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An open workshop on Ottomon classical makam and tanbur (19:00 to 20:00), followed by a panel discussion (20:00 to 21:00) and concert (21:00 to 22:00)Sat Jun 15 | Doors 19:00 | Start 19:00
KM28, Karl-Marx-Straße 28, Berlin
Workshop
An open workshop on Ottomon classical makam and tanbur led by Merve Salgar
Panel discussion
Note Metaphors: Re-Learning Listening
"Decolonization“ is not a question of simple programming, but rather of attentive listening, the attempt to perceive beyond the imprinting that has taken place (including indoctrination) and to learn anew again and again by listening. It is concrete work that needs to be done if we want to change and open up the concert hall and ourselves. (Elke Moltrecht, Bakr Khleifi, Margarete Huber, Merve Salgar, Jeremy Woodruff)
Concert
Works by Margarete Huber, Fulya Uçanok, Merve Salgar, and Claudio Monteverdi performed by Margarete Huber (soprano), Merve Salgar (tanbur), and Fulya Uçanok (piano)
Sonic Borderlines Festival 2024 presents music that integrates new playing techniques across cultural sound boundaries. Sound production, vocal and instrumental techniques are still largely unexplored in Western musical practice because of the immutability of our concept of notes (on paper) in this respect. Most non-European classical traditions are characterized by a more fluid, ornate and flexible sound of voices, instruments and rhythm. In Indian, Turkish and Arabic music, sound production is based less on the concept of notes on a page and more on, for example, swaras (region of sound) or naghmas (originally referring to both "modulation" and "singing“).
photo by Ozgur Ozer
with kind support from INM Berlin e.V. & Musikfonds
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Event Venue & Nearby Stays
KM28, Karl-Marx-Straße 28, 12043 Berlin, Deutschland,Berlin, Germany
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