To request ADA seating: Please send us an email at [email protected] or call our box office at (415) 551-5157 and we can assist you. Our ADA area can reach capacity early, so we highly recommend contacting us as soon as possible. Day of show requests may not be able to be accommodated. Dine with us at Curio [https://www.curiobarsf.com/] and receive Expedited Entry into The Chapel! When you kick off your evening with dinner and drinks at Curio, we will check your tickets at your table and you will avoid the line outside. Be sure you tell us you're coming to the show when you make your reservation and upon arrival to the restaurant. Reserve HERE [https://www.opentable.com/restref/client/?corrid=869f5291-d743-45e7-86e1-a220169d0799&lang=en-US&ot_source=Restaurant%20website&restref=107224].
Spotify [https://open.spotify.com/artist/1edl5fzpdS471TaQ8Bgs3w?si=p0v_1J8vRBWl3yoX2AQUkA] | Soundcloud [https://soundcloud.com/thescientistdubb] | YouTube [https://www.youtube.com/user/thescientistdubwize] | Instagram [https://www.instagram.com/thedubscientist/?hl=en]
Hopeton Brown better known as The Scientist and sometimes known as Overton Brown, from Kingston, Jamaica was a protégé of King Tubby (Osbourne Ruddock), one of the originators of dub music. The Scientist burst onto the reggae scene in the early ’70s with a reckless mixing style that seemed to outdo even King Tubby’s wildest extravaganzas. He began his career as an engineer at Tubby’s in the mid '70s. Shortly afterwards, he gained a reputation with a distinctive mixing style.
He left King Tubby's studio at the end of the '70s and became the principal engineer for Channel One Studio, giving him the chance to work on a 16-track mixing desk rather than the four tracks at Tubby's. He came to prominence in the early 1980s and produced many albums, his mixes featuring on many releases in the first part of the decade. He mixed several albums featuring the Roots Radics, many based on tracks by Barrington Levy. He also did a lot of work for Linval Thompson and Jah Thomas. In 1982 he left Channel One to work at Tuff Gong studio.
He made a series of albums in the early 1980s, with titles themed around Scientist's fictional achievements in fighting Space Invaders, Pac-Men, and Vampires, and winning the World Cup. The music on these albums was played by Roots Radics, his most frequent collaborators.
Five of his songs from the album The Scientist Rids the World of the Evil Curse of the Vampires were used as the playlist songs on the K-Jah radio station in the 2001 video game Grand Theft Auto 3.
“In the ’70s, I started building sound system audio amplifiers. I would then test the amplifier with test instruments to determine how the amplifier was performing. Everything would look normal, but when I played reggae music through the amplifier, it would over heat and the plates of the KT88 would run red, especially when I played a mix from the great King Tubby’s that had subsonic drum and bass frequencies as well as razor sharp high frequencies I would have to re -bias the KT88 and make other changes in order to accommodate reggae’s wide frequency response and high slew rate needs. I noticed when I played other types of music the amplifier would respond normal. I found that to be strange so I used King Tubby’s mixes as a platform to ensure that the amplifiers would not break down under extreme conditions.
I was fascinated by his exclusive style of mixing and unique sound effects. It was the “Roots of Dub” dub album produced by Bunny Lee that became my favourite test album and also inspired me to want to meet him. One day, I was repairing a television for a friend who had worked for King Tubby’s, we needed a transformer and King Tubby’s was the only place who had those particular types of transformers I was so excited to meet this brilliant man and considered myself very lucky to have had this opportunity. After that, it became a regular place for me to buy special made power and output transformers for the amplifiers that I was building. King Tubby’s became impressed with my electronic skills and abilities at such a young age. I told him I wanted to build a mixing console, at first, it sounded like a joke to him we joked about making mixing consoles with moving faders and automation. Years later it became a reality in Neve’s moving faders and SSL’s automation with total recall.”
Tussle was founded in San Francisco circa 2001, in the shadow of the first dot-com bubble, as an instrumental quartet comprising dual percussionists, synthesizer, and bass guitar with a deep and unrelenting commitment to exploring the hazy space between the dank, low-light tenor of disco and house music and the minimal, mantric krautrock and no-wave ideas first explored by legendary 3-letter groups like Can, Neu!, and DNA. Relentless, dancefloor-ready, dubby, and, in all the slinky rhythmic tension, more than a little bit sexy.
Nowandformerly is the sonic alias of Kevin Figueroa. A bedroom experimentalist, self-taught visual alchemist, and rhythm-obsessed shapeshifter born in California’s Central Valley and raised between the dust of Michoacán and the concrete pulse of San Francisco.
Rooted in DIY ethics and noise-drenched honesty, Nowandformerly is a one-man force: drums, guitars, synths, voice, all warped through his own lens. His music bleeds genres, fusing post-rock atmosphere, ambient textures, and drum-heavy experimental rhythms into immersive soundscapes that hit hard and haunt quietly. Every track is self-recorded, self produced, and paired with visual elements Kevin builds himself, a raw, audiovisual world built from scratch.
What began as a teen obsession with drums in punk/hardcore bands evolved into a feverish exploration of sound after relocating to San Francisco. Kevin cut his teeth as a session drummer before launching Nowandformerly in 2018. Since then, he’s released two full-length albums: Alone with Everyone (2020) and Everyday is a Lifetime (2021) — each one a deeply personal dive into isolation, movement, and memory. The third release is on the horizon.
Known for his unpredictable live sets and shape-shifting visuals, Nowandformerly has shared stages with boundary-pushers like Tobacco, Weval, Blue Hawaii, Faux Real, and Casino Hearts, always bringing a raw, hypnotic energy that sits somewhere between a dream and a breakdown.
This is music for the in-between moments — fractured, loud, and alive.
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777 Valencia Street San Francisco CA 94110, 777 Valencia St, San Francisco, CA 94110-1734, United States
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