fear-of-the-object

Romain Bertheau aka ThreadedDreams™ and Romain C. Bertheau (born 1983) is a Vaporwave artist, noise musician, organist, pianist and harpsichordist specialised in 17th century music.
Based in Berlin since 2020, he principally plays and composes for piano, church organs and "no input mixer".
https://romainbertheau.bandcamp.com/album/anatomy-of-a-bird

Artur M. Vidal is a London-based and Spanish-born saxophone player who grew up in Paris where he studied music, philosophy, and history of Art. His work involves field recordings, sound walks, dance, and improvisation. He has been doing academic research in London on improvised music and has become a certified teacher of Pauline Oliveros’s Deep Listening practice. He has published two collections of text scores: The Hum in the Valley (2021) and Friendly Algorithms (2018).
https://mainlysloworganmusic.bandcamp.com/album/non-pleurer-mais-r-ver

Eva-Maria Houben (born 1955) studied Music Education at Folkwang-Musikhochschule Essen and the organ with Gisbert Schneider. Following her exams she taught both German and Music Education at Secondary School. She received her doctorate and postdoctoral lecturing qualification in musicology and was called for lectures at Gerhard-Mercator-Universität Duisburg and Robert-Schumann-Hochschule Düsseldorf. Since 1993 Professor Houben has been lecturing at Dortmund University`s “Institut für Musik und Musikwissenschaft”, with both music theory and contemporary music as her focus. Her period of service at Dortmund University concluded with February 28, 2021. Up to now many books were published, concerning contemporary music, contemporary composers and traditional music, listened to with ‘new ears’.