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A definitive collection of writings by the legendary Pulitzer Prize-winning reporter Murray Kempton (1917-1997) with a foreword by Darryl Pinckney, gathering dozens of columns, essays, and critiques from publications including The New York Post, The New York Review of Books, The New Republic, and Newsday.With many uncollected and long out-of-print writings, this is the first volume of Kempton’s work to appear in 30 years, a book that rediscovers the legendary figure of journalism that David Remnick called “the greatest newspaperman in town.”
Andrew Holter will discuss "Going Around: Selected Journalism." He will be joined in conversation by Heather Hendershot. A Q&A and signing will follow the discussion.
At the Co-op
About the Book
A courtly man of Southern roots, Murray Kempton worked as a labor reporter for the New York Post, won a Pulitzer Prize while at Newsday, and was arrested at the Democratic National Convention in Chicago along the way. He wore three piece suits and polished oxfords and was known for riding his bicycle around New York City while listening to his CD Walkman and smoking a pipe with wild red hair that later turned white. He developed a taste for baroque prose and became, in the words of Robert Silvers, his editor at The New York Review of Books, ''unmatched in his moral insight into the hypocrisies of politics and their consequences for the poor and powerless.''
He went to court proceedings and traffic accidents and funerals and to speeches by people who either were or wanted to be rich and famous. He wrote about everything and anybody—Tonya Harding and Warren Harding, Fidel Castro and Mussolini, Harry Truman and Sal Maglie, St. Francis of Assisi and James Joyce and J. Edgar Hoover.
From dispatches from a hardscrabble coal town in Western Maryland, a bus carrying Freedom Riders through Mississippi, an Iowa cornfield with Nikita Krushchev, an encampment of guerrillas in El Salvador, and Moscow at the end of the Soviet Union (these last two assignments filed by a reporter in his 70s), Kempton’s concerns and interests were extraordinarily broad. He wrote about subjects from H.L. Mencken to Tupac Shakur; organized labor and McCarthyism; the Civil Rights and Black Power movements; presidential hopefuls and Mafiosi; frauds and failures of all stripes; the “splendors and miseries” of life in New York City.
About the Editor
ANDREW HOLTER is a historian and writer based in Chicago, formerly of Frederick, Maryland, and Baltimore. His work has appeared in The Times Literary Supplement, Rolling Stone, Los Angeles Review of Books, The Brooklyn Rail, Lapham’s Quarterly, and other publications. As an independent historical researcher, he has contributed to books, radio programs, and museum exhibitions, and served as the primary archival consultant for Theo Anthony’s 2016 documentary Rat Film, which the New Yorker called one of “62 Films That Shaped the Art of Documentary Filmmaking.
About the Interlocutor
Heather Hendershot is the Cardiss Collins Professor of Communication Studies and Journalism at Northwestern University. Her most recent books are "Open to Debate: How William F. Buckley Put Liberal America on the Firing Line" and "When the News Broke: Chicago 1968 and the Polarizing of America." Her monograph on Robert Altman’s Nashville (1975) will be published in October.
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Event Venue & Nearby Stays
5751 S Woodlawn Ave, Chicago, IL, United States, Illinois 60637
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