Yale Concert Band: "Precious Metal" for solo flute and winds, Tara Helen O'Connor, guest artist

Fri, 03 Oct, 2025 at 07:30 pm UTC-04:00

Woolsey Hall, Yale University | New Haven

Yale Concert Band
Publisher/HostYale Concert Band
Yale Concert Band: "Precious Metal" for solo flute and winds, Tara Helen O'Connor, guest artist
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Thomas C. Duffy, Music Director. Yale's premier wind ensemble opens its season with "Precious Metal" (D.J. Sparr), feat. guest artist Tara Helen O'Connor, Yale School of Music Professor of Flute; "The Frozen Cathedral" (John Mackey); "Tunbridge Fair" (Walter Piston), "Fairest of the Fair" (John Philip Sousa) and "Fairest of the Renaissance Faire" (Erika Svanoe); "Tuttarana" (Reena Esmail); and "And With This New Day" (William Owens).
"Precious Metal" A Concerto for Flute and Winds. D.J. Sparr composed this concerto to showcase the versatility as well as the delicate strength of the flute. Its three movements are based on the three metals of which the flute is made – silver, platinum, and gold – but as soloist Tara Helen O’Connor, Yale School of Music Professor of Flute, will show, the flute can be much more than the sum of its parts. (More about Tara Helen O'Connor here.)
"The Frozen Cathedral" refers to Alaska’s majestic Denali. John Mackey's soaring piece explores mankind’s draw to monumental, remote, ethereal and awesome parts of the world as a kind of pilgrimage and search for the sublime, for transcendence. “A great mountain is like a church.”
"The Fairest of the Fair." Over many years playing regularly at the annual Boston Food Fair, composer John Philip Sousa repeatedly noticed, but never met, an especially attractive young woman at one of the displays. Needing a new march for his band’s usual appearance there, he used this stranger as inspiration, composing as an ode to the fairest lady at the Boston Food Fair. The work is generally regarded as one of his most melodic and best-written marches.
"Fairest of the Renaissance Faire" (Erika Svanoe) takes melodic themes and motives from Sousa’s march The Fairest of the Fair, and transforms them into a Renaissance context, with inspiration drawn specifically from William Byrd’s Fitzwilliam "Virginal Book and Tielman" and "Sustato's Danserye." The piece is in four short movements: 'The March of King Jhon,' 'Three Faire Maydens,' 'A Bird’s Swete Kiss,' and 'William’s Wilde.'
"Tunbridge Fair." Walter Piston used the diverse and bustling county fair in Tunbridge, Vermont, as his inspiration for this piece , which stands as a marvel of concise, painstaking craft combined with an energetic and lyrical spirit of expression. Its riotous atmosphere is captured by the bright, bouncy rhythms of the jazzy first voice of the piece, pitted against the smoother, syncopated rhythm of the second voice.
"Tuttarana." Reena Esmail explains that the title of this piece is a conglomeration of the Italian word “tutti” meaning “all” or “everyone” – and the term “tarana” – which designates a specific Hindustani musical form whose closest Western counterpart is the “scat’” in jazz. The “tarana” is a place where musicians can put their greatest virtuosity on display, leaving an audience in awe.
"And With This New Day…" Composer William Owens was inspired by this simple yet powerful quote by Eleanor Roosevelt: “With the new day comes new strength and new thoughts,” encouraging us to be open to positive change and recognize that no matter how difficult previous times were, the new day always brings a fresh start.
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Event Venue & Nearby Stays

Woolsey Hall, Yale University, Yale Schwarzman Center, 168 Grove St, New Haven, CT 06511, United States

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