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Formed with the most modest of expectations, Fiddlehead has unexpectedly become one of the most vital groups in rock music. Their fervent audience responds to the urgency of their music, but also the intensely human exploration of loss that’s colored so much of the band’s output. Fiddlehead’s previous albums, 2018’s \[i\]Springtime and Blind\[/i\] and 2021’s \[i\]Between The Richness\[/i\], dealt heavily with grief from different perspectives, and now their latest album, \[i\]Death Is Nothing To Us\[/i\], feels like a de facto culmination, drawing together many of the catalog’s through-lines sonically and lyrically. The album finds Fiddlehead so deeply delving into the pain, confusion, nuances, and contradictions of sadness–so willingly wrapping their arms around a concept as existentially baffling as death itself–that they’ve created an album that is truly life-affirming.
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