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TETRAO TETRIX TRIOIt's about affinity and it's a trio. A trio made up of two altos of two different species, to the nearest half-tone. One is made of strings, wood, and horsehair, the other is made of metal, reed, leather, and plastic. The third point of the triangle is mainly made of electrons and membranes. It's a matter of infinity, but there are three of us. Elective affinities & electrical affinities. What to say about an upcoming music? It is improbable. Attention to the details: extreme. Tension at all. On purpose, without design. Rubbing, blowing and membranes, alone in the center of the cauldron. All with silence probably. And at least once, the maximum without prior prohibition. Probably, at least. There's noise, too. There will be... and in a triangle.
Gaudenz Badrutt - electronics
Jean-Luc Guionnet - alto saxophone
Frantz Loriot - viola
https://www.frantzloriot.com/bgl
MAOMAH
Music Army Of Mystery And Hope brings together strict and loose interpretations of composed material, improvisational games, and the building of sound fields. The repertoire develops in a different direction every time, opening itself to influences from all musical styles and eras. The resulting music, in terms of instrumentation, may resemble Romantic or contemporary classical music, but it contains "something" fundamentally different. This "something" represents the musical mystery of improvisation for which this musical army fights.
Three violins and double bass seek solace from the noise of all-pervading darkness. We must persevere, allow chaos to transform into calm, connect the pulse of our bodies, and dissolve into the union of our sounds.
Klára Pudláková - double bass
Milan Jakeš - violin
Jana Havláková - violin
Anna Romanovská-Fliegrová - violin
GRŪ___& JD ZAZIE
They work at the crossroads of experimental sound, performance, and real-time manipulation, exploring the material, physical, and perceptual dimensions of sound. Their duo combines object-based sonic research with radical approaches to recorded media, creating performances that inhabit the unstable space between composition, improvisation, and technology.
Working under the alias Grū___, Grgur Savić’s intermedia practice investigates sound as a tangible, transformable substance. Through performance, composition, and visual–sonic systems,
he deconstructs objects—most notably the saxophone—to expose resonance, vibration, and the physical presence of sound. Using graphic scores and hybrid notational systems, his work explores translation between visual and sonic languages, as well as real-time interaction between human gesture and digital precision. Projects such as [air>coded] and the Graphic Score Book Project question authorship, agency, and communication by transforming found objects and discarded texts into new sound–linguistic forms.
Coming from a DJ and radiophonic background, JD ZAZIE has developed a distinctive approach to the real-time manipulation of fixed recorded sound. Her work radically redefines DJing and
electroacoustic performance, extending them toward free improvisation and composed music. Performing solo, in small groups, or within large ensembles, she continuously stretches the limits of DJ practice—treating recorded material as a living, unstable medium shaped through live intervention.
Together, Savić and JD ZAZIE construct performances as dynamic systems of listening, decoding, and response, where sound, objects, and recorded matter are continuously re-coded and re-heard.
JD ZAZIE - turntable, electronics
Grgur Savić - sax, flute, electronics
http://jdzazie.tumblr.com/
https://grgursavic.com/
This concert takes part in Punctum SKRONK' series, currated by Helena Konvalinová.
ADMISSION: 200 - 400 Kč
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Event Venue
Krásova 27, 13000 Prague, Czech Republic, Krásova 803/27, 130 00 Praha, Česko, Prague, Czech Republic
Tickets
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