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The Embodied Voice . Open to all The "Roy Hart Theater" voice work is renowned for its "human" approach of the voice.
Each person is considered individually and encouraged to find the pleasure of the sound and own expression.
From the spoken voice to the singing voice, each one will find its way with confidence.
SELECTION CRITERIA
Open to all. No prior experience with singing or voice work in required.
DATES: 6th - 9th NOV 2024
TIMES: 10AM - 4PM
FEE: 5800 EGP
VENUE: Dawar Arts, 16 Adly st. Downtown, Cairo, 3rd floor
PAYMENT DEADLINE: 25th OCT 2024
Instalment Option:
You can pay in monthly or bi-weekly instalment minding that the last instalment shall be before the starting date of the workshop
Register Now :
https://linktr.ee/dawar.arts
PAYMENT METHOD:
Via Vodafone Cash on 01022026000
Or
Cash at Dawar Arts venue
The workshop will be composed of collective and individual propositions approaching breathing, posture, creative energy, presence, listening, vocal extension and freedom, allowing each person to discover his-her voice, voices, and to share them.
"My personal way with the Roy Hart Theatre's voice work and other human-artistic disciplines:
Since I first met the Roy Hart Theatre in 1979, voice has become my life-companion, the measure of both my personal and artistic work, and my inspiration.Over time and meetings (with dance, movement, traditional singing, clowning, painting, writing, fasciatherapy), I have built my own way of using the voice in personal and artistic work, play and creative production, relying on the invaluable inheritance of the research of Alfred Wolfsohn and Roy Hart and all those who came after them. From the singing voice to the spoken voice, I’m connected in my teaching with many artistic disciplines and socio-cultural backgrounds and the enlightening person-centred listening of Carl Rogers, the opening of creative spaces of Authentic Movement practice, and more recently my training to the Play Back Theatre
THE ROY HART VOICE METHOD
The Roy Hart Method is renowned for its humanistic approach to voice work. It is based on more than 80 years of research, study and practice of the human voice and its application in life and art. The Roy Hart Method is currently taught in voice programs around the world. For more information, please visit www.roy-hart-theatre.com.
ABOUT MARIANNE LE TRON
In 1978, Marianne Le Tron discovered the work and life of the Roy Hart Theatre Company in the Cevennes, France and became a member of the group. She performed in several productions, including the first version of Pagliacci (1981), Kaspar (1984) and Moby Dick (1988). She is a founding member of the Centre Artistique International Roy Hart. Marianne collaborates in a variety of professional and artistic areas (arts companies, enterprises, support for creative production, etc). From 2005 to 2008 she studied for a diploma in Carl Rogers’ Person Centred Therapy. In 2015, she began a year of Authentic Movement training with Mandoline Whittlesey. On the creative side, she’s currently a member of the cast of ‘Generation’, and also performs with a dancer and a musician in a piece based on the traditional Inuit tale “Skeleton Woman”. She sings in the vocal group “Tutti Quanti” and is one of the creators of the “Bal Détourné”. Marianne Le Tron speaks French and English.
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Event Venue & Nearby Stays
16 Adly St, 3rd Floor, Wust El Balad , Cairo, Egypt
Tickets
