About this Event
WIM WENDERS’ ROAD TRILOGY
Before Paris, Texas, before Wings of Desire, in the 1970s Wim Wenders was among the first true international breakthrough artists of the revolutionary New German Cinema movement, a filmmaker whose fascination with the physical landscapes and emotional contours of the open road proved to be universal. In the middle of that decade, Wenders embarked on a three-film journey that took him from the wide roads of Germany to the endless highways of the United States and back again. Each starring Rüdiger Vogler as the director’s alter ego, Alice in the Cities, Wrong Move, and Kings of the Road are dramas of emotional transformation that follow their characters’ searches for themselves, all rendered with uncommon soulfulness and visual poetry.
On Thursdays this March, The Philosophical Research Society’s 7th House Screenings is proud to present Wenders’ earliest odes to that human desire to get behind the wheel and search for oneself, somewhere out there, beyond the horizon.
Thursday, 3/13, 7:00pm – Alice in the Cities (1974)
Thursday, 3/20, 7:00pm – Wrong Move (1975)
Thursday, 3/27, 7:00 – Kings of the Road (1976)
WRONG MOVE
Glückstadt, in Northern Germany; Bonn; a palace along the Rhine; a housing project on the outskirts of Frankfurt; and finally the Zugspitze—these are the stations of the journey that the young Wilhelm Meister (Rüdiger Vogler) hopes will save him from the gloomy irritability and despondency that plague him in his hometown. In unfamiliar places, he thinks that he will be able to do what he has always had an uncontrollable drive to do—to write. He wants to become an author. With the journey, which his mother (Marianne Hoppe) gives him permission to make, he hopes to broaden his horizons and, above all, to find himself. He instead discovers the limits of attempts to refashion one's identity. Fifty years after its release, WRONG MOVE (1975) remains one of the director's least seen but earthiest and most devastating soul searches.
In Goethe’s novel Wilhelm Meister’s Apprenticeship, which provided the source material for Peter Handke’s script, a journey of this kind was still a “genuine movement.” In the literature of the nineteenth century, particularly the German bildungsroman, the topos of the journey is always linked to lasting significant changes and experiences. Traveling is synonymous with the successful search for one’s own identity. But the Wilhelm of Wrong Move must arrive at the painful recognition that today a journey alone no longer leads to the desired goal. His path leads him into an unbroken series of failures, through his own fault and that of all the people he meets on his way: the street singer Laertes (Hans Christian Blech), struggling with his Nazi past; the mute girl Mignon (Nastassja Kinski, in her first role); the poet (Peter Kern); and the actress Therese (Hanna Schygulla).
Dir. Wim Wenders, 1975, 104 min, Germany, German w/ English Subtitles, Unrated (Adult Audiences Only), Digital.
Text courtesy of Janus Films/Criterion Collection.
Special thanks to Sam Dinerstein of Janus Films.
Tickets: $10 (In Person Only Event)
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Event Venue & Nearby Stays
Philosophical Research Society, 3910 Los Feliz Boulevard, Los Angeles, United States
USD 12.51
