Name: Hiding Places – The Secret to Good Living Tour – with Verity Den, Supermutt
Start: 2026-05-21T20:00:00-04:00
Location: Cat's Cradle

$Hiding Places \u2013 The Secret to Good Living Tour \u2013 with Verity Den, Supermutt$

Hiding Places
with Verity Den, Supermutt
Thursday, May 21
Doors: 7 pm : Show: 8 pm
Cat’s Cradle Back Room
TICKET LINK: https://www.etix.com/ticket/p/65721308/hiding-places-carrboro-cats-cradle-back-room
Shortly after forming, the members of the New York-via-North Carolina indie rock band Hiding Places noticed a secret power. During their live sets, no matter the loudness, scuzziness, or mayhem of the venues they played, their tender, atmospheric sound became the focus of the room, quieting their surroundings as audiences became hypnotized by their steady, rhythmic interplay and bittersweet vocal melodies. From these experiences, the band developed a credo of close listening. If one member plays too fast, they won’t try to nudge down the tempo; if someone’s volume rises above the rest, they adapt their levels accordingly. The goal, always, is togetherness—to maintain a unified whole, always in sync. This philosophy is part of what makes the quartet’s cozily intricate and hard-hitting Keeled Scales debut, The Secret to Good Living, feel like a bold introduction as much as a well-worn mixtape, passed down from a trusted friend.
It makes sense that the band formed while three of its members were DJs at their college radio station at the University of North Carolina at Chapel Hill. They embrace music as a means of communication, identity-forming, and deeper understanding of human nature. Songwriters/guitarists Audrey Keelin and Nicholas Byrne alternate between fronting the band, sharing lead vocals and lending the 10-song record the tone of an intimate conversation with room for silence and deeper concentration. Rounded out by a rhythm section of drummer Henry Cutting and bassist/producer Michael Matsakis, they’ve developed a forward-thinking sound with a sense of nostalgia built into it: a blend that draws from the collage-like indie rock of Yo La Tengo, the elegant slowcore of The New Year, the riffy story-songs of Drive-By Truckers, and the analog hum of The Microphones.
The Secret to Good Living, which bridges their fuzzy home-recorded demos with their first experience in a professional recording studio, helps translate their humble beginnings to the big stages for which they seem destined. It’s the product of hermetic late-night sessions, collaborative writing retreats in Athens, Georgia, and an evolving perspective on their singular dynamic. After years of working remotely, this record marks the collective result of the quartet living together in a city for the first time—an experience that amplified the band’s creative bond and connected them with fellow North Carolina transplants in the city.
“We’ve built a Southern home in New York and simultaneously get to experience the cultures of the world that collide here,” Byrne says of their tight-knit community and enduring connections to their hometowns, where they frequently return. “Within 24 hours, I could be at Myrtle Broadway and then in rural Georgia sighting in a hunting rifle. Living between Southern landscapes and New York, and carrying those lessons and experiences with us, has been the story of this band.” On The Secret to Good Living, Hiding Places follow this thread, navigating their mid-to-late 20s and using songwriting as a portal for self-discovery and exploration. Tellingly, the concept raised in the title arrives not in a prescriptive philosophy but as an ongoing inquiry: “Oh, what’s the secret to good living,” Byrne and Keelin ask in unison. “How was I supposed to know?”