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?????ℕ?ℂ? ℙ???ℕ? ?ℝ????? [English below]6.‒10. 5. 2025, V OKVIRU BIENALA GIBANICA 2025, LJUBLJANA
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Že dlje časa smo priča eroziji kritiškega in diskurzivnega prostora, kar je vodilo v občutno zmanjšanje števila piscev_k, teoretikov_čark in strokovnih spremljevalcev_k sodobnega plesa. V zadnjem obdobju je sicer zaznavati ponovni interes za prakse pisanja in izobraževanja na polju kritike, vendar imajo pisci_ke pri tem zelo omejene možnosti zunaj uradnega šolskega sistema (AGRFT) za sistematično nadaljevanje izobraževanja, ki bi jih strokovno podprlo na poti k profesionalizaciji.
Zavod Maska in Društvo za sodobni ples vabimo na večdnevno mednarodno izobraževanje, ki bo potekalo v okviru bienala Gibanica 2025. Izobraževanje je namenjeno poglobljeni nadgradnji gledanja predstav in pisanja ter se bo osredotočilo na teme, metodologije, probleme, (politično) kontekstualizacijo in zgodovino sodobnega plesa pri nas.
????????? ?? ?????? ?????? ?????ć, ki od leta 2000 intenzivno sodeluje, poučuje in objavlja na področju sodobnega plesa in performansa v Evropi. V delavnico bodo vključene krajše intervencije gostujočih teoretikov_čark, urednikov_ic in piscev_sk: ??? ??????šč?? bo predstavila pregled sodobnega plesa v slovenskem prostoru s poudarkom na feminističnih metodologijah, ??? ????? pa bo obravnaval različne politične kontekste in njihov odnos do sodobnega plesa. Delavnica vključuje ogled predstav bienala, zato je izobraževanje sestavljeno iz celodnevnega programa. Natančen urnik bodo sprejeti udeleženci prejeli po potrditvi.
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?????? ?????ć je rojena v Beogradu, od leta 2001 živi v Bruslju, je dramaturginja in pisateljica, ki se ukvarja s teorijo performansa, kritično teorijo, filozofijo in plesnimi študijami. Je samostojna avtorica knjige Koreografiranje problemov. Izrazni pojmi v evropskem sodobnem plesu (Palgrave Macmillan, 2015, Maska 2021 v slovenščini) ter soavtorica in sourednica desetih knjig, med katerimi so A Choreographer's Score (z Anne Tereso De Keersmaeker), Parallel Slalom: A Lexicon in Non-Aligned Poetics (v soavtorstvu z Goranom Sergejem Pristašem), Public Sphere by Performance in Toward a Transindividual Self: A Study in Social Dramaturgy (v soavtorstvu z Ano Vujanović, 2022). Veliko je objavljala v revijah, zbornikih in umetniških knjigah v angleščini, francoščini, nizozemščini, slovenščini in drugih jezikih. Bojana Cvejić je profesorica teorije plesa na Nacionalni akademiji za umetnost v Oslu in gostujoča profesorica na Centru za raziskovanje plesa v Coventryju. Od leta 2002 je povezana s P.A.R.T.S. (Bruselj), kjer poučuje teorijo performansa in plesa ter vodi program teorije. Od leta 1996 je kot sorežiserka, dramaturginja ali performerka ustvarila, izvedla ali sodelovala pri številnih glasbeno-gledaliških, plesnih in gledaliških delih v Evropi. Je soavtorica več videov in videoinstalacij, ki raziskujejo ples in koreografijo: … in a non-wimpy way ... (s Stevom Paxtonom, 2013), WAR Yvonne Rainer (2013) in Spatial Confessions (za Tate Modern, 2014). Sodeluje v več kolektivnih platformah (Performing Arts Forum, Saint-Erme od leta 2005; TkH/Walking Theory 2001-17), posvečenih kritični in eksperimentalni samoorganizirani praksi in produkciji, kar je bilo vir za njeno raziskovanje socialne koreografije, transindividualnosti in antifašistične solidarnosti.
??? ??????šč?? je glavna urednica revije Maska, dvojezične revije za sodobne uprizoritvene umetnosti, ki izhaja v Ljubljani. Kot kulturna delavka deluje v več vlogah – urednica, publicistka, kritičarka, teatrologinja in dramaturginja. Je filozofinja in umetnostna zgodovinarka, doktorska kandidatka na Filozofski fakulteti Univerze v Ljubljani. Bila je med soustanoviteljicami spletnega portala www.neodvisni.art, ki se osredotoča na kritično refleksijo lokalne neodvisne scene uprizoritvenih umetnosti in ga je med letoma 2019 in 2022 urejala. V letih 2017–2020 je bila predsednica Društva za sodobni ples Slovenije. Na Akademiji za ples na Alma Mater Europaea je vodila predmet Ples, politika, sociologija. Njeni temi zanimanja sta tudi feminizem in sodobna filozofija telesa, o katerih je objavila članke v različnih publikacijah. Kot dramaturginja je sodelovala pri projektih Bare Kolenc, Magdalene Reiter, Snježane Premuš in pogosto sodeluje s Saško Rakef. Je prejemnica nagrade Ksenije Hribar za plesno kritiko (2013) in nagrade Nika Bohinca za najboljši teoretski esej (2024).
??? ????? je teatrolog, kurator, arhivist in zgodovinar sodobnega plesa, ustanovitelj Začasnega slovenskega plesnega arhiva (2012, NDA Slovenija, MG+MSUM), ki ga je predstavil tudi na Univerzi Harvard, ZDA. Sokurator CoFestivala, mednarodnega festivala sodobnega plesa, član balkanske plesne mreže Nomad Dance Academy. Izbor svojih kritik in člankov je objavil v knjigi Rok za oddajo (2011), leta 2018 je uredil knjigo Dan, noč + človek = Ritem: Antologija slovenske sodobnoplesne publicistike 1918–1960, za katero je izbral gradiva in napisal spremna besedila, leta 2020 je izšla njegova monografija Ksenija, Xenia: Londonska plesna leta Ksenije Hribar 1960–1978. Za svoje delo je leta 2019 prejel nagrado Ksenije Hribar ter leta 2020 priznanje Vladimirja Kralja za dosežke na področju gledališke kritike in teatrologije za obdobje 2018–2019. Leta 2020 je kot sokurator sodeloval pri razstavah Avtografija, zagonetnost, uporništvo: fotografija Božidarja Dolenca in SPOZNANJE! UPOR! REAKCIJA! Performans in politika v devetdesetih letih v pojugoslovanskem kontekstu v Muzeju sodobnih umetnosti Metelkova, leta 2024 je sokuriral razstavo Ples, odpor, (neiz)delovanje – vidiki plesa kot kulturnega, političnega in umetniškega dela v obdobju Jugoslavije in potem (NDA, MSU Zagreb). Je soavtor digitalne baze NADA – (Non)aligned Dance Archive. V akademskih letih 2020/21 ter 2021/22 je poučeval na Privatni univerzi Antona Brucknerja (Anton Bruckner Privatuniversität) v Linzu (Avstrija), oddelku za sodobni ples in raziskave gibanja. Bil je član več strokovnih komisij (Ministrstvo za kulturo Republike Slovenije, Mestna občina Maribor) in žirij (Borštnikovo srečanje, Gibanica). Je samozaposlen na področju kulture.
Produkcija in organizacija: Zavod Maska in Društvo za sodobni ples Slovenije.
Partnerji: Cankarjev dom, Moving Balkans.
S finančno podporo: Evropska komisija, Ministrstvo za kulturo RS, Mestna občina Ljubljana.
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6 to 10 May 2025, within the framework of the Gibanica Biennial 2025, Ljubljana
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????????????? ?? ??????? – ???????????? ?? ????????? ??: ????@?????.?? ?? ?? ???????? ????. ??? ??????????? ?????? ??????? ? ??, ?? ????? ??? ?????? ?? ???????? ??????? ?? ??? ????????? (???????, ??????, ????????, ??????????? ????), ??? ? ???????????? ??????. ???????? ???????????? ???? ?? ???????? ?? ? ????? ????.
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Over the recent years, we have witnessed an erosion of critical and discursive spaces that resulted in a significant decrease in the number of writers, theorists, and other professionals in the field of contemporary dance. Despite the renewed interest in the practice of writing and learning in the field of criticism, writers have limited opportunities outside of the official academic system for systematic, in-depth training which can support them on their path to professionalisation.
The Maska Institute and the Contemporary Dance Association of Slovenia invite you to a multi-day international workshop for critics, which will take place within the framework of the Gibanica Biennial in Ljubljana, Slovenia. The workshop aims to deepen the understanding of performance and writing and will focus on disparate topics, methodologies, problems, (political) contextualisation, and the history of contemporary dance.
??? ???????? ???? ?? ??? ?? ?????? ?????ć, who has extensively collaborated, taught, and published in the field of contemporary dance and performance in Europe since 2000. It will include shorter interventions by guest theorists, editors and writers: ??? ??????šč?? will provide an overview of contemporary dance in Slovenian space with an emphasis on feminist methodologies, and ??? ????? will address different political contexts and their relationship to contemporary dance. The full-day workshop programme will include attendance at the Biennial performances. The exact schedule will be sent to the selected participants upon confirmation.
??? ???????? ?? ????? ?? ??????????? ???? ?????????? ?? ?????????, ??????, ?? ??????????, ?????? ?? ? ??????? ?? ????????, ??? ???? ????? ????????? ?? ??? ????? ?? ?????????. ????????? ???? ???????, ??????, ?????? ??? ???????????, ?????????, ??????????, ???????, ??????*, ??????, ??????, ???????, ??? ???????? ??? ???????? ??? ??????? ???????? ?????? ???????? ??? ?????????????. ??? ??????? ?????? ?? ??????????? ?? ???? ?? ??? ???????? ????????? ?? ??? ???????? ??????? ?????? ???????.
????? ??? ?????? ??? ????????:
?????? ?????ć, born in Belgrade and based in Brussels since 2001, is a dramaturge and writer whose research spans performance theory, critical theory, philosophy, and dance studies. She is the author of the monograph Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance (Palgrave Macmillan, 2015; Maska, 2021 Slovene translation) and the co-author and co-editor of ten books, among them A Choreographer’s Score (with A.T. De Keersmaeker); Parallel Slalom: A Lexicon in Non-Aligned Poetics (co-edited with Goran Sergej Pristaš); Public Sphere by Performance and Toward a Transindividual Self: A Study in Social Dramaturgy (2022; co-written with Ana Vujanović). She has published extensively in various journals and magazines and edited volumes of essays and books on art in English, French, Dutch, Slovene, and other languages. Cvejić is a Professor of Dance Theory at the Oslo National Academy of the Arts and a visiting professor at the Centre for Dance Research at Coventry University. She has been affiliated with P.A.R.T.S. (Brussels) since 2002, where she teaches performance & dance theory and oversees the theory program. Since 1996, Bojana has made, performed, or collaborated on numerous works in the field of European music theatre, dance, and theatre as a co-director, dramaturge, and performer. She has co-authored several videos and video installations exploring dance and choreography, such as …in a non-wimpy way… (with Steve Paxton, 2013), Yvonne Rainer’s WAR (2013), and Spatial Confessions (for Tate Modern, 2014). Bojana has been part of several collective platforms (Performing Arts Forum, Saint-Erme since 2005; TkH/Walking Theory 2001–17) dedicated to critical and experimental self-organised practice and production that inform her research in social choreography, transindividuality, and antifascist solidarity.
??? ??????šč?? is the editor-in-chief of Maska, a bilingual journal of contemporary performing arts, based in Ljubljana. She works as a cultural worker in several roles – editor, publicist, critic, theatrologist, and dramaturge. She is a philosopher, an art historian, and a doctoral candidate at the Faculty of Arts of the University of Ljubljana. She is the co-founder of the website www.neodvisni.art, which focuses on critical reflection of the local independent performing arts scene, and served as its editor from 2019 to 2022. From 2017 to 2020, she was the president of the Society for Contemporary Dance of Slovenia. She taught the course “Dance, Politics, Sociology” at the Dance Academy at the Alma Mater Europaea. She has also published numerous articles on her other fields of interest, feminism and contemporary philosophies of the body. She has worked as a dramaturge in projects by Bara Kolenc, Magdalena Reiter, and Snježana Premuš, and regularly collaborates with Saška Rakef. She was awarded the Ksenija Hribar Award for Dance Criticism (2013) and the Nika Bohinc Award for Best Theoretical Essay (2024).
??? ????? is a theatre scholar, curator, archivist, historian of contemporary dance, and founder of the Temporary Slovenian Dance Archive (2012, NDA Slovenia, MG+MSUM), which he also presented at Harvard University, USA. Co-curator of CoFestival, an international contemporary dance festival, member of the Balkan dance network Nomad Dance Academy. As the editor, he selected the material and wrote the accompanying texts for the anthology Day, Night + Man = Rhythm: An Anthology of Slovenian Contemporary Dance Journalism 1918–1960, published in 2018. In 2020, he published a monograph Ksenija, Xenia: The London Dance Years of Ksenija Hribar 1960–1978. In 2019, he received the Ksenija Hribar Award and in 2020 the Vladimir Kralj Award for Achievements in Theatre Criticism and Theatre Studies for the years 2018–2019. In 2020, he co-curated the exhibitions Autography, Enigma, Rebellion: The Photography of Božidar Dolenc and KNOWLEDGE! RESIST! REACTION! Performance and Politics in the 1990s in the Post-Yugoslavian Context at the Museum of Contemporary Art Metelkova; in 2024, he co-curated Dance, Resistance, (Non)Action – Aspects of Dance as a Cultural, Political and Artistic Work in the Period of Yugoslavia and After (NDA, MSU Zagreb). He is the co-author of the NADA digital database: the (Non)Aligned Dance Archive. During the academic years 2020/21 and 2021/2022 he taught at the Anton Bruckner Privatuniversität in Linz (Austria) at the Department of Contemporary Dance and Movement Research. He has served on several expert commissions (Ministry of Culture of the Republic of Slovenia, Municipality of Maribor) and juries (Maribor Theatre Festival, Gibanica) and is self-employed in the field of culture.
Production: the Maska Institute and the Contemporary Dance Association of Slovenia.
Partners: Cankarjev dom; Moving Balkans – Platform for Contemporary Dance.
Financial support: the European Commission; the Ministry of Culture of the Republic of Slovenia; the Municipality of Ljubljana.
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Event Venue & Nearby Stays
Cankarjev dom, Erjavčeva cesta 15, 1000 Ljubljana, Slovenija,Ljubljana, Slovenia