About this Event
Free jazz legend Scott Robinson makes a rare Seattle appearance to present a wide-ranging solo performance on a variety of instruments, including the seldom-heard C melody saxophone, featured on his unaccompanied album (2020). He will also engage with local phenom Neil Welch in a duo format. Welch will also open the show with a solo set.
Multi-instrumentalist/composer Scott Robinson has been a highly active presence on the New York-based creative music scene for more than 40 years, appearing on some 300 albums. Scott performs on both brass and reed instruments, and is equally at home with the traditional and the adventurous. A U.S. Jazz Ambassador and member of the Mingus Band for 30 years, he's been heard on tenor sax with Buck Clayton, on alto clarinet with Paquito D’Rivera, on trumpet with Lionel Hampton, and on bass sax with the New York City Opera, as well as performances alongside a diverse roster of luminaries such as Anthony Braxton, Ruby Braff, Ella Fitzgerald, Clark Terry, Elton John, Bob Brookmeyer, Frank Wess, Chet Baker, Maria Schneider, and Roscoe Mitchell. As a composer, Scott has created large-scale multimedia works, solo performance pieces, jazz tunes and songs, and chamber pieces. In 2010, Scott formed ScienSonic Laboratories, a label releasing more than a dozen collaborative efforts with Roscoe Mitchell, Marshall Allen, Henry Grimes, Milford Graves, and many others. He is currently at work on his epic one-man improvised symphonic recording, Reach for Tomorrow. After nearly seven years of daily work, the first movement of fully-mixed music for more than 180 instruments is nearly finished. This project will take an estimated 12-15 years to complete.
Saxophonist Neil Welch is a Seattle-based improviser, acoustic and electronic artist, curator, composer, recording artist and educator. His practice is firmly linked to the natural world, welcoming inspiration from the abundant wildernesses of the Pacific Northwest. These influences are sonically reflected by a measured use of space and activated silence, with such specialized techniques as multiphonic-acoustic chord playing, microtonal pitch content, and air/wind-based sound. He is also a deep practitioner in the sculpting of a compelling melody, played on horn voices ranging from soprano to bass saxophone. He is a member of the acclaimed saxophone + electronics / drum duo Bad Luck, and Wayne Horvitz’s Royal Room Collective Music Ensemble. As a solo artist, Neil also particularly welcomes the emotive vulnerability of unamplified acoustic solo saxophone improvisation.
Curated by Haley Freedlund for Nonsequitur's NonSeq series.
Event Venue & Nearby Stays
Chapel Performance Space at Good Shepherd Center, 4649 Sunnyside Ave. N, 4th floor, Seattle, United States
USD 7.18 to USD 23.18
