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𝘚𝘈𝘛𝘈𝘕 𝘪𝘴 𝘵𝘩𝘦 𝘴𝘵𝘰𝘳𝘺 𝘰𝘧 𝘢 𝘩𝘦𝘳𝘰 𝘸𝘩𝘰 𝘵𝘳𝘪𝘦𝘴 𝘵𝘰 𝘣𝘦𝘤𝘰𝘮𝘦 𝘢 𝘷𝘪𝘭𝘭𝘢𝘪𝘯, 𝘣𝘶𝘵 𝘧𝘢𝘪𝘭𝘴. 𝘍𝘰𝘭𝘭𝘰𝘸 𝘢𝘭𝘰𝘯𝘨 𝘰𝘯 𝘢 𝘣𝘶𝘮𝘱𝘺 𝘳𝘰𝘢𝘥 𝘧𝘳𝘰𝘮 𝘢 𝘥𝘦𝘦𝘱𝘭𝘺 𝘊𝘩𝘳𝘪𝘴𝘵𝘪𝘢𝘯 𝘧𝘢𝘮𝘪𝘭𝘺 𝘪𝘯 𝘵𝘩𝘦 𝘚𝘸𝘦𝘥𝘪𝘴𝘩 𝘤𝘰𝘶𝘯𝘵𝘳𝘺𝘴𝘪𝘥𝘦, 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘧𝘳𝘪𝘦𝘯𝘥𝘴𝘩𝘪𝘱𝘴, 𝘴𝘪𝘯𝘴, 𝘢𝘯𝘥 𝘩𝘰𝘮𝘦𝘭𝘦𝘴𝘴𝘯𝘦𝘴𝘴, 𝘵𝘰 𝘐𝘯𝘬𝘰𝘯𝘴𝘵’𝘴 𝘴𝘵𝘢𝘨𝘦. 𝘈𝘯 𝘩𝘰𝘮𝘢𝘨𝘦 𝘵𝘰 𝘵𝘩𝘦 𝘢𝘯𝘤𝘪𝘦𝘯𝘵 𝘧𝘰𝘳𝘮 𝘰𝘧 𝘰𝘳𝘢𝘭 𝘴𝘵𝘰𝘳𝘺𝘵𝘦𝘭𝘭𝘪𝘯𝘨 𝘵𝘩𝘢𝘵 𝘣𝘳𝘪𝘯𝘨𝘴 𝘵𝘩𝘦 𝘢𝘶𝘥𝘪𝘦𝘯𝘤𝘦 𝘵𝘰 𝘧𝘢𝘳 𝘢𝘸𝘢𝘺 𝘱𝘭𝘢𝘤𝘦𝘴.DATES: 21-22/11 // DOORS: 18.30 // ON STAGE 19.00 // DURATION: 90 MIN // LANGUAGE: ENGLISH WITH SWEDISH SURTITLES
In SATAN, Swedish actor and theatre maker Iggy Malmborg tells the supposedly true story of his short life and his problem in six chapters and a prologue. It’s a bumpy road that takes him from a deeply Christian family in the Swedish countryside, through friendships, sins, and homelessness, to INKONST. It unfolds as a story of a hero who tries to become a villain but fails. SATAN could be seen as an homage to the ancient form of oral storytelling, where a solo performer’s body and voice are the sole means to bring the audience to far away places. But at the same time something or someone lurks in the shadows….
SATAN is dedicated to the function of illusion. Illusion as a momentary, pleasurable escapism, but also as an elemental tool of creating stability and wholeness in reality itself. Whoever dedicates oneself to the subject of illusion must also talk about truth. In the cosmos of this piece, truth is an instance that reveals itself in a structure of fiction. Malmborg’s aesthetic style in his previous works is characterised by fragmentation and repetition. But in SATAN, he will for the first time tell a story with a beginning, a middle, and an end, in exactly that order. But what does it mean to tell a story, does this act ever go beyond the mere event of self-design?
𝘉𝘐𝘖
Iggy Malmborg is a performance artist and actor based in Malmö. Although trained in traditional acting, his works span a wide range of aesthetics and styles – both in solo and collaborative work. Iggy Malmborg’s greatest artistic interest is to use performance as a model on which the discourse of the plays can be applied directly. Using strategies comparable to minimalism, he sheds light on the politics of theatre, as a hierarchical machine with (unconscious) patterns of inclusion and exclusion. Over the years, Malmborg’s works have gained international recognition and have been hailed for presenting a complex intellectual discourse in a concrete way, filled with humor and warmth.
𝘊𝘙𝘌𝘋𝘚
By and with: Iggy Malmborg
Dramaturgy: Johan Jönson
Light design: Ulrich Ruchlinski
Choreography: Sebastian Persson
Production manager: Elisabeth Carmen Gmeiner
Assistant: Agnes Stecher
Co-production: Schauspiel Leipzig, Frascati Theater and BIT Teatergarasjen
In collaboration with: Inkonst, Stamsund Teaterfestival, Reykjavík Dance Festival and Dansstationen
Supported by: Swedish arts grants commitee, Malmö City and Ammodo (Netherlands)
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Event Venue & Nearby Stays
Bergsgatan 29, 214 22 Malmö, Sweden, Bergsgatan 29, SE-214 22 Malmö, Sverige,Malmö, Sweden
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