Name: Rigometrics – Rigossance Tour – with Pollen
Start: 2026-04-02T20:00:00-04:00
Location: Cat's Cradle

$Rigometrics \u2013 Rigossance Tour \u2013 with Pollen$

Rigometrics – Rigossance Tour
with Pollen
Thursday, April 2
Doors: 7 pm : Show: 8 pm
Cat’s Cradle Back Room
TICKET LINK: https://www.etix.com/ticket/p/56676983/rigometrics-rigossance-tourwith-pollen-carrboro-cats-cradle-back-room
Rigometrics is making serious waves in the Northeast music scene with a dynamic, high-energy sound that blends the soul of classic rock with the grit of funk and blues, the hooks of indie, and the urgency of modern alternative. Their music fuses Josef Berger’s searing guitar work, Derek Haney’s hard-hitting, groove-driven drums, and Keenan Hendricks’ soaring vocals and swaggering piano, which doubles as the bass in their live setup, creating a genre-blurring style that feels both timeless and fresh. The result is a live experience and growing catalog that consistently draws in diverse audiences and fuels an ever-expanding, loyal fan base.

Since forming in 2021, the three-piece has toured the East Coast and South ten times, sold out 300-cap venues, headlined major shows in Maine, and played over 350 gigs, entirely independently. Their catalog includes 2025’s Live in Maine II and single Couldn’t Tell Ya, 2024’s EP Elodie, live album Live in Maine, and singles Endless Road, All My Friends (Live for the Weekend), and No Smoke; 2023’s EP No Time to Waste and single Share the Fortune; and their 2022 debut album Rig N’ Roll. These projects are being shared through constant energetic live performances and an undeniable stage presence via a renovated school bus that the Rigometrics calls home when on the road.

To bring these releases to life, Rigometrics collaborated with top-tier producers Jon Wyman, Matt Perry, and Anthony Gatti, as well as Grammy winners Dave Gutter, Adam Ayan, and ‘Bassy’ Bob Brockmann. Together, they crafted music that elevates Rigometrics’ signature sound while staying deeply rooted in the spirit of rock ‘n’ roll.