Between Anatomies

Fri Jun 26 2026 at 05:30 pm to 07:00 pm UTC+08:00

ArtScience Museum | Singapore

ArtScience Museum
Publisher/HostArtScience Museum
Between Anatomies
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๐—•๐—ฒ๐˜๐˜„๐—ฒ๐—ฒ๐—ป ๐—”๐—ป๐—ฎ๐˜๐—ผ๐—บ๐—ถ๐—ฒ๐˜€
๐Ÿฎ๐Ÿฒ ๐—๐˜‚๐—ป๐—ฒ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ (๐—™๐—ฟ๐—ถ๐—ฑ๐—ฎ๐˜†)
๐Ÿฑ.๐Ÿฏ๐Ÿฌ๐—ฝ๐—บ โ€“ ๐Ÿณ๐—ฝ๐—บ: ๐—”๐—ฟ๐˜๐—ฆ๐—ฐ๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ ๐—–๐—ถ๐—ป๐—ฒ๐—บ๐—ฎ, ๐—Ÿ๐—ฒ๐˜ƒ๐—ฒ๐—น ๐Ÿฐ
๐Ÿณ๐—ฝ๐—บ ๐—ผ๐—ป๐˜„๐—ฎ๐—ฟ๐—ฑ๐˜€: ๐—Ÿ๐—ฒ๐˜ƒ๐—ฒ๐—น ๐Ÿฏ ๐—˜๐˜…๐—ต๐—ถ๐—ฏ๐—ถ๐˜๐—ถ๐—ผ๐—ป ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐—ถ๐—ฒ๐˜€
๐—ง๐—ถ๐—ฐ๐—ธ๐—ฒ๐˜๐—ฒ๐—ฑ ๐—”๐—ฑ๐—บ๐—ถ๐˜€๐˜€๐—ถ๐—ผ๐—ป: $๐Ÿฑ (๐—ถ๐—ป๐—ฐ๐—น๐˜‚๐—ฑ๐—ฒ๐˜€ ๐—ฒ๐—ป๐˜๐—ฟ๐˜† ๐˜๐—ผ ๐—™๐—น๐—ฒ๐˜€๐—ต ๐—ฎ๐—ป๐—ฑ ๐—•๐—ผ๐—ป๐—ฒ๐˜€: ๐—ง๐—ต๐—ฒ ๐—”๐—ฟ๐˜ ๐—ผ๐—ณ ๐—”๐—ป๐—ฎ๐˜๐—ผ๐—บ๐˜† ๐—ฒ๐˜…๐—ต๐—ถ๐—ฏ๐—ถ๐˜๐—ถ๐—ผ๐—ป ๐—ฎ๐—ณ๐˜๐—ฒ๐—ฟ ๐Ÿณ๐—ฝ๐—บ)
What happens when different ways of understanding the body are brought into direct conversation?
Building on the themes of Flesh and Bones: The Art of Anatomy, Between Anatomies brings together perspectives across medical science, Traditional Chinese Medicine, cultural history and curatorial practice to explore how the body can be understood in radically different ways.
From the formal structures of biomedical anatomy to the relational, energetic mappings of Traditional Chinese Medicine, and from historical entanglements of bodies and tools to contemporary curatorial interpretations, the programme considers how each system produces its own version of the body.
Speakers include ๐—ฉ๐—ฎ๐—ป๐—ฒ๐˜€๐˜€๐—ฎ ๐—–๐—ต๐—ฎ๐—ป๐—ด (Director of Programmes at Leonardo), ๐—๐—ฒ๐—ฟ๐—ผ๐—บ๐—ฒ ๐—–๐—ต๐—ฒ๐—ฒ (Curator of Moving Image & Emerging Media at ArtScience Museum), ๐—Ÿ๐—ผ๐—ฟ๐—ฟ๐—ฎ๐—ถ๐—ป๐—ฒ ๐—ฆ๐—ฒ๐—ฒ๐˜ (TCM Practitioner at HSI Medicine) and ๐——๐—ฟ. ๐—ฅ๐—ฎ๐—ป๐—ด๐—ฎ๐—ป๐—ฎ๐˜๐—ต ๐—ฉ๐—ฎ๐—น๐—น๐—ฎ๐—ฏ๐—ต๐—ฎ๐—ท๐—ผ๐˜€๐˜†๐˜‚๐—น๐—ฎ (Senior Lecturer in Anatomy at Lee Kong Chian School of Medicine). The programme is moderated by ๐—ญ๐—ต๐—ฎ๐—ป๐—ด ๐—•๐—ฎ๐—ผ ๐—ซ๐—ถ๐—ป (Senior Curator of Public Programmes at ArtScience Museum).

๐—ฃ๐—ฟ๐—ผ๐—ด๐—ฟ๐—ฎ๐—บ๐—บ๐—ฒ ๐—ข๐˜ƒ๐—ฒ๐—ฟ๐˜ƒ๐—ถ๐—ฒ๐˜„
5.30pm โ€“ 5.35pm
๐—ช๐—ฒ๐—น๐—ฐ๐—ผ๐—บ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—œ๐—ป๐˜๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ฏ๐˜† ๐—ญ๐—ต๐—ฎ๐—ป๐—ด ๐—•๐—ฎ๐—ผ ๐—ซ๐—ถ๐—ป
5.35pm โ€“ 5.50pm
๐—™๐—ฟ๐—ฎ๐—บ๐—ถ๐—ป๐—ด ๐—™๐—น๐—ฒ๐˜€๐—ต ๐—ฎ๐—ป๐—ฑ ๐—•๐—ผ๐—ป๐—ฒ๐˜€ ๐—ฏ๐˜† ๐—๐—ฒ๐—ฟ๐—ผ๐—บ๐—ฒ ๐—–๐—ต๐—ฒ๐—ฒ
Jerome Chee introduces the exhibition as a space where multiple anatomical traditions intersect to shape different ways of understanding the human body. Tracing a history that spans Renaissance anatomical image-making to diverse healing traditions, his talk reveals how anatomy operates as a shared yet contested language, and how visual and cultural frameworks continue to shape what can be known or imagined about the body.
5.50pm โ€“ 6.10pm
๐—ง๐—ต๐—ฒ ๐—”๐—ป๐—ฎ๐˜๐—ผ๐—บ๐—ถ๐—ฐ๐—ฎ๐—น ๐—•๐—ผ๐—ฑ๐˜† ๐—ฏ๐˜† ๐——๐—ฟ. ๐—ฅ๐—ฎ๐—ป๐—ด๐—ฎ๐—ป๐—ฎ๐˜๐—ต ๐—ฉ๐—ฎ๐—น๐—น๐—ฎ๐—ฏ๐—ต๐—ฎ๐—ท๐—ผ๐˜€๐˜†๐˜‚๐—น๐—ฎ
Reflecting on anatomy as a scientific discipline and pedagogical practice, Dr. Ranganath Vallabhajosyula examines how the body is structured, visualised and translated into medical knowledge through anatomical education. His talk examines how the teaching of anatomy continues to evolve, shaping both clinical knowledge and the humanistic and ethical values that underpin medical practice.
6.10pm โ€“ 6.25pm
๐—ง๐—ต๐—ฒ ๐—ฅ๐—ฒ๐—น๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—•๐—ผ๐—ฑ๐˜† ๐—ฏ๐˜† ๐—Ÿ๐—ผ๐—ฟ๐—ฟ๐—ฎ๐—ถ๐—ป๐—ฒ ๐—ฆ๐—ฒ๐—ฒ๐˜
Drawing from her clinical practice in Traditional Chinese Medicine, physician Lorraine Seet reflects on the body as a dynamic system shaped by balance, flow and interconnectedness. Her presentation offers a different perspective on health and healing, one that understands the body through relationships between body, mind, environment and lived experience.
6.25pm โ€“ 6.40pm
๐—ง๐—ต๐—ฒ ๐—•๐—ผ๐—ฑ๐˜† ๐——๐—ถ๐—ด๐—ถ๐˜๐—ฎ๐—น ๐—ฏ๐˜† ๐—ฉ๐—ฎ๐—ป๐—ฒ๐˜€๐˜€๐—ฎ ๐—–๐—ต๐—ฎ๐—ป๐—ด
In an era of rapid technological change, from AI and synthetic media to increasingly intimate interfaces, how do machines reshape what we think a body is? Vanessa Chang outlines a cultural history of co-evolution between bodies and technologies, showing how tools do not simply extend us but reorganise how we sense, move, communicate and imagine ourselves.
6.40pm โ€“ 7pm
๐—ฃ๐—ฎ๐—ป๐—ฒ๐—น ๐—ค&๐—”
Bringing the speakers into conversation, this closing discussion explores how different systems of understanding the body intersect and reshape one another.
7pm onwards
๐—œ๐—ป๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐—น ๐—–๐—ผ๐—ป๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—˜๐˜…๐—ต๐—ถ๐—ฏ๐—ถ๐˜๐—ถ๐—ผ๐—ป ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐—ถ๐—ฒ๐˜€
Continue the experience in Flesh and Bones: The Art of Anatomy, and join the speakers for informal conversations within the exhibition galleries.

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—™๐—น๐—ฒ๐˜€๐—ต ๐—ฎ๐—ป๐—ฑ ๐—•๐—ผ๐—ป๐—ฒ๐˜€: ๐—ง๐—ต๐—ฒ ๐—”๐—ฟ๐˜ ๐—ผ๐—ณ ๐—”๐—ป๐—ฎ๐˜๐—ผ๐—บ๐˜† (๐Ÿฎ๐Ÿญ ๐— ๐—ฎ๐—ฟ - ๐Ÿญ๐Ÿฒ ๐—”๐˜‚๐—ด ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ)
Flesh and Bones traces anatomy as a shared language of art and science, where the body becomes medicine, cosmos, and a vessel for contemplating life, transformation, and afterlife. Expanding beyond Western traditions of anatomical study, the exhibition brings into dialogue diverse cultural practices that have long shaped how bodies are cared for, depicted, and understood.
For centuries, the human body has been examined through medicine, art, and scientific investigation. In Renaissance Europe, printed anatomical atlases transformed emerging medical knowledge into images that reshaped how the body was studied and imagined through collaboration among anatomists, artists, and printmakers. Yet across the world, other systemsโ€”ranging from holistic healing to ritual, cosmology, and indigenous medical lineagesโ€”developed parallel ways of mapping the body, each grounded in its own philosophies of health, spirit, and interconnectedness.
Anatomy was central to artistic training in Europe, and artists played a pivotal role in circulating anatomical knowledge. But anatomical representation has never been the product of observation alone. At the intersection of art, science, and culture, visual languages of the body evolved to balance precision with interpretation, whether articulated through printed atlases, sculptural models, or culturally specific practices that understood the body not only as structure, but as energy, lineage, and living memory.
Flesh and Bones: The Art of Anatomy situates these histories within a broader global framework, examining anatomy as both scientific method and cultural constructโ€”a space where knowledge, belief, and imagination converge, diverge, and coโ€‘inform one another.
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