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With time, Noiseberg has shed its clockwork regularity. After the weekly rendez-vous got too intense, the pace got slower. One interruption at a time, we embraced intermittent life, got cosy between sommer- and winterpause. Now, sound happens when it happens, stubbornly on the first Sunday of the month. After a long pause and a loud anniversary, here we are again, with two more sessions in the plans. Music remains what it always was: inconsistent, unpredictable, and exactly what it needs to be. =
Clystre — Overloaded Ruminations
www.clystre.com
Carsten Rochow’s ROAR – relentlessly overloaded ambient ruminations – thrive on the tension between clarity and blur. Built on the Buchla Music Easel and nudged sideways by Chase Bliss pedals, his sound veers from minimal discipline to brutalist excess. Inconsistencies become the material: fog morphs into sharpness, gentleness into overload, and loops collapse into unexpected turns.
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Kittykill — Chaotic Interferences
https://www.instagram.com/kill_kittykill/
Rebecca Eriksson and Gabriel Pinna summon kittykill in real time, letting chaos drive instead of control. Their music is a collision of digital distortion, hardcore grooves, broken pop fragments, and screamed confession. Every glitch, every overload, every rupture is folded back in, so that the interference itself becomes the backbone of their sonic body.
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Twerkonkraftwerk — Naive Disruptions
https://soundcloud.com/rhonepoulenc/sets/improvisations-naives
Charly Bergoug leans into mistakes and miracles with a hardware setup that is as unruly as it is generous. His electronic improvisations wander between dreamy pop and experimental fog, each piece shaped by whatever interruption happens in the moment. The result is music that feels both delicate and determined, balancing naivety with instinct.
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Frank & Jina0king — Resonant Entanglements
https://orange-ear.de/frank
https://linktr.ee/Jina0king
Frank Nagel constructs hybrid soundscapes from noise and resonance: analog samples, a no-input mixer, and a resonator guitar forced into infinite sustain. Jina0king listens outward and inward at once, weaving connections through guitars, pedals, objects, and natural textures. Together, they treat interference not as error but as conversation, letting signals entangle until distinctions dissolve.
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Olivia Palmer-Baker — Porous Reverberations
https://www.oliviapalmerbaker.de/
In 'je mets mon scaphandre', the bassoon and live electronics are placed inside a porous field of sound. This first stage of a longer collaboration with composer John Aulich exposes the instrument as a leaky vessel—unstable, bending, constantly interfered with by resonance and space. Later versions will add responsive light, but even now the work shows how interruption and permeability can open a space for immersion, trust, and reinterpretation.
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We open doors at 5pm, the music starts at 5.30. Financial donations are welcome but never mandatory—no one ever was or will be turned away for lack of funds. All donations go to the artists, GEMA is (reluctantly) paid from bar proceeds.
// SCHEDULE
17:00 DOORS
17:30 ↗ Clystre
18:15 ↘ Kittykill
19:00 ↗ Twerkonkraftwerk
19:45 ↘ Frank & Jina0king
20:30 ↗ Olivia Palmer-Baker
21:15 HANGOUT
22:00 END
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Event Venue & Nearby Stays
Atelier Äuglein, Oppelner Strasse 12,Berlin, Germany
