Name: Group Listening + Ancient Plastix / 05.06 / The Glad Cafe, Glasgow
Start: 2024-06-05T18:30:00+00:00
End: 2024-06-05T21:30:00+00:00
Location: The Glad Cafe

$Group Listening + Ancient Plastix \/ 05.06 \/ The Glad Cafe, Glasgow$

Musical collaborators for the past decade, Paul Jones and Stephen Black are together known as the woodwind-and-key-wielding, sculptural-papier-mâché-hat-wearing Group Listening.
Following renegade reinterpretation records Clarinet & Piano: Selected Works Vol. 1 (2018) and Vol. 2 (2022), which pulled apart, pondered, and re-shaped cult ambient classics by the likes of Robert Wyatt, Arthur Russell and Beverly Glenn-Copeland, Walks (2024) — a shining modernist monolith buried deep in the woods — is their first volume of completely original compositions.
Walks draws from the field recordings of Ernest Hood; the abstraction of Harold Budd; the saxophone of Sam Gendel; the “heightened naturalism” of a Martin Parr photograph; the clarity and site-specificity of Japanese ambient, environmental & new age music of the 80s and 90s, and, prominently, Robert Walser’s pseudo-biographical novella The Walk — an appreciation of the philosophical space gifted by walks to walkers.
An ode to the gently psychedelic potential of wandering around in some place, any place, every place: the places in one’s own mind, Walks invites you to listen and think; to slip through the fabric of time a little or a lot, depending on how long you’ve got. Over all, to paraphrase Walser, it invites you to glow and flower yourself in the glowing, flowering present.
---
Liverpool producer Paul Rafferty aka Ancient Plastix is back with 'II' an album that glides effortlessly, combining incredibly rich textures with soft swan-like strokes, oscillating gently, an unhurried pace that combines the depth of Japanese ambient maestros and the choppy British mist. Recorded to tape on a Japanese Sansui machine, there is a widescreen grandeur that permeates Ancient Plastix’ production, a cinematic instinct that steers clear of crescendos by creating paths that revel in warmth and emotion.
“★★★★ utterly absorbing” Clash Magazine