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๐๐ป๐๐ผ ๐ฆ๐๐ถ๐น๐น ๐๐ถ๐ณ๐ฒ ๐ฏ๐ ๐ฆ๐ต๐ฎ๐บ๐ฎ๐ป ๐ง๐ฒ๐ฎ๐ฟ๐ผ๐ผ๐บ๐ฎ๐ต ๐ก๐ผ๐ ๐ฎ๐ฌ๐ฎ๐ฐ (๐๐ฟ๐ถ), ๐ณ๐ฝ๐บ โ ๐ณ.๐ฐ๐ฑ๐ฝ๐บ
๐ฏ๐ฌ ๐ก๐ผ๐ ๐ฎ๐ฌ๐ฎ๐ฐ (๐ฆ๐ฎ๐), ๐ฎ๐ฝ๐บ โ ๐ฎ.๐ฐ๐ฑ๐ฝ๐บ & ๐ณ๐ฝ๐บ โ ๐ณ.๐ฐ๐ฑ๐ฝ๐บ
๐๐ฟ๐๐ฆ๐ฐ๐ถ๐ฒ๐ป๐ฐ๐ฒ ๐๐ถ๐ป๐ฒ๐บ๐ฎ, ๐๐ฒ๐๐ฒ๐น ๐ฐ
๐ง๐ถ๐ฐ๐ธ๐ฒ๐๐ฒ๐ฑ ๐ฎ๐ฑ๐บ๐ถ๐๐๐ถ๐ผ๐ป: $๐ญ๐ฌ
Multidisciplinary art collective Shaman Tearoomโs performance embarks on a journey into the profound stillness that lies amid the relentless flow of change, exploring the subtle, often imperceptible movements that arise within quiet moments.
In their work Into Still Life, the notion of โstill lifeโ, typically reserved for depicting inanimate objects, evolves into a rich exploration that transcends familiar forms. An oxymoron arises as โstillโ and โlifeโโterms often seen as opposites, with stillness suggesting an absence of motion and life embodying endless changeโmerge into a relationship that surpasses conventional boundaries.
Into Still Life embodies this paradox, illustrating how life emerges within stillness and stillness within life. It invites us to observe the delicate dance between these two forces, reflecting the Eastern philosophy of yin and yang. Yin, embodying stillness, and yang, embodying movement, represent dualities that are not merely oppositional but symbiotic. Each holds the essence of the other, underscoring the interconnectedness and rhythm of existence.
The essence of this philosophy reflects how opposing elements are, in reality, deeply interconnected. The balance between yin and yang captures the harmony between stillness and motion, where each aspect is not only shaped by its counterpart but also sustained by it. Through this lens, the performance becomes a meditation on lifeโs cyclical nature, where moments of quiet are interwoven with movement, each nurturing the other.
Into Still Life invites the audience to uncover the profound within the ordinaryโthe quiet objects, moments, and experiences that often go unnoticed. It is a call to mindfulness, encouraging us to cultivate awareness of lifeโs subtleties and embrace the transformative power of stillness. This practice of mindfulness serves as a path to well-being, reminding us that true balance emerges not only through movement and change but also through the ability to dwell in stillness, to pause, observe, and simply be. In these quiet spaces, we reconnect with lifeโs deeper currents, finding solace and clarity beyond the rush of constant activity.
This interpretation reflects a unique adaptation of Shaman Tearoomโs 2022 exhibition performance Still Life, reimagined here to focus on well-being in the intimate setting of ArtScience Museumโs gallery. Incorporating music composition, acoustic instruments, spoken word, and vocal improvisation with a digital audio workstation (DAW), the performance culminates in a tea ceremony that gently underscores themes of reflection, balance and connection.
Into Still Life is presented as part of ArtScience Encounters: mโa, a micro season of performances inviting an emptying, grounding and centring of oneself.
๐๐ฏ๐ผ๐๐ ๐๐ต๐ฒ ๐๐ฟ๐๐ถ๐๐๐
Shaman Tearoom is a multi-disciplinary art collective, led by Aiwei Foo and Kent Lee who currently work and based themselves in Kuala Lumpur, Malaysia. Contemplating the presence of stillness and fluxes in life, their artistic expression sits in a Venn diagram of contemporary art, lyrical poetics, healing ambient, tea ceremony, sound art and sensory experiences.
Aiwei Foo is a multi-disciplinary artist with a background in Fine Art and Fashion Design. Her creative process focuses on the mundane aspects of everyday life where she explores the sustainable and mindful integration of art into everyday existence. She works with limitations in various disciplines, including visual arts, photography, moving images/video works, performance art, music, texts, textile, tea ceremony and food.
Kent Lee, a self-taught sound artist and musician, has a penchant for exploring diverse artistic disciplines. Driven by an affinity for the experimental side of music, he adeptly blends acoustic sounds with electronic gadgetry, prioritising improvisation over rigid compositions. With an extensive portfolio, Kent has composed, recorded and performed for dance and musical theatre productions.
Shaman Tearoom has participated in local and international exhibitions/performance such as the inaugural Singapore Ceramics Now! 2021 as part of Singapore Art Weekโs programmes, and also took part as the international collaborator for the London Architecture Festival 2021. In 2022, they took part in Buka Buku exhibition, an international collaborative project led by artists and curators in Wales and China, exhibited in Malaysia and Hong Kong. Their video works were showcased at The Body Language exhibition in Venice, Italy and Blackout, a screening in Berlin, Germany. In the same year, they also had their first solo exhibition performance Still Life which unfolded across a month in Kuala Lumpur, Malaysia. At ITBA (Islands Time-Based Art Festival), they were invited to present their new solo piece during Singapore Art Week 2023. As a sound healing practitioner, they conducted sound bath sessions as part of the programme at the Rainforest World Music Festival 2023. In 2024, they were invited to perform at the Huayi Chinese Festival of Arts in Singapore and showcase a new performance piece along with video works at the Gyeonggi Ceramics Biennale at the Gyeonggi Museum of Contemporary Ceramic Art in Gyeonggi-do, South Korea.
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Event Venue & Nearby Stays
ArtScience Museum, 10 Bayfront Avenue,Singapore
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