Name: Sun Ra Arkestra, Yo La Tengo
Start: 2024-06-15T20:00:00-04:00
Location: Sony Hall

Blue Note Jazz Festival Presents
Sun Ra Arkestra, Yo La Tengo
Celebrating Marshall Allen's 100th Birthday!
Saturday, June 15, 2024
Doors: 6:00pm / Show: 8:00pm
VIP Reserved Seating
$85 Advance • $90 Day of Show
Guaranteed Seating in Designated Section • First Come, First Serve
Standing Room Only
$49 Advance • $55 Day of Show
Full Menu Available
All Ages for Entry
Visit Our Upstairs Bar & Restaurant Pre or Post Show
Groups of 10+ Contact [email protected]

About Sun Ra Arkestra
Sun Ra founded the Sun Ra Arkestra in Chicago in the mid-1950’s. Sun Ra was among the earliest pioneers of the synthesizer and the free jazz revolution of 1960’s. Sun Ra sent a strong spiritual and musical message to his Arkestra wanting them to help make the universe better through positive vibrations and music.
The Sun Ra Arkestra are known worldwide for their live shows that combine big band swing, space-age jazz, singing, dancing, chanting and Afro-pageantry. The Arkestra has been at the forefront of ‘Afro-futurism’ since their inception.
Maestro Marshall Allen, the avant-garde alto saxophonist, is 99 years young and has been directing the Arkestra since 1995. Marshall has been performing with the Sun Ra Arkestra since the mid-1950’s. In addition to alto saxophone, he also plays on flute, oboe, and EVI (electronic valve instrument).
The Arkestra’s 2020 album “Swirling” was nominated for a Grammy Award for best big band jazz ensemble recording.
After more than 60 years, the band continues to travel the globe on their Inter Galactic tour. Recent highlights include shows at the Kennedy Center, Radio City Music Hall with Solange, The Berlin Opera House, the Burlington Jazz Festival and four nights at SF Jazz
In 2024 they will be performing at the Jazz & Blossoms Festival in Washington, DC, The Ecliptic Festival in Hot Springs, Arkansas, two European tours and a benefit show for the Trombone Shorty Foundation in New Orleans.
They will be appearing at Sony Hall in NY on June 15 with Yo La Tengo as a part of the Blue Note Jazz Festival.
“The possible has been tried and failed. Now it’s time to try the impossible.” Sun Ra

About Yo La Tengo
Time keeps moving and things keep changing, but that doesn’t mean we can’t fight back. Yo La Tengo have raced time for nearly four decades and, to my ears, they just keep winning. The trio’s latest victory is called This Stupid World, a spellbinding set of reflective songs that resist the ever-ticking clock. This is music that’s not so much timeless as time-defiant. “I want to fall out of time,” Ira Kaplan sings in “Fallout.” “Reach back, unwind.”
Part of how Kaplan, Georgia Hubley, and James McNew escape time is by watching it pass, even accepting it when they must. “I see clearly how it ends / I see the moon rise as the sun descends,” they sing during opener “Sinatra Drive Breakdown.” In the séance-like “Until it Happens,” Kaplan plainly intones, “Prepare to die / Prepare yourself while there’s still time.” But This Stupid World is also filled with calls to reject time – bide it, ignore it, waste it. “Stay alive,” he adds later in the same song. “Look away from the hands of time.”
Of course, times have changed for Yo La Tengo as much as they have for everyone else. In the past, the band has often worked with outside producers and mixers. Yo La Tengo made This Stupid World all by themselves, though. And their time-tested judgment is both sturdy enough to keep things to the band’s high standards, and nimble enough to make things new.
Another new thing about This Stupid World: it’s the most live-sounding Yo La Tengo album in a while. At the base of nearly every track is the trio playing all at once, giving everything a right-now feel. Take the signature combination of hypnotic rhythm and spontaneous guitar on “Sinatra Drive Breakdown,” or the steady chug of “Tonight’s Episode,” a blinkered tunnel of forward-moving sound. There’s an immediacy to the music, as if the distance between the first pass and the final product has been made a touch more direct.
The songs on This Stupid World were still journeys, though. An example is the absorbing, three-dimensional “Brain Capers.” To construct this swirl, the band blends guitar chords, bass loops, drum punches, and various iterations of Hubley and Kaplan’s voices into shifting layers. Simpler but just as dense is closer “Miles Away.” A dubby rhythm lurks below Hubley’s vocal, which brushes across the song like paint leaving bright blurs. Throughout the album, these touches, accents, and surprises intensify each piece. It’s a rarity – a raw-sounding record that gives you plenty of headphone-worthy detail to chew on.
This Stupid World gives your brain a lot to digest, too. All the battles with time drive toward some heavy conclusions. In the gripping “Aselestine,” Hubley sings about what sounds like a friend on death’s door: “The clock won’t tick / I can’t predict / I can’t sell your books, though you asked me to.” In “Apology Letter,” time turns simple communication into something fraught and confusing: “The words / Derail on the way from me to you.” Not everything is so serious, though. The absurdist “Tonight’s Episode” helps McNew learn to milk cows, steal faces, and treat guacamole as a verb. And somehow Alice Cooper, Ray Davies, and Rick Moranis show up in “Brain Capers,” all telling us time isn’t finished yet.
So I guess everyone on This Stupid World grapples with how time keeps steamrolling and how we keep trying to do something about it. It’s there in the title, a weary but clear-eyed pejorative that suggests determined resignation, a will to fight despite the grim odds. It’s there in the title track too: “This stupid world – it’s killing me / This stupid world – is all we have.” Such realism leads to the resolute optimism of This Stupid World’s parting shot, “Miles Away,” which sees time’s passage and life’s impermanence as things to deal with rather than reasons to despair. “You feel alone / Friends are all gone,” Hubley prays softly. “Keep wiping the dust from your eyes.”
Marc Masters