His Eminence, the Archbishop of Queer Pop, and His Boys recorded a rehearsal that was SO GOOD they decided to release it. The Seal of Confession has been broken, and what should be unspoken is now laid bare. Cum and hear all Daddy's dirty secrets, raw and intimate, in an intersection of pop, rock, faith and leather. It's live music, it's gay as fuck, it's shame as show, and it's free.Doors 7 pm
Show 8 pm
Dress Code: Catholic Kink Couture
Featuring Special Guest Linh Uendo
"Father Daddy doesn’t make music for background playlists. He makes it to grab you by the collar, drag you to the altar of the dance floor, and dare you to look away. His tracks are unapologetically loud, sexual, and confrontational, dripping with the sweat of basement clubs and the swagger of a leather sermon.
Where most queer pop artists are still polishing their edges for mainstream palatability, Father Daddy sharpens his into knives. His lyrics are brazen where others are coy, his delivery half drag-pulpit, half dom-top confession. The result is both camp and caustic: a carnival of lust, shame, and power games played out over pounding industrial beats and candy-coated synth hooks.
This is not music that flatters the listener—it challenges them. One minute you’re seduced by a sugary pop refrain, the next you’re pinned against the wall by snarling distortion. It’s whiplash by design. Father Daddy revels in discomfort, turning the unspeakable into spectacle and the taboo into a punchline.
There are echoes of Peaches’ fearless vulgarity, Marilyn Manson’s theatrical menace, and Chappell Roan’s queer maximalism—but Father Daddy is too unruly to be a disciple. He’s not following a tradition; he’s staging a takeover.
Father Daddy is a reminder that queer art doesn’t always need to be palatable, inspirational, or safe. Sometimes it’s best when it’s filthy, funny, and impossible to ignore." Chat GPT
Event Venue
Mollie's Bar and Diner, 103 Smith St, Fitzroy VIC 3065, Australia, Melbourne
Concerts, fests, parties, meetups - all the happenings, one place.
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