About this Event
We're pleased to announce 2024's PMC ECRN and DRN Summer Symposium. This year the event will be taking place in Birmingham at the IKON Gallery, a short walk from Birmingham New Street Station.
Theme: Precarity in Art History: Thinking with the Discipline’s Past, Present and Future
The challenges in art history are urgent, as the discipline faces an existential crisis due to recent developments in the sector. This symposium frames the crisis through three interrelated developments. The first is the context of academic precarity within the sector. Precarity is a condition that currently shapes the discipline, particularly in the work done by doctoral and early-career researchers. It entrenches existing social inequalities and is connected to recent efforts to manufacture “culture wars” which are exacerbating and intensifying marginalisation. Second are changes in funding for the arts and heritage sector across the UK. This symposium will take place in Birmingham, a city which is facing a complete cut to council funding for the arts over the next two years (source). A similar situation exists for other local authorities and councils across the UK. Third is the brutal reality of conflict and genocide around the world, and the notable component of targeted “scholasticide” alongside the wholesale destruction of educational, religious and heritage sites and archival records.
The symposium will seek to explore the ways in which we can both navigate precarity in our work as art historians, whilst also historicising the way that precarity has shaped the production of art across periods assist us with the challenges of the present.
Programme (TBC):
10:00 - 10:20
Registration
10:20 - 11:10
Keynote: Shela Sheikh, Senior Lecturer in International Politics at the University of London Institute, Paris
11:10 - 11:20
Break
11:20 - 13:05
Paper Session 1: Artists and Precarity
Bo Lanyon, Precarious Pigments: critical minerals & loaded brushes
Leah Houghton, And what happened to Francis Upritchard? Re-membering Aotearoa/New Zealand-born artist-women in British art histories
Natalie Rudd, Inhabiting Frail Structures: Precariousness in British sculpture by women 1978-1993
Nadia Martin, Precarity as Potential: Artistic Research, Creation and Management in Contexts of Poverty in Argentina
Mridu Thulung Rai, Photographic ‘Disturbance’, Ontological Poetics and Politics in Northeast India
13:05 - 13:50
Lunch and short films screening on subject of precarity
13:50 - 14:50
Paper session 2: Institutions and Precarity: Interventions and Limitations
Senah Tuma, Futures that include 'us': decolonisation as radical possibility
Jelena Sofronijevic, EMPIRE LINES Podcast; The Box, Plymouth
Adi Lerer, Encounters of the Civic in the museum
14:50- 15:00
Break
15:00- 16:10
Paper Session 3 (Online): Negotiations with Statehood
Daen Palma Huse, Here today, gone tomorrow? A Threatening Move of the National Archive of Peru
Mohamed Wadhoodh, Precarious Lives and In-between Identities: A Study on Seeking Palestine and 11 Lives
Hyein Park , Negotiating Ideology: New Generation Groups in South Korea (1987-1992)
Yanqui Huang, Reforming Art Education in an Age of Uncertainties: Rector Lionel Esher and 1977 Student Occupation of the Royal College of Art
16:10 - 17:00
Keynote: Rachael Squire, Senior Lecturer in Human Geography, Royal Holloway University of London
17:00 - 17:30
Drinks reception & questionnaire (offsite, location TBC)
Event Venue & Nearby Stays
Ikon Gallery, 1 Oozells Square, Birmingham, United Kingdom
GBP 0.00
