Name: Cameron Esposito at Zanies Nashville
Start: 2024-10-27T18:00:00-05:00
End: 2024-10-27T19:30:00-05:00
Location: Zanies Nashville

Cameron Esposito (she/they) is a Los Angeles-based standup comic, actor, writer, host, podcaster, and best-selling author. In addition to her work as a nationally-touring headliner comic, Cameron has appeared on ABC, NBC, CBS, Comedy Central, TBS, IFC, E!, Cartoon Network, and HBO. She recurred as ‘Greta’ in 21 episodes of ABC’s A Million Little Things as well as ‘Jocelyn’ in NBC’s Brooklyn Nine-Nine. Some other TV credits include The Rookie: Feds, Station 19, Amazon’s With Love, and multiple standup appearances on Conan. In 2022, Cameron hosted the 2nd Hollywood Critics Association TV Awards, AMC’s Obsessed With the Vampire, and live conferences for LGBTQ+ rights organizations Lesbians Who Tech and National Center for Lesbian Rights. Last year, Cameron completed a social media endorsement campaign with WILDFANG and was the face of the SKITTLES Pride Campaign to promote LGBTQ+ artists and stories in partnership with GLAAD rights organization (for which she also hosted their awards show in 2017), Audible, and her podcast QUEERY. QUEERY features a series of hour-long conversations with some of the brightest luminaries in the LGBTQ+ covering themes of identity and the shifting cultural matrix around gender/sexuality. Additionally, Cameron can be heard giving semi-sarcastic survival advice as the host of Sony Music’s podcast SURVIVE OR DIE TRYING. In 2021, Cameron served as the inaugural host for the Podcast Academy’s annual award show: The Ambies. In 2023, Cameron was honored with a 2023 Courage Award from the New York City Anti-Violence Project.

Cameron’s 2018 comedy special “Rape Jokes” raised over $100,000 for RAINN, the nation’s largest anti-sexual violence organization, by releasing the special for free and encouraging viewers to donate in lieu of subscribing and watching on a streaming service. The self-financed hour has been praised as “unapologetically hard-hitting, bracingly timely hour” (Vanity Fair), “blistering, masterful, tragic, hilarious” (New York Magazine). A writer from the The Daily Beast who happened to be in the audience hailed the set as “powerful,” “daring and hilarious,” and as “the first great stand-up set of the #metoo era.”