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Audiovisionen: Victoria Keddie, Nour SokhonsIn ihren Konzerten entwirft Victoria Keddie weite Spannungsbögen aus Sprachfragmenten und digitalen Soundsplittern. Vorsichtig tastend umkreisen ihre Sets das Thema Sprache, um sich langsam mehr und mehr zu verdichten.
Listen to Victoria Keddie:
https://victoriakeddie.bandcamp.com/album/apsides
Die libanesische Künstlerin Nour Sokhons überträgt Ihre künstlerische Forschung, darunter Interviews, Fieldrecordings und Aufnahmen von organisierten ortsspezifischen Interventionen, feinfühlig in Sound und Musikperformances.
Listen to Nour Sokhons:
https://auralconduct.bandcamp.com/album/beirut-birds
Victoria Keddie (US) and Nour Sokhon (Beirut/ Berlin) bring together two distinct approaches to sound and communication. Keddie works beyond structured language, exploring how error, interference, and transmission artifacts destabilize meaning. Sokhon draws from artistic research — interviews, field recordings, and site-specific interventions — translating documentary processes into sound and music composition. Together, their practices trace the boundaries between communication, place, and signal.
Working with fragments of memory drawn from her personal archive of Interviews, Nour traces the slow deterioration of words into sound. Through live looping of voice and objects, she opens portals where memory travels, translated through bodily gestures where the machinic meets the intimate, and disorder folds into form. For this collaboration, Keddie incorporates a neural machine and analog synthesizer as extensions of the artist’s vocal
language. Together, the machines work to process ruptured moments, dissolving them into a dense, abstract spatial field. Voice becomes a fragile, powerful acoustic force, unfolding, fragmenting, and collapsing in real time.
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Event Venue
KulturRaum Zwingli-Kirche e.V., Danneckerstraße 4, 10245 Berlin, Deutschland, Berlin, Germany
Tickets
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