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Workshop / Ogemdi Ude a Thomas F. DeFrantz: Koho telo tancujem?
WORKSHOP: POHYB A KRITICKÁ PRAX
#komunita #súčasná tanečná prax #dekoloniálne teórie #tanec čiernych
Pozývame vás na výnimočný dvojdňový workshop organizovaný v spolupráci s newyorským Movement Research a pražským Bazaar Festivalom.
Príďte spoločne premýšľať a hýbať sa v témach našich osobných aj kolektívnych tanečných dejín, zdrojov a komunít.
Pod vedením choreografky Ogemdi Ude a teoretika Thomasa F. DeFrantza budeme skúmať, ako môžu dejiny podnecovať kreativitu či umenie premapovať staré známe územia. Inšpirovaní textami autorov africkej diaspóry (Glissant, Sharpe, Ahmed) sa pozrieme na našu vlastnú, stredoeurópsku tanečnú identitu tvarovanú rôznymi inšpiráciami.
Diskusia, pohybové cvičenia a kolektívne akcie podporia stelesnené uvedomenie si toho, ako môže tanec byť nástrojom konštruovania či ochránienia integrity vlastného ja alebo komunity, do ktorej patrím.
Doporučujeme pohodlné oblečenie a zápisník alebo denník na písanie.
Workshop je prístupný pre tanečné účastníctvo rôznych generácií a úrovní. Vítané sú aj teoretičky a teoretici zaujímajúci sa o tanečnú históriu či dekoloniálnu teóriu.
Miesto: TELOCVIČŇA - Rezidenčné centrum pre tanec
Harmonogram
7. marca, sobota
10:00-12:30 Ranný blok
12:30-13:30 Obedná pauza
13:30-16:00 Popoludňajší blok
8. marca, nedeľa
10:00-12:30 Ranný blok
12:30-13:30 Obedná pauza
13:30-16:00 Popoludňajší blok
Vstupné:
20€ / deň
30€ / 2 dni
členky*ovia PLASTu majú vstup zadarmo
PREDPREDAJ: https://goout.net/sk/ogemdi-ude-a-thomas-f-defrantz-koho-telo-tancujem/sziahgy/
Tento projekt bol podporený programom GPS/Global Sharing Practices organizácie Movement Research s finančnou podporou Trust for Mutual Understanding ako súčasť 10. výročnej sezóny GPS.
Projekt podporil z verejných zdrojov Fond na podporu umenia
Thomas F. DeFrantz, tanečník, teoretik, inovátor. Profesor na Northwestern University, a iniciátor projektu SLIPPAGE: Performance|Culture|Technology, laboratória humanitných a kreatívnych výskumov. Jeho aktivity sú motivované snahou kreativitu uplatňovať pre kolektívne dobro, také, ktoré je antirasistické, protofeministické a uznávajúce queer identitu. Predsedajúci člen pracovnej skupiny Black Performance Theory a je zakladajúcim riaditeľom Collegia pre africký diaspórny tanec. Jeho pedagogická činnosť je mohutná: cez americké nezávislé a univerzitné programy až k európskym renomovaným organizáciám, ako sú: ImPulsTanz; SNDO; Juilliard; New Waves Institute; P.A.R.T.S.; Movement Research; Bennington College; Hampshire College, Stanford, Yale, MIT, NYU, Duke, University of Nice. DeFrantz prispel konceptom a textom k permanentnej inštalácii o černošskom spoločenskom tanci, ktorá bola otvorená v Smithsonian Museum of African American Life and Culture v roku 2016. Viď viac na: slippage.org
Ogemdi Ude je tanečná a interdisciplinárna umelkyňa, pedagogička a dula žijúca v Brooklyne. V tvorbe sa venuje odkazu ženskej čiernej skúsenosti, smúteniu a spomienkám. Jej diela uviedli v Kampnagel, New York Live Arts, The Kitchen, Gibney, Harlem Stage, Danspace Project, Abrons Arts Center, BRIC, ISSUE Project Room, Recess Art, Brooklyn Arts Exchange, Center for Performance Research a na festivale BAM DanceAfrica. Ako pedagogička vyučovala na The New School, Princeton University, Sarah Lawrence College a University of the Arts. Je držiteľkou grantu NYSCA/NYFA Artist Fellow v množstva ocenení v odbore choreografie. Nedávno prispela textom Watch Me do zbierky, ktorú editovali Thomas F. DeFrantz a Annie-B Parson: Dance History(s): Imagination as a Form of Study, vydavateľstiev Dancing Foxes Press a Wesleyan University Press.
ENGLISH:
Ogemdi Ude and Thomas F. DeFrantz: Whose Dance is My Dance?
WORKSHOP: MOVEMENT AND CRITICAL PRACTICE
#community, #contemporary dance practice, #decolonial theories, #black dance
Organized in collaboration with Movement Research from New York and Bazaar Festival from Prague this 2 day workshop will offer the possibility to think and move collectively around the themes of our own and collective dance histories, resources, community with US based artists and thinkers Ogemdi Ude and Thomas F. DeFrantz.
Thinking with influential writers of an African diaspora globality (Glissant, Sharpe, Ahmed) we will consider how histories can forecast creativity, and how artistry can re-map the territories of the predictable. Discussion, movement exercises, and collective actions will encourage embodied awareness of how a self can be constructed alongside and among others.
Please wear comfortable clothes, and bring a notebook or journal to write in.
Movers and dancers of different proficiency are equally welcomed, as well as thinkers interested in the topic.
With the support:
Global Sharing Practices, Movement Research, Slovak Arts Council
This project is supported by the GPS/Global Practice Sharing Program of Movement Research with funding from the Trust for Mutual Understanding as part of the GPS 10th Anniversary
Season.
Schedule:
7th March: Saturday
10:00-12:30 Morning session
13:30-16:00 Afternoon session
8th March: Sunday
10:00-12:30 Morning session
13:30-16:00 Afternoon session
Ticket: https://goout.net/sk/ogemdi-ude-a-thomas-f-defrantz-koho-telo-tancujem/sziahgy/
BIO
Thomas F. DeFrantz, Professor at Northwestern University, directs SLIPPAGE: Performance|Culture|Technology, a humanities and creative research lab and National Performance Network partner. Believes in our shared capacity to do better and engage creative spirit for a collective good that is anti-racist, proto-feminist, and queer affirming. Convenes the Black Performance Theory working group and is founding director of the Collegium for African Diaspora Dance. Faculty and teaching at the University of the Arts Mobile MFA in Dance; ImPulsTanz; SNDO; Juilliard; New Waves Institute; P.A.R.T.S.; Movement Research; Bennington College; faculty at Hampshire College, Stanford, Yale, MIT, NYU, Duke, the University of Nice. DeFrantz contributed concept and a voice-over for a permanent installation on Black Social Dance that opened with the Smithsonian Museum of African American Life and Culture in 2016. slippage.org
Ogemdi Ude is a dance and interdisciplinary artist, educator, and doula based in Brooklyn. Her performance work focuses on Black femme legacies and futures, grief, and memory. Her work has been presented at Kampnagel, New York Live Arts, The Kitchen, Gibney, Harlem Stage, Danspace Project, Abrons Arts Center, BRIC, ISSUE Project Room, Recess Art, Brooklyn Arts Exchange, Center for Performance Research, and for BAM's DanceAfrica festival. As an educator, she has taught at The New School, Princeton University, Sarah Lawrence College, and University of the Arts. She is a 2025 NYSCA/NYFA Artist Fellow in Choreography, 2025 Princess Grace Honoraria in Choreography, 2025-2028 Jerome Hill Artist Fellow, and 2024 NEFA National Dance Project Production Grant recipient. She has been a 2024/2025 BAX Artist-in-Residence, 2024-2025 Leslie Lohman Artist Fellow, 2022-2024 Movement Research Artist-in-Residence, 2021 danceWEB Scholar, 2021 Laundromat Project Create Change Artist-in-Residence, and a 2019-2020 Center for Ballet and the Arts at NYU Resident Fellow. In January 2022 she appeared on the cover of Dance Magazine for their annual “25 to Watch” issue. Most recently, she has contributed a text Watch Me to a collection edited by Thomas F. DeFrantz and Annie-B Parson: Dance History(s): Imagination as a Form of Study published by Dancing Foxes Press and Wesleyan University Press.
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Event Venue
Telocvičňa - Rezidenčné centrum pre tanec, Račianska 80,Bratislava, Slovakia
Tickets
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