About this Event
Programme
Coffee and Registration
10:30
Meet on the ground floor for refreshments
Introduction to symposium and its themes
11:00
Taking place in the Seminar Room on the basement floor
Beyond the Visual research project
11:10
Presented by Aaron McPeake (University of the Arts London), Dr Clare O’Dowd (Henry Moore Institute) and Ken Wilder (University of the Arts London)
Session One: Words
11:30
Chaired by Dr Clare O’Dowd
‘Ekphrastic Inquiry as Cultural Democracy: Museum Visitors Engaging with Art through Creative Collaboration’
Rachel Carney, Cardiff University
‘Creative Ways of Accessing and Responding to Rural Landscapes, and Other Stories’
Ayesha Chouglay, writer and artist
‘Ensemble: audio description as art form’
Stephanie Farmer, Notting Hill & Ealing Girls’ School; Hettie James, The de Laszlo Archive Trust; and Joseph Rizzo Naudi, Royal Holloway, University of London
Lunch (provided)
13:00
Served in The Studio on the second floor
Session Two: Situations
14:00
Chaired by Aaron McPeake
‘The languages of disability: Audrey Barker’s multi-sensory installations’
Gill Crawshaw, independent curator
‘Behold! (a show about touch); experiments in multi-sensory mediation’
Sasha Galitzine, independent curator
‘Nose ahead – sensorial inclusivity and the ephemeral of olfactory sculptures’
Lara Schumacher, Heinrich Heine University, Düsseldorf
Break
15:30
Session Three: Haptics
16:00
Chaired by Ken Wilder
‘Anamnesis: The Re-Membered Body’
David Johnson, artist/PhD candidate Royal College of Art
‘Challenging visual-centric interpretations of sculpture in UK Copyright Law’
Annaliese Wren, University of Bristol Law School
‘Haptic Technology and the Listening Body’
Tom White, artist
Wine Reception
17:30
Served in The Studio on the second floor
Event Venue & Nearby Stays
The Henry Moore Institute, 74 The Headrow, Leeds, United Kingdom
GBP 0.00
