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This session focuses on light filtration—the "Glow" or the "Cathedral Effect" in OilsAbout this Event
- Beginner friendly
- Materials included
- Bring a packed lunch
"A forest isn't just a collection of trees; it's a container for light. By building the structure first and then 'melting' it into the atmosphere, you’ll learn the secret to making a painting look like it’s glow
Course Title: The Luminous Leaf: Painting Light & Canopy
Focus: Backlighting, "Light-Wrap," and Atmospheric Depth
Course Outline
Phase 1: The Under-Glow (Golden Toned Ground)
We begin by establishing the "temperature" of the sun before anything else.
- The Action: Wiping a transparent, warm stain (like Transparent Earth Yellow or Gamboge) over the entire canvas.
- The Goal: Ensuring the light "vibrates" from the back of the canvas to the front.
Phase 2: The Silhouette & The Edge (Structure)
Instead of air, we start with the "skeletons" of the forest.
- The Action: Painting tree trunks and major branches in dark, rich tones (Burnt Sienna + Ultramarine).
- The Goal: Establishing the "bones" of the forest. Students learn to place their darks first to create a roadmap for where the light will eventually land.
Phase 3: The Soft-Focus Background (The Haze)
Now, we use the "open" time of the oils to push the forest back.
- The Action: Using large, soft brushes and cool teals or soft greens to paint between and over the edges of the tree trunks from Phase 2.
- The Goal: Creating "Light Wrap"—where the background light and haze seem to "eat" the edges of the dark trees, making them look 3D and atmospheric rather than like flat stickers.
Phase 4: Sun-Catchers & Leaf-Light (The High-Key)
The final, "juicy" layers that define the "Loose and Luminous" style.
- The Action: "Dabbing" thick, opaque, high-key colors (lime greens, lemon yellows) only where the sun hits a leaf directly.
- The Goal: Creating focal points of "pure light" that lead the viewer’s eye through the path of the sunbeams.
Skills You Will Learn
- Edge Manipulation: How to take a hard-edged tree trunk and "blur" it into the background to create a sense of deep, humid air.
- The "Light Wrap" Phenomenon: A core skill in luminous painting—learning that bright light physically overflows the boundaries of dark objects.
- Structural Composition: How to build a strong "dark-to-light" value scale so the painting doesn't look washed out.
- Simplifying Chaos: Learning how to represent a thousand leaves with just ten well-placed marks—the key to a "loose" style.
- Value Control: Keeping the background "high-value" (light) and the foreground "low-value" (dark) to trick the eye into seeing miles of forest.
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Event Venue & Nearby Stays
Michelle's Studio, 36 Hatter Street, Kingston, Canada
Tickets
CAD 275.00
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