The Body of the Maharani: Portraiture, Gender & Empire at the RA 1791–1865

Wed Oct 23 2024 at 05:00 pm to 07:00 pm UTC+01:00

Paul Mellon Centre and online | London

Paul Mellon Centre
Publisher/HostPaul Mellon Centre
The Body of the Maharani: Portraiture, Gender & Empire at the RA 1791\u20131865
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A talk by Adam Eaker, Associate Curator of European Paintings, The Metropolitan Museum of Art, New York
About this Event

Talk outline

As the British expanded their territorial control and economic exploitation of the Indian subcontinent over the course of the late eighteenth and nineteenth centuries, portraits of Indian sitters became increasingly visible in London’s exhibitions. In responding to such portraits, critics gave voice to imperial anxieties around race, colonisation and gender. Because most elite Indian women lived in seclusion shielded from public view, their portraits acquired a special charge of voyeuristic allure, just as accounts of visiting the zenana or women’s quarters provided a centrepiece of much British travel writing. This lecture explores two portraits of upper-class Indian women that were exhibited at the Royal Academy during this period: Francesco Renaldi’s Portrait of a Mughal Lady (painted in 1787, exhibited in 1791), and George Richmond’s Maharani Jind Kaur (painted 1863, exhibited 1865). Bookending a seventy-year period of immense political upheaval, these portraits and their reception reveal the transformation in the relationship between British colonisers and Indigenous elites, as expressed in the popular fascination with the lives of upper-class Indian women. Focusing on debates around adornment, visibility and women’s political power, a paired analysis of these two portraits offers a new vantage point on the development of both British and Indian art under colonialism.

Speaker biography

Adam Eaker is an associate curator of European paintings at The Metropolitan Museum of Art in New York. He has curated exhibitions on Anthony van Dyck, seventeenth-century Dutch painting and art at the Tudor courts. His publications include monographs on Van Dyck and the Dutch artist Gesina ter Borch.

Image caption: George Richmond, Portrait of Maharani Jind Kaur, the wife of Maharaja Ranjit Singh, 1863, oil on panel, 45 x 61.3 cm. Private Collection. Image courtesy of Christie's Images / Bridgeman Images


Information about event format and access

The event starts with a presentation and talk Adam Eaker, lasting around 40mins, followed by Q&A and a free drinks reception. The event is hosted in our Lecture Room, which is up two flights of stairs (there is no lift). The talk will also be streamed online and recording published on our website.

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Event Venue & Nearby Stays

Paul Mellon Centre and online, 16 Bedford Square, London, United Kingdom

Tickets

GBP 0.00

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