Sunny Sweeney

Fri, 13 Feb, 2026 at 09:30 pm UTC-08:00

53688 Pioneertown Road Pioneertown CA 92688 | Pioneertown

Pappy & Harriet's
Publisher/HostPappy & Harriet's
Sunny Sweeney
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DISCOVER: SUNNY SWEENEY
web [http://www.sunnysweeney.com/] | Spotify [https://open.spotify.com/artist/3uBMhKEXqr2UtRlx7Jn9LL?si=M8Bni1IVRvmd2Pd0z70fXg] | Instagram [https://www.instagram.com/gettinsweenered/] | Facebook [https://www.facebook.com/OfficialSunnySweeney] | YouTube [https://www.youtube.com/channel/UCX6MDs4zZw7oldUvVi8vZ2Q]
Sunny Sweeney, a genre-bending, songwriting spitfire who has spent equal time in the rich musical traditions of Texas and Tennessee, returns with Married Alone, the celebrated singer-songwriter’s fifth studio album and the follow-up to 2017’s critically acclaimed Trophy. Co-produced by beloved Texas musician and larger-than-life personality Paul Cauthen and the Texas Gentlemen’s multi-hyphenate Beau Bedford, Married Alone is Sweeney’s finest work yet, bringing together confessional songwriting, image-rich narratives and no shortage of sonic surprises for a loosely conceptual album about loss and healing.
Married Alone began as most of Sweeney’s projects do: with a visit to her deep vault of unreleased songs. Since debuting with Heartbreaker’s Hall of Fame in 2006, Sweeney has been a prolific writer, writing whatever is on her heart rather than with a particular project in mind. That habit afforded her a rich well of material for Married Alone, some of which is over a decade old.
“I have a lot of older songs that still make the cut of like, ‘Am I gonna put this on a record?’ And I always start with those songs, songs that have been important to me for whatever reason. And then I try to build around that. It doesn't necessarily have to be around a theme, but sometimes it turns out to be that there is one.”
Opener “Tie Me Up” declares that, despite its loose theme, Married Alone is not a somber record, with Sweeney in full spitfire mode and cheekily declaring to a would-be suitor, “You can tie me up, but baby you can’t tie me down.” Cauthen’s and Bedford’s production especially shines on the track, which would sound at home at a roadside juke joint or in front of thousands of fans at a festival.
Cauthen joins Sweeney on “A Song Can’t Fix Everything,” one of the album’s rawer moments. “That song can’t bring my mother back to life,” Sweeney sings at the song’s start, before recounting the many ways that music may be able to transport us to the past but can never fix it. “Want You to Miss Me” is an honest take on the complexities of a difficult breakup, with Sweeney’s nimble vocal wavering between defiance and doubt.“Easy as Hello” is Sweeney’s writing at its finest, channeling the heartache that comes with the end of a treasured relationship, for a track that recalls — vocally and lyrically — the work of Stevie Nicks.
“Someday You’ll Call My Name” reads as a break-up kiss-off — and it’s a great one, at that — but the song, pulled from Sweeney’s vault, was originally inspired by her early days as a musician, longing to be recognized by major country institutions like the Grand Ole Opry. She and co-writer Brennen Leigh reworked their 10-year-old version of the track to better fit Married Alone, and that session helped set the tone for what would become the full album.
The full potential of the album really revealed itself, though, when a friendsent Sweeney a demo of what would become its title track, “Married Alone.” Though she wasn’t a co-writer on the track, Sweeney felt her own story reflected in its lyrics. The song, which features a particularly emotional guest vocal from living country legend Vince Gill, charts the painful moments sometimes experienced in marriages that have run their course.
“There may be rings on our fingers, but we’re married alone,” she and Gill sing, over weeping pedal steel and reverbed guitar.
“My jaw hit the floor when I heard that song, because I had just gone through my second divorce, which is also cliche of a country singer,” Sweeney says, with a laugh. “I was still pretty raw about my divorce, but also very candid and trying to find levity in the situation. You have to be able to laugh at yourself at some point and not let it just totally get you down.”
A few months after securing the song and mining her own vault for a track list, Sweeney traveled to Dallas, TX, to record — alongside Cauthen and Bedford — what would become Married Alone.
Sweeney and team planned for Jeff Saenz to mix the album, but in the summer of 2021 — a few days before mixing would start — the widely loved, Dallas-based producer was electrocuted in a freak accident that left him without use of his arms. The group put the album on hold until they had word Saenz would pull through. While Sweeney was anxious to get her new music out, Saenz’s accident shifted her priorities.
“Jeff lost his arms,” she says. “His arms. Jeff’s never going to hold his fiancée’s hand again, never going to hold his baby again. I had a major, major turning point with his accident, personally, as did most of our friends that know him.”
About eight months later, Bedford had a surprise for Sweeney. When she arrived at the studio for one of their final mixing sessions, Bedford had brought Saenz along. Saenz was able to help the group finish up the album, a full-circle moment that was especially emotional for Sweeney.
“It was exactly how it should have been,” she says. “And it was really, really emotional. Jeff definitely is a part of this album; I really wanted him to be a part of the album. And Beau knew that. So, Beau went and he made that happen.”
In addition to releasing Married Alone, Sweeney is marking a new chapter in her professional life with a brand-new team by her side, most of whom are women. While it wasn’t a conscious choice, Sweeney says, she feels like she’s surrounded by the right group of people, who just happen to be “badass women.”
Like the narrator of “Someday You’ll Call My Name,” Sweeney is not the kind of artist you come across then forget. With Married Alone, she further cements her status as one of country music’s finest storytellers.

DISCOVER: MINDY MILLER
web [https://mindymillermusic.com/home] | Instagram [https://instagram.com/mindymillermusic] | Facebook [https://www.facebook.com/mindymillermusic1/]
Mindy M Miller is a Nashville-based singer/songwriter and current contestant on NBC’s The Voice as part of Team Snoop (SEASON 28). Rooted in her Maryland country and bluegrass upbringing, Mindy’s sound blends soulful storytelling with influences of classic country phrasing — a style shaped by years performing throughout the vibrant mid-Atlantic music scene. A lifelong musician and seasoned artist, she’s shared the stage or performed in front of icons including Reba, Post Malone, Phil Vassar, Pam Tillis, Jamey Johnson, Snoop Dogg, Michael Bublé, Niall Horan, Lizzo, Zac Brown, Vince Gill, and more. With a voice that carries soul, grit and grace, Mindy brings heart, heritage, and authenticity to every song she sings
Strong family ties and the impact of the active and vibrant Maryland country/bluegrass scene have played an important role in shaping her career. A singular talent who's been singing, playing guitar and writing songs for decades, Miller's a seasoned professional who leans heavily on being authentically herself. But her sound, a powerful and glorious mix of traditional country vocal phrasing and a soulful, bluesy sensibility was strongly shaped by not only learning guitar from her father, but developing her technique and approach performing with her dad’s band. She sang in church and jam sessions at family get togethers and started performing professionally at age 16. Miller also heard the stirring harmonies and poignant tunes of classic bluegrass ensembles like the Country Gentlemen and the Johnson Mountain Boys, just two among the numerous classic bands in that genre who frequently performed at clubs and festivals held in the mid-Atlantic area. She became a prominent part of that scene, appearing at festivals and performing as a side musician with a variety of touring groups. From playing county fairs and main street festivals, coffee shops, dive bars, and eventually opening for major artists, Miller began to make a living playing music before she moved out of her parents' house.
You can see Mindy often playing in various venues across Nashville and keep an eye out for a 2026 tour!


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53688 Pioneertown Road Pioneertown CA 92688, 53639 Pioneertown Rd, Pioneertown, CA 92268-9685, United States

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