Name: The Coulibaly Trio/Clamb
Start: 2025-03-21T21:00:00-04:00
End: 2025-03-21T23:30:00-04:00
Location: Lizard Lounge

$The Coulibaly Trio\/Clamb$

Imad Coulibaly Trio and Clamb live at the Lizard Lounge March 21st!
About this Event

Event is 21+
$15/$20

Imad Coulibaly is an independent artist hailing from Boston, Massachusetts. He started playing drums at the age of 4 years old. Being surrounded by music at home and in church, Imad became passionate about music. He kick started his music career after winning the Umass Amherst Jazz Festival for “ Best Jazz Trio” and opening for the Chris Potter Quartet. Imad Coulibaly currently plays in his jazz/fusion hip hop group Soul Space. He is also a live/session and touring drummer working with artists such as Rugawd, Martin Gonzalez, David Mrakpor, King Chino, Dave Powell, Rob Araujo and Vooo. Imad’s primary focus is on live/session and touring gigs as well as education in music to inspire drummers of all ages and backgrounds.

CLAMB was born out of a Dadaist desire to create music free from societal norms of perfection. They dig deep into the groove of soulful American music from the infinite James Brown and Alice Coltrane to the aether of seventies European krautrock pioneers like Cluster and Harmonia to patiently sketch foreign landscapes from the ground up. Clamb are devoted to keeping an attitude of acceptance in their largely-improvised songs, choosing a direction and exploring its corners and nuances to tell stories without words.

Clamb's tonal palette features Peter Danilchuk’s synths blissfully wiggling through the air, Jameson Stewart’s mythical gold-glitter-encrusted fretless bass sending terrestrial energy rippling through a rogue’s gallery of cheap pedals, Joshua Merhar’s playful drumming that constantly eggs the band onward to new hemispheres of groove, and in 2022 Clamb introduced guitar hero and best friend Sam Crawford whose tonal character and improvisational voice have propelled the band’s ensemble playing further into the fever-dream-realm than ever expected. Clamb hopes they have cornered the market on the Venn diagram intersection of 60s psych nerds raised on Soft Machine Volume 2 and their kids who have spent the past decade gorging on Brainfeeder and Meshuggah. It is Clamb’s distinct wish that each performance function as a Polaroid of the exact moment of its creation, never to be repeated quite the same way ever again, remaining both pensive yet hard-grooving all the same.