Uniform/ Portrayal of Guilt/ Body Void

$16 // 21+

UNIFORM

What if the antihero in your favorite film or book had no chance to repent, reconcile, or redeem himself? There’s no victim to rescue. There’s no evil to thwart. There’s no tyranny to turnover. Instead of saving the day against his better judgment, he just walks a Sisyphean circle of existential malaise doomed to repeat yesterday’s vices without the promise of a better tomorrow. Rather than tell this story on the screen or on the page, UNIFORM tell it on their fourth full-length album, Shame. The trio – Michael Berdan (vocals), Ben Greenberg (guitar, production), and Mike Sharp (drums) – strain struggle through an industrialized mill of grating guitars, warped electronics, war-torn percussion, and demonically catchy vocalizations.

“Thematically, the album is like a classic hard-boiled paperback novel without a case,” says Berdan. “It focuses on the static state of an antihero as he mulls over his life in the interim between major events, just existing in the world. At the time we were making the record, I was reading books by Raymond Chandler, James Ellroy, and Dashiell Hammet and strangely found myself identifying with the internal dialogues of characters like Sam Spade and Philip Marlowe.”

PORTRAYAL OF GUILT

To say PORTRAYAL OF GUILT write grim songs is an understatement. Since forming in 2017, the Austin trio has been a flowing fountain of fatalism, spewing harsh and brutal sentiments across their releases. Now, on their second album, We Are Always Alone, the band turns the nihilism inwards and explores the notion of eternal isolation.

We Are Always Alone was written and recorded ahead of schedule. In March, PORTRAYAL OF GUILT was on tour in Atlanta when they realized the looming COVID-19 was about to render the remainder of their dates unsustainable. They packed up and drove home, where they immediately got to work crafting and recording nine new tracks with producer and frequent collaborator Phillip Odom, with mastering by Grammy nominated engineer Will Yip. The album boasts vocal cameos from Matt Michel and Chris Taylor of Majority Rule and pageninetynine, two seminal bands to whom PORTRAYAL OF GUILT has often been deemed the heir apparent.

The album sees the band continuing to perfect their gritty style of charred punk that seamlessly fuses together a broad array of styles, from the piercing ferocity of screamo to the thick gnarls of black metal, underlined with chilling and ominous industrial samples. The LP is a climatic listening experience that never really lets the light peek through, instead building up to a cathartic final track that hammers home the bleak desolation that runs through it.

We Are Always Alone comes off the heels of the band’s 2019 EP, Suffering Is a Gift, and their celebrated debut full-length in 2018, Let Pain Be Your Guide, which earned the band praise in outlets like NPR, Revolver, and Kerrang!. Even though it was birthed under the spectre of a global pandemic, it’s hard to argue that We Are Always Alone is any more dire than the rest of the band’s catalog. For a PORTRAYAL OF GUILT release, it seems par for the course.

BODY VOID

At the request of the artist, this show is now vaccination only. All attendees must show proof of full vaccination upon entry. A negative COVID test will NOT be accepted. Thank you.

For any questions or concerns please email [email protected]

Event Venue & Nearby Stays

The Empty Bottle, 1035 North Western Avenue, Chicago, United States