Cultural Fermentation & Other Messy Practices of Illegibility

Sat May 02 2026 at 10:00 am to 04:00 pm UTC-04:00

Onsite Gallery, OCAD University | Toronto

Onsite Gallery, OCAD University
Publisher/HostOnsite Gallery, OCAD University
Cultural Fermentation & Other Messy Practices of Illegibility
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Co-presented with UKAI Projects, this immersive day-long workshop invites you into collaborative experiments between humans and machines.
About this Event

Cultural Fermentation & Other Messy Practices of Illegibility
Saturday, May 02, 10 a.m. to 4 p.m.
Onsite Gallery, 199 Richmond Street West, Toronto


What can you see that algorithms can’t? In an era shaped by constant surveillance and predictive technologies, this immersive day-long gathering invites you to participate in collaborative experiments with human and machine vision. Together, we will question bias, visibility, and what remains unseen by algorithms, while cultivating new ways of seeing that embrace complexity, irregularity, and the generative power of the unpredictable.

No technical experience required—just bring your curiosity and your body.

The symposium is co-presented with UKAI Projects.

Registration is limited.


About the Facilitators

Luisa Ji is a creative strategist and cultural technologist working at the intersection of public imagination, digital transformation, and systems of care. With over a decade of global experience, she leads participatory programs that use storytelling, worldbuilding, and culturally-specific technological adaptations to help institutions navigate cultural and ecological volatility. 
 
As Studio Director at UKAI Projects, Luisa has delivered initiatives across Canada, South Korea, Iceland, Taiwan, and the UK, supporting artists and arts organizations in transforming their practices. Her background spans civic experience design, AI literacy, and cultural infrastructure, with speaking and workshop credits at SÍM Residency (Reykjavik, Iceland), Watershed (Bristol, UK), msdm (London, UK), MUTEK Montreal (CA), Société des arts technologiques (CA), and Milieux Institute (CA). She is a program co-lead of the Cultural Technologies Lab, a community of arts and cultural workers that leverages culture as vital technology for regeneration and societal transformation.


Benjamin Lappalainen is a Toronto-based creative technologist, educator, and multidisciplinary artist. He creates interactive installations that incorporate computer vision, AI, and algorithmic processes, with work exhibited at InterAccess, Northern Contemporary Gallery, and Long Winter Arts & Music Festival. His educational practice includes leading workshops and mentorship programs that bridge technical skill-building with experimental arts practices. 
 
As XR Development Lead with UKAI Projects, Benjamin collaborates with artists and organizations to execute research, exhibitions, immersive and interactive installations, publishing, and workshops. UKAI Projects imagines and produces "culture for what's coming", most recently working with the Accton Arts Foundation in Hsinchu, Taiwan for research into arts policy, delivering workshops and immersive experiences, and cultural exchange. 
 
Benjamin holds a Bachelor of Applied Science in Engineering Science from the University of Toronto. His current research focuses on developing open source software for creative coding and interactive media, creating accessible tools that support artist communities in realizing technically ambitious projects.


Cultural Fermentation & Other Messy Practices of Illegibility coincides with the current exhibitions and on view until May 16, 2026.


Onsite Gallery is generously supported by The Delaney Family.



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Event Venue & Nearby Stays

Onsite Gallery, OCAD University, 199 Richmond St. West, Toronto, Canada

Tickets

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