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To request ADA seating: Please send us an email at [email protected] or call our box office at (415) 551-5157 and we can assist you. Our ADA area can reach capacity early, so we highly recommend contacting us as soon as possible. Day of show requests may not be able to be accommodated. Dine with us at Curio [https://www.curiobarsf.com/] and receive Expedited Entry into The Chapel! When you kick off your evening with dinner and drinks at Curio, we will check your tickets at your table and you will avoid the line outside. Be sure you tell us you're coming to the show when you make your reservation and upon arrival to the restaurant. Reserve HERE [https://www.opentable.com/restref/client/?corrid=869f5291-d743-45e7-86e1-a220169d0799&lang=en-US&ot_source=Restaurant%20website&restref=107224].
Website [https://www.scopitones.co.uk] | Spotify [https://open.spotify.com/artist/4tyCvqG48h4LdcbFfWBjR9?si=FsL-i58VQF6Wnq-p-AcXjQ] | YouTube [https://www.youtube.com/user/WeddingPresentTV] | Instagram [https://www.instagram.com/weddingpresent]
The Wedding Present will be playing a series of concert dates in North America in 2026 to commemorate the 35th anniversary of the release of their pivotal long-player, Seamonsters.
Following the release of Seamonsters – which was recorded by the legendary Steve Albini in twelve days during 1991 – The Guardian newspaper noted that: “Albini has given The Wedding Present considerable weight, with Gedge’s voice trickling between banks of scowling guitars” and went on to feature it in its list of ‘1,000 albums to hear before you die’. Despite its uncompromising sound, the album reached No. 13 in the British album charts and has been hailed as a classic.
Seamonsters reviewed by AllMusic:
After recording with Steve Albini on their remake of 1990’s ‘Brassneck’ single, The Wedding Present decamped to Minnesota to record a full album with the notoriously abrasive producer. It proved to be a perfect match of band and producer, and Seamonsters turned out to be the most emotionally powerful album the band could have hoped to make. Albini’s dramatically stripped-down sound and David Gedge’s utterly wrecked lyrics work to wring every last drop of desolate anger and angst from the songs. Simon Smith sounds like he’s battering his drums with concrete blocks instead of sticks, Keith Gregory’s wire-taut bass sounds like it’s stalking the guitars, and Gedge and Peter Solowka’s guitars explode into flaming balls of noise and sound when they aren’t lurking in the mix like barely restrained demons. The simplicity of the recording, the intense range of dynamics in each song, and the almost painful amount of passion the band injects into every note is breath-taking. Add in Gedge’s ripped-from-his-heart vocals and his intensely felt, quite bleak, lyrics and it gets close to emotional overload territory. The Wedding Present had always had a reputation for being dour and straitlaced, but there was usually still some humour in Gedge’s turns of phrase, a jaunty feel to their high-speed guitar strumathons, and an almost fun energy in their poppiest songs. There’s absolutely nothing about Seamonsters that isn’t the darkest, unhappiest thing one could imagine. Luckily, the gloom is tempered by how catchy the songs are – hooky tracks like ‘Dare’ and ‘Dalliance’ are hard to shake. It’s also made easier to swallow by the quieter songs like ‘Carolyn’ and the overall dynamic approach, which allow Gedge some space to croon. Indeed, this is the album where Gedge moves beyond being a solid vocalist to being a great one. Seamonsters is The Wedding Present’s masterpiece, a long look into the abyss that feels like a knife twisting deep into the heart, and sounds like a glimpse into the bare souls of the band. It’s not easy listening, but it is essential. [Tim Sendra]
Mark Robinson is an indie-rock musician from Washington, D.C. who founded Teen-Beat in 1984. Best known for founding Unrest, he has also been a member of Air Miami, Flin Flon, Grenadine, Cotton Candy and Fang Wizard and released a number of solo records. His recordings are typically sparse, often based around a carefully controlled guitar.
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