The book examines alternative histories of resistance and reads the archival record ‘against the grain’, exploring parallels between underground 20th century art movements such as Dada, the political theories that inspired French youth to revolt in May 1968 and the punk explosion in late-70s Britain. This is a big book, physically at least, so we will focus our discussion on the opening prologue and first chapter “The Last Sex Pistols Concert”. While the book follows on well from our previous readings, you do not need to have attended a Radical Reading Group session before to attend for this session.
On our website (see the 'tickets' link), you can find a link to buy the book at a discount, a free PDF version of both the whole book, and the section we offer as a focus for our discussion, and free audio/visual resources. There is also more information about the book and Stroud Radical Reading Group events.
Entry to the reading group session is free and everyone is welcome – you do not need to have attended previous sessions, and we do our best to make the sessions welcoming to people who have not been to reading groups or similar settings like university seminars before. We encourage people to read as much of the book as possible, but you are welcome to attend to listen to the discussion without reading any of it.
About the book:
This book is about a single, serpentine fact: late in 1976 a record called ‘Anarchy in the UK’ was issued in London, and this event launched a transformation of pop music all over the world. Made by a four-man rock’n’roll band called the Sex Pistols, and written by singer Johnny Rotten, the song distilled, in crudely poetic form, a critique of modern society once set out by a small group of Paris-based intellectuals. First organised in 1952 as the Lettrist International, and refounded in 1957 at a conference of European avant-garde artists as the Situationist International, the group gained its greatest notoriety during the French revolt of May 1968, when its slogans were spray-painted across the walls of Paris, after which their critique was given up to history and the group disappeared. The group looked back to the surrealists of the 1920s, the Dadaists who made their names during and just after the First World War, the young Karl Marx, Saint-Just, various medieval heretics, and the Knights of the Round Table.
“Some people say a record or a film changed their life. In my case, it was a book. Griel Marcus’s Lipstick Traces did that back in 1990. It really was that important” – Nicky Wire, bassist and lyricist in the Manic Street Preachers
About the author
Greil Marcus (June 19, 1945) is an American author, music journalist and cultural critic. He is notable for producing scholarly and literary essays that place rock music in a broader framework of culture and politics.
Event Venue
Redz, 6 Threadneedle St, Stroud, United Kingdom
Tickets
Concerts, fests, parties, meetups - all the happenings, one place.
