Advertisement
ASWAT SEMINAR SERIESAswat is a CEDEJ-IFAO scientific initiative coordinated by Kawkab Tawfik.
''The Music Instruments Collection of the Ethnographic Museum of Cairo, between imperial knowledge production and emerging national identity''
The collection of musical instruments within the Ethnographic Museum of the Egyptian Geographical Society can be examined as a lens through which to analyze the intersections of science, colonialism, and nation-building in late nineteenth- and early twentieth-century Egypt. Established within a naturalist and evolutionist epistemological framework, the museum classified objects according to typological and comparative principles derived from European anthropology. Within this system, ṭarab e sha‘bī musical instruments—namely a rich set of nāy, kawala,, arghūl, mizmar, rabābah, riqq, mazhar, doholla, lutes, cymbals, a qānūn, horns, and naqrazān—were categorized alongside other ethnographic materials, yet occupied a distinctive position linking material culture to performance, ritual, and oral tradition.
These instruments were associated with social practices including weddings, religious ceremonies, and itinerant storytelling. As such, they functioned as mediators of collective memory and embodiments of intangible cultural heritage. Their interpretation was shaped by the concept of ethnographic “survivals,” reinforcing narratives of continuity between ancient, Coptic, Islamic, and modern Egyptian traditions. At the same time, their inclusion in both Egyptian and African sections of the museum reflects underlying colonial frameworks, particularly in relation to Sudan. Ultimately, the collection reveals tensions between classification and lived culture, and between imperial knowledge production and emerging national identity.
The presentation will be followed by taqasim performance of Egyptian flutes
Kawkab Tawfik
Kawkab Tawfik holds a PhD in Cultural Heritage from the University of Rome Tor Vergata (2020), with a specialization in ethnomusicology. Her research focuses on the intersections of music, space, and politics, with particular attention to ritual and performative practices in Egypt. She adopts participatory methodologies, working closely with musicians and instrument makers in the Nile Delta. A former Diego Carpitella Fellow at the Fondazione Cini in Venice, she produced a documentary on Salila, the zār water spirit. She has also been membre scientifique à titre étranger at the Institut Français d’Archéologie Orientale (IFAO), she lectures on the History of Islam at the University of Tuscia and, since 2021, curates the ASWAT seminar-concert series at IFAO and CEDEJ.
ASWAT is a series of music meetings and music performances focusing on Egyptian culture(s) of music that seeks to explore a range of musical practices across Egypt, and beyond, through the contribution of academic speakers and music makers, followed by a concert. The meetings will offer the opportunity to deepen some historical, religious, social and musicological aspects that interwoven in, and from, the Egyptian music heritage, addressing creation, performance and reception practice.
Advertisement
Event Venue
Institut français d’archéologie orientale - Ifao, 37 شارع الشيخ علي يوسف, القاهرة, القاهرة, مصر, Cairo, Egypt
Tickets
Concerts, fests, parties, meetups - all the happenings, one place.
