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GANJA & HESS -- Presented by The Black Nerds! Sink your teeth into a weekend of bloodsucking cinema! From June 11th - June 14th, The Revue Cinema presents Revue's Fang-tastic Weekend, a celebration of vampire classics and cult favorites. This is a vampire film marathon you won't want to miss!
Each screening is hosted by one of our beloved series, bringing a unique and interactive experience to every show.
Tickets vary per event, or you can save money and indulge in the full weekend with a festival pass for $90. (Trailer Trash: Fangtastic Is A Free Event and tickets can be acquired here.)
BUY A FANG-TASTIC WEEKEND FESTIVAL PASS HERE!
The Black Nerds gives you something to sink your teeth into this Fang-Tastic Weekend Vol. 02!
Ganja & Hess is a different kind of vampire film. Not the gothic, not the camp, not the easily consumable but something far more elusive, seductive, and intellectually dangerous.
Directed by the singular Bill Gunn, the film exists on its own frequency. Long buried under clumsy marketing and grindhouse expectations, it has since been restored to its full hypnotic form, revealing itself as one of the most radical works of American cinema in the 1970s.
At its core, the story follows a wealthy anthropologist, played by Duane Jones, whose carefully curated life is upended after a violent encounter with his troubled assistant. What follows is a quiet unraveling. A strange, insatiable hunger begins to take hold, reshaping his world in ways that feel both intimate and unknowable. When Ganja, played by Marlene Clark, enters the picture searching for answers, the film shifts into something even more magnetic and unpredictable.
On paper, there are familiar elements. But Gunn is not interested in genre mechanics. Vampirism here is never neatly defined or explained away. It lingers more like a mood, a condition, a slow seep into the psyche. The film moves like a half remembered dream, fragmented, sensual, and disorienting.
What makes Ganja & Hess hit the way it does is how, by proxy, it gives us a window into ancient African culture, specifically the blood rituals of the Myrthia tribe. This subtly decentering of Christianity challenges the dominant moral and spiritual framework typically seen in vampire lore. In doing so, the film rewrites the genre from a Black perspective, exploring desire, spirituality, and ritual on its own terms.. It slips between art film and horror, between spiritual tension and cultural questioning. Gunn is asking big questions about Black life, about history, about who gets to interpret Black art and who it is really for. The result feels less like a traditional narrative and more like being pulled into a cinematic séance. Images, gestures, and ideas circle you, never settling, always probing.
Then Ganja shifts everything. Her presence brings a different energy. Sharper, more grounded, more dangerous. What starts in detachment slowly gives way to something more embodied and unpredictable.
Watching it now, Ganja & Hess still feels ahead of its time. It plays like a spell, pulling you deeper into the hazy half-dream where bloodlust lingers and fever takes hold.
For a vampire weekend, this is the deep cut. The one that lingers, disturbs, and transforms.
-Faduma Gure
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Event Venue
Revue Cinema, 400 Roncesvalles Ave, Toronto, ON M6R 2M9, Canada
Tickets
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