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偏移之際 At the Threshold of Shift高德亮個展 Kou Tak Leong Solo Exhibition
展 期 Duration｜2026.05.30–07.18
開 幕 Opening｜2026.05.30 (sat.), 14:00
座 談 Artist Talk｜2026.06.06 (sat.), 15:00-17:00
與談人 Panelist｜阮慶岳 Roan Ching-Yueh / 文化評論者 Culture Critic
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就在藝術很榮幸於五月底與裝置藝術家高德亮首度合作，推出個展《偏移之際 At the Threshold of Shift》。本次展覽將展出三個全新系列裝置作品，圍繞光線、影子與線條之間的感知關係展開，隨著移動視角產生的變化，開啟一種需以身體經驗逐步建立的觀看方式。
展覽將於5月30日（六）14:00 正式開幕，並於6月6日（六）15:00–17:00舉辦藝術家對談，邀請文化評論者阮慶岳與談，分享其創作脈絡與本次展覽的發展。
Project Fulfill Art Space is honored to present our first collaboration with emerging installation artist Kou Tak-Leong in the solo exhibition “At the Threshold of Shift”. Featuring three newly developed series of installations, the exhibition explores perceptual relationships between light, shadow, and rim. By shifting the angle and position of viewpoints, the reflection of light changes, the works initiate an observation through not only eyes but also bodily experience.
The exhibition officially opens on May 30th at 2 PM. An artist talk will be held on June 6th at 3–5 PM, featuring a conversation with cultural critic Roan Ching-Yueh, who will join the artist in discussing his creative practice and the development of the exhibition.
──────── 展覽敘述 𝐀𝐛𝐨𝐮𝐭 𝐄𝐱𝐡𝐢𝐛𝐢𝐭𝐢𝐨𝐧 ────────
環形的光、碎化的影子、無法對焦的線條，在空間裡各自維持著不同的節奏。它們安靜地顯現，卻悄悄地偏移，使清晰與模糊、粗與細、明與暗在觀看之中持續交換位置。空間中的一切彷彿都在等待某個瞬間被辨認，而人只能透過移動、停留與反覆觀看，逐步靠近那個尚未完全對準的地方。
空間中的片段部分來自對日光、影子與方位的某些觀測經驗。那是一種需要等待的辨認，等待日光在特定時刻落入水井，等待高塔的影子在移動中顯現出足以被察覺的差異。對位置的理解，往往無法一次抵達，總要經過停留、守候與反覆比對，才慢慢成形。光、影與線之所以動人，也正在於它們顯現得短暫而細微，必須把身體放進時間裡，才能看見它留下的痕跡。
對我而言，這些作品所牽引出的，始終是一種很基本的感知狀態。人如何透過站立、轉身、靠近、離開，在微小變化之中慢慢建立自己與世界的關係。當許多事物愈來愈迅速地抵達眼前，這樣的過程反而顯得稀少。作品所試圖留住的，不是某種確定的答案，而是那些仍需要身體去經過、時間去醞釀，才會浮現的片刻。—— 高德亮
高德亮長期聚焦於光藝術、空間與地景裝置領域，創作經常從場域既有的結構、動線與邊界出發，透過光線、材料與身體感知之間的細微變化，打開人與空間之間的關係。在他的作品中，光並非單純的照明效果，而更像是一種測量、定位與感知世界的方法；空間也不再只是被動的背景，而是在觀者移動、停留與轉身之間，逐步生成經驗的場所。
本次展覽延續藝術家對光、影、方位與觀看經驗的關注，圍繞「偏移」展開。那些看似穩定的事物：光線、影子、線條與位置，在觀看過程中不斷產生從清晰到模糊、由亮到暗等變化。使得觀者必須透過移動與停留，慢慢建立自身與空間之間的關係，讓觀看本身，也成為一種需要時間醞釀的過程。
展場入口處的大型裝置《隱沒的日光no.3》，以光學材質構成巨大的環形光體。作品隨著觀者移動而產生不同的折射與色彩變化，讓觀看不再是靜止的凝視，而成為一種即時發生的感知經驗。作品指向太陽的意象，也像是一道介於空間與身體之間的感知入口。藝術家在作品表面加上具有折射特性且呈半圓弧型的光學壓克力，使光線和顏色在不同角度下呈現流動般的層次，也回應他對觀看差異的思考：即使面對相同事物，每個人所感知到的內容依然不盡相同。
空間中央的《預現》則圍繞畫廊空間既有的結構柱體發展。藝術家透過數位運算，模擬日光於不同時間投射所形成的影子，並將其轉化為地面上的實體裝置。那些原本隨時間移動、難以停留的影子，在展場中被固定下來，形成時間與空間交錯的另一種顯現方式。作品亦與《隱沒的日光no.3》形成相互呼應的關係，指向自身、他者與星體之間的連結，使觀看成為一種重新校準自身方位的過程。
另一件作品《井邊》則透過對表面材質的細緻調整，使光線折射後呈現從一邊逐漸滿盈的狀態。光並非瞬間亮起或消失，而是像從極遠處逐漸浮現一般，緩慢地從邊緣蔓延至中心。作品靈感來自日光在特定時刻、幾乎毫無偏差地落入水井的瞬間，原本幽暗的井口，因光線進入在黑暗之中緩慢顯現。那種介於出現與尚未完全顯現之間的狀態，也成為作品欲保留的觀看經驗。
展場四周則分布著《未明的原點》系列作品。藝術家從過往使用建模軟體的經驗出發，將對數位空間與現實尺度之間的反思，轉化為多件依附於牆面與空間邊界的線性裝置。那些模糊、難以對焦的線條，像是潛藏於空間中的座標與提示，重新指向平時不易被察覺的邊界與結構，也提醒著我們：對空間尺度的理解，其實始終在虛擬與現實之間來回交錯，而身體則成為兩者之間最直接的連結。
《偏移之際 At the Threshold of Shift 》展覽試圖保留的，並非某種明確的結論，而是那些仍需透過身體經過、時間醞釀，才會慢慢浮現的觀看片刻，在當代高速流動的資訊與視覺經驗之中，高德亮以光、影與空間構築出一種更為緩慢的感知方式。
A ring of light, fractured shadows, and lines that never fully come into focus move through the space in different rhythms. Clarity and blur, brightness and dimness, thickness and thinness quietly change places. Everything seems to linger on the verge of recognition, and the viewer, by moving, pausing, and looking again, is slowly drawn toward something that has not yet settled into alignment.
Part of the exhibition grows out of observations of sunlight, shadow, and orientation. It is rooted in a kind of attention that asks for time: time for sunlight to fall into a well at a precise moment, time for the shadow of a tower to shift until a slight difference becomes visible. Position is never grasped all at once. It gathers gradually through waiting, through repetition, through the patient act of comparison. Light, shadow, and line remain compelling because they appear so briefly and so delicately. They leave traces that can only be felt when the body remains with them for a while.
For me, these works return to a simple but fundamental condition. Through standing, turning, approaching, and withdrawing, one slowly enters into relation with the world. In a time when so many things reach us with increasing speed, that process feels ever more fragile. What these works try to hold is not a fixed answer, but those moments that surface only when the body passes through them and time is allowed to deepen.
— Kou Tak Leong
Kou Tak-Leong’s practice focuses on light-related art, spatial installation, and landscape-based works. Often beginning with existing structure, circulation, and boundaries, his works embodied perception, material properties, and the changing conditions of light to re-examine the relationship between body and space. In Kou’s work, light is not merely an effect of illumination, but a means of measuring, locating, and sensing the world. Space, likewise, is not treated as a passive background but as a scene where experience gradually takes shape through the viewer’s movement, pause, and turning.
This exhibition continues his ongoing interest in light, shadow, orientation, and individual experience, and unfolds around the movement “Shift”. Light, shadows, lines continuously change between blur and clarity, viewers are encouraged to move through and pause within the space, gradually constructing their own relationship through the changes of distance and perspective.
At the entrance of the exhibition, the large-scale installation “The Vanishing Sunlight no.3” takes the form of an enormous ring of light constructed from optical materials. As viewers move around the work, shifting refractions and chromatic variations emerge, transforming viewing from a static gaze into an immediate perceptual experience. The work imitates the image of the sun while also functioning as a perceptual threshold between space and the body. By applying semi-arched optical acrylic panels with refractive properties to the surface of the work, the artist creates flowing layers of light and color that change according to the viewer’s angle. This also reflects his contemplation on the subjectivity of perception: even when facing the same object, each individual perceives it differently.
To the center of the gallery, “Foreseen” is developed in relation to the existing pillar within the space. Through digital simulation, the artist reconstructs the shadows cast by sunlight at different times of day and transforms them into physical installations on the floor. Shadows that would normally shift and disappear over time are here fixed in place, forming another pattern of revealing the intersection of time and space. The work also resonates with “The Vanishing Sunlight no.3”, pointing toward the relationships between the self, others, and celestial bodies, making the act of viewing a process of recalibrating one’s own position.
Another work, “By the Well”, employs subtle adjustments to the surface material, allowing refracted light to emerge in a gradual waxing from the edges until fullness. Rather than appearing or disappearing abruptly, the light gently moves inward from one side toward the center. The work is inspired by the fleeting moment when sunlight falls almost perfectly into a well at a specific time of year, allowing the abyss of the well to gradually reveal itself through light. This suspended state — between appearance and incomplete emergence — becomes the viewing experience the artist seeks to preserve.
The last work “Obscured Origin” disperses the space with linear fragments of optical material. From his experience with 3D modeling software, the artist reflects on the relationship between digital space and physical scale and transforms into a series of linear installations attached to planes and lines in the space. The blurred lines resemble hidden coordinates or subtle cues embedded within the space, redirecting attention toward edges and structures that often go unnoticed. They also remind us that our understanding of spatial scale continually oscillates between the virtual and the real, while the body serves as the most direct connection between the two.
“At the Threshold of Shift” does not seek to preserve a definitive conclusion, but rather those moments of perception that can only take form through bodily experience and the passage of time. Amid the rapid circulation of information and visual stimuli in current society, Kou Tak-Leong constructs, through light, shadow, and space, a slower and more contemplative manner of perception.
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Event Venue
大安區信義路三段147巷45弄2號1樓、 Taipei, Taiwan 10658, 台灣106094台北市大安區信義路三段147巷45弄2號,Taipei, Taiwan
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