Pierre Fontenelle, cello & Cansu Sanlidag, piano

Tue Mar 24 2026 at 07:30 pm to 09:00 pm UTC+01:00

Chapelle de Boondael | Ixelles

Belgium Cello Society
Publisher/HostBelgium Cello Society
Pierre Fontenelle, cello & Cansu Sanlidag, piano
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๐๐‘๐Ž๐†๐‘๐€๐Œ๐Œ๐„
๐‹๐ฎ๐๐ฐ๐ข๐  ๐ฏ๐š๐ง ๐๐ž๐ž๐ญ๐ก๐จ๐ฏ๐ž๐ง โ€“ 12 Variations on โ€œEin Mรคdchen oder Weibchenโ€, WoO 46 (1796)
๐€๐ฅ๐›๐ž๐ซ๐ญ๐จ ๐†๐ข๐ง๐š๐ฌ๐ญ๐ž๐ซ๐š โ€“ Pampeana No. 2, Op. 21 (1950)
๐๐ข๐ค๐จ๐ฅ๐š๐ข ๐Œ๐ฒ๐š๐ฌ๐ค๐จ๐ฏ๐ฌ๐ค๐ฒ โ€“ Cello Sonata No. 2 in A minor, Op. 81 (1948)
I. Allegro moderato
II. Andante cantabile
III. Allegro con spirito
โ€” Interval โ€”
๐‰๐จ๐ฌ๐ž๐Ÿ ๐’๐ฎ๐ค โ€“ Ballade in D minor, Op. 3 No. 1 (1890)
๐…๐ซ๐š๐ง๐ค ๐๐ซ๐ข๐๐ ๐ž โ€“ Cello Sonata in D minor (1913โ€“17)
I. Allegro ben moderato
II. Adagio ma non troppo โ€“ Allegro ben moderato

๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฌ ๐—•๐˜‚๐—ฐ๐—ต๐—ฒ๐˜ ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—–๐—ฒ๐—น๐—น๐—ผ ๐—–๐—ผ๐—บ๐—ฝ๐—ฒ๐˜๐—ถ๐˜๐—ถ๐—ผ๐—ป ๐—น๐—ฎ๐˜‚๐—ฟ๐—ฒ๐—ฎ๐˜๐—ฒ, ๐—ฃ๐—ถ๐—ฒ๐—ฟ๐—ฟ๐—ฒ ๐—™๐—ผ๐—ป๐˜๐—ฒ๐—ป๐—ฒ๐—น๐—น๐—ฒ
Join us for an evocative evening of music for cello and piano, featuring two exceptional artists, 2020 Buchet International Cello Competition 2nd prize winner ๐‘ท๐’Š๐’†๐’“๐’“๐’† ๐‘ญ๐’๐’๐’•๐’†๐’๐’†๐’๐’๐’† and pianist ๐‘ช๐’‚๐’๐’”๐’– ๐‘บ๐’‚๐’๐’๐’Š๐’…๐’‚๐’ˆโ€”in a programme that spans the Classical elegance of Beethoven to the expressive intensity of the 20th century.
The recital opens with Beethovenโ€™s charming 12 Variations on โ€œEin Mรคdchen oder Weibchenโ€, a witty and graceful exploration of a Mozartian theme. Argentine composer Alberto Ginasteraโ€™s Pampeana No. 2 follows, infusing the concert hall with the rhythmic vitality and folk-inspired lyricism of the South American pampas.
The journey continues with Myaskovskyโ€™s Cello Sonata No. 2, a deeply introspective and hauntingly lyrical work written in the twilight of his career. Josef Sukโ€™s early Ballade in D minor brings late-Romantic richness and drama, while Frank Bridgeโ€™s Sonata in D minor offers a compelling blend of melancholy and lyricism, written in the shadow of the First World War.
Together, Fontenelle and Sanlidag bring a fresh, nuanced voice to this rich and diverse repertoireโ€”an evening of virtuosity, colour, and profound musical storytelling.
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Chapelle de Boondael, Square du Vieux Tilleul 10,Ixelles, Belgium

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