About this Event
Film/Theory
An Experimental Cinema Lecture & Study Series
Sundays, 6pm - 8:30pm
3/1 • 3/8 • 3/15 • 3/22
Film/Theory is a discussion- and practice-based class exploring what makes an 'experimental film', and how experimental cinema functions as a way of thinking, seeing, and asking questions, rather than telling stories.
Through shared readings, screenings, and conversation, this class introduces critical theory through the lens of film. Blending philosophy, art history, science, and alternative filmmaking practices, participants will engage with foundational texts and films that challenge narrative cinema, authorship, realism, spectatorship, and the mechanics of vision itself.
Rather than focusing on polished outcomes, this class emphasizes inquiry, experimentation, and accessibility, creating a supportive environment for participants to explore film as a medium of investigation.
What We’ll Explore:
- What defines 'experimental' cinema
- Film as inquiry, not explanation
- Seeing vs. viewing vs. looking
- Memory, movement, time, and perception
- The relationship between image, body, and meaning
- Accessible methods for experimental filmmaking
- Open feedback, discussion, and shared works-in-progress
Readings & Texts (Selections):
Works by Henri Bergson, Gilles Deleuze, Roland Barthes, Laura Mulvey, Werner Herzog, Eadweard Muybridge, Bruce Lee, John Alec Baker, and others. Utilizing philosophy and film theory to movement studies and creative journals creates a broader understanding of the subject.
Screenings & Film Excerpts (Selections):
Films and archival materials by Abbas Kiarostami, Jim Jarmusch, Werner Herzog, Chantal Akerman-adjacent practices, Eadweard Muybridge, Yasujiro Ozu, Michel Brault, Michael Snow, Lars von Trier, David Lynch, Patricio Guzmán, and more, not just leaning on the experimental, but rather also documentary, essay film, and expanded cinema.
Weekly Structure:
March 1st, Week 1: The Study of the Eye
Art, philosophy, science, and the mechanics of seeing
March 8th, Week 2: Camera Lucida
Viewing, seeing, and looking
March 15th, Week 3: Camera Obscura
Creating, finding, and capturing
March 22nd, Week 4: Showing, Sharing, Translating
Presentation, feedback, and collective reflection
Who This Is For:
- Artists, filmmakers, and writers
- People curious about experimental cinema
- Those without formal film education
- Anyone interested in film as a way of thinking
Includes:
- 4 classes
- Writing materials
- Microphones
- Tripods
- Access to tools and props
- All readings and viewings
- Coffee & tea
No prior filmmaking experience required. All levels welcome.
Agenda
🕑: 06:00 PM - 08:30 PM
The Study of the Eye
Info: Week 1: Art, philosophy, science, and the mechanics of seeing
🕑: 06:00 PM - 08:30 PM
Camera Lucida
Info: Week 2: Viewing, seeing, and looking
🕑: 06:00 PM - 08:30 PM
Camera Obscura
Info: Week 3: Creating, finding, and capturing
🕑: 06:00 PM - 08:30 PM
Showing, Sharing, Translating
Info: Week 4: Presentation, feedback, and collective reflection
Event Venue & Nearby Stays
Asylum Collective, 108 South Jackson Street, Seattle, United States
USD 108.55
