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TICKETS GO ON SALE FRIDAY, JAN. 23RD 10:00 AMJASON EADY- With a decades-long commitment to his craft as a songwriter, Jason Eady has built a career on bringing his unique perspective to a variety of genres. Uninhibited by ties to one particular sound, Eady’s catalog showcases an affinity for telling authentic, forthright stories with his music, a quality that continues to bring new listeners to this veteran musician’s audience year after year.
Born in his most recent album’s namesake state, Mississippi finds Eady inspired, motivated but not bound by the success of his past; instead, Mississippi is yet another manifestation of what Eady does best – channeling truth into songs and a refusal to be boxed in by his previous work. His newest album, however, is not a seismic shift that rebukes the past; rather, Mississippi brings to the forefront hints of deep South-style blues that has always had a place in his sound. “There was a groove based sound that I grew up with in Mississippi that has always been a part of what I do, but with this record I wanted to bring that to the forefront. I think this record is the opposite side of the same coin I’ve always had, I just flipped it over.” Mississippi’s critical praise situates it as yet another beloved album born out of Eady’s nineteen year career. With nine full-length albums, Eady explores genre and form with mastery, complementing the Texas sound he’s perhaps best known for with forays where listeners can find him accompanied by bluegrass pickers or pedal steel. This versatility has earned Eady praise from contemporaries and critics alike, with NPR acknowledging Eady’s grassroots, no-nonsense approach to his craft by dubbing him “one of the most promising alt-country underdogs.”
This intentionality and fluidity is indicative of an artist at the top of his craft, bolstered by critical success like 2021’s To the Passage of Time and 2018’s I Travel On but not reliant upon it; if Eady stands for anything, it’s the wholehearted pursuit of remaining loyal to himself without resting on his laurels, pushing himself as an artist and a storyteller. “I have always had a ton of respect for artists who have experimented with and presented different styles and genres while still maintaining a style of their own. I love that arc over a career and how it keeps it interesting for the listener. I love that feeling of “what is he going to do next?”. Hopefully that same sense of excitement and anticipation stays alive in my music as well.
ABE PARTRIDGE - Abe Partridge is a heralded musician, singer/songwriter, visual artist, and podcaster based in Mobile, Alabama. His 2018 debut, Cotton Fields and Blood For Days earned him rave reviews, with Tony Paris saying in The Bitter Southerner: "He plays guitar the same way he writes lyrics, bashing the strings with abandon until they are just about to come loose, then beautifully picking the notes until every last word falls into place.
More to the point, Partridge writes to make you sit up and think. He wants to jar your reality. Sometimes, his lyrics are sly and subtle. Sometimes they come at you with a roar and thunder, as if the Four Horsemen of the Apocalypse were approaching, and the heavens were opening up to herald a warning.
"Since the release of his debut, Partridge has toured relentlessly, including several tours of the Netherlands and the U.K. developing a reputation for moving, passionate, and sometimes comedic, performances at prestigious songwriter festivals such as 30A Songwriters Festival, Frank Brown Songwriters Festival, and Americanafest. He is a regular at the Bluebird Café in Nashville and Eddie’s Attic in Decatur. He has performed on the syndicated radio programs, Mountain Stage and Woodsongs Old Time Radio Hour. He has shared the stage with Morgan Wade, Paul Thorn, Steve Poltz, Dan Bern, Jerry Joseph, Glen Phillips (Toad The Wet Sprocket), Tommy Stinson, Shawn Mullins, John Fullbright, and more.
Most recently, Partridge and co-producer Ferrill Gibbs released the Alabama Astronaut podcast, where they explore songs previously undocumented at churches in Appalachia. The podcast finds Partridge chatting with Holiness preachers and looking into the practice of snake handling. It was in the Top Ten documentary podcasts on Apple Podcasts within days of its release and now has over 40k downloads and a 4.9-star rating.
When Partridge is not writing or touring, he is also a highly acclaimed visual artist. His paintings, primarily acrylic on tarred board and watercolors, now hang in art galleries around the southeast and in the private collections of Tyler Childers, Mike Wolfe (American Pickers), Rick Hirsch (Wet Willie), and Tommy Prine. His artwork was featured in Stephen King’s 2019 sequel to The Shining - Dr. Sleep. He painted the cover art for Charlie Parr’s, Last Of The Better Days Ahead (Smithsonian Folkways). He also created art for Tyler Childers’ 2022 release, Can I Take My
Hounds To Heaven?
American Songwriter Magazine said, “Abe Partridge has established himself as one of the most respected songwriters and visual folk artists in the southeast. ”In November of 2022, Partridge released the EP Alabama Skies on Baldwin Co. Public Records label which includes "Abe Partridge’s 403d Freakout". Partridge told Songfacts the story behind the song: " 'Abe Partridge's 403d Freakout' was a song I wrote in about 20 minutes. It took me two weeks to make it rhyme, and then it took me about six months to learn it. I just sat and wrote a couple of pages of thoughts as they came to me. It was my attempt at describing my thoughts chronologically as they sometimes occur in my head before I filter them. It is those thoughts that I often have if I allow myself to mentally wander. "Partridge's exhibit With Signs Following was on exhibition at the Alabama Contemporary Art Center in Mobile, AL from January 13 - May 20 of 2023 and is expected to travel to other city contemporary art centers in the next few years. His full-length studio album, Love In The Dark, on BCPR label, was released on May 12, 2023.
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206 Clark St, LaGrange, GA, United States, Georgia 30240
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