Name: Patty Larkin & Lucy Kaplansky at The Iron Horse
Start: 2024-10-13T18:00:00-05:00
Location: 18 Center St Northampton, MA 01060, United States

Patty Larkin & Lucy Kaplansky
at The Iron Horse
Sunday, October 13th
SHOW: 7:00pm / DOORS: 6:00pm Separate Bar Area open prior to venue door time
ADV TIX:
Reserved Seating: $35 GA / $33 MEMBERS
General Admission Seating: $25 GA / $23 MEMBERS
DOS TIX:
Reserved Seating: $40 GA / $38 MEMBERS
General Admission Seating: $30 GA / $28 MEMBERS
Public On-sale starts May 3rd!
TIX here: https://theparlorroom.my.salesforce-sites.com/ticket/#/events/a0SHn00000r1BeNMAU
PATTY LARKIN is a visionary of sound and wonder, a real deal version of artistry made of equal parts guitar wizardry, vocals shot through with soul and inventive lyrics that ripple across the terrain of the heart. Described as “riveting” (Chicago Tribune), “hypnotic” (Entertainment Weekly), and a “drop-dead brilliant” performer (Performing Songwriter), Patty has captured audiences for over 30 years with an imagination, enchantment, and technical artistry that has redefined the boundaries of the guitar driven singer songwriter. With eleven studio albums and two live recordings under her belt, Patty mines the intersections of poetry and song with her innovative 14th release, Bird in a Cage, released on her own Road Narrows Records.
Bird in a Cage puts poems from ten notable poets to song, including US Poet Laureates William Carlos Williams, Stanley Kunitz, Kay Ryan, Robert Pinsky and Billy Collins, for a new and haunting collection that pulses with the magic of lyricism. Poems are made to be shared aloud, and with Bird, Patty takes up that tradition and sets it aglow: her extraordinary musical shadings make each poem a star. Bird in a Cage grew out of her songwriting practice. As Patty describes it, “Over the years I began my writing days by reading my favorite poets just to be amazed and inspired. I looked to poetry as I look at nature: with awe. This morning ritual evolved into a desire to make music of some of my favorite poems. The rhythm and cadence of the lines felt new and fresh to me, the melody slowly revealing itself. And uncovering a melody that is slowly revealed by the words was pure joy.”
This new album leaves standard songwriting forms behind, crossing instead into a world where rhyme is optional and phrases unfold at their own speed. Bird in a Cage embraces those creative spaces where boundaries are fluid; its ten tracks are full of cross-disciplinary energy, the hot spark of one artist collaborating with another. The album’s liner notes say it best with this reflection from Patty on Bird’s genesis: “This project is my way of holding brilliance in my hand.” Bird was co-produced by Patty and Mike Denneen, who Patty has called her “musical compass.” Their collaboration spanned 16 years and 5 albums. Mike, whose work as a record producer was nothing short of genius (Aimee Mann, Howie Day, Jen Trynin, Letters To Cleo), passed away in July of 2018, just shy of Bird’s completion. For Bird in a Cage, Mike created a lush sonic landscape, playing vintage keyboards on several tracks. Patty and Mike’s shared vision for an album with layered, atmospheric sound was secured with backup support from friends Jonatha Brooke (vocals and guitar), Merrie Amsterburg (vocals) and Marc Schulman (electric guitar), and strings by Catherine Bent (cello) and the Parkington Sisters (violin, viola, vocals). Patty’s long-time drummer and percussionist, Ben Wittman, kicks up the mix on the last track, an inspired version of Billy Collins’ “Introduction to Poetry.” Patty’s recent projects include Still Green, an album written in a dune shack on the Outer Banks of Cape Cod’s National Seashore, and 25, a retrospective album that includes the contributions of 25 friends, among them Grammy award winners Rosanne Cash, Suzanne Vega, Shawn Colvin, and Janis Ian, as well as acclaimed singer songwriters Bruce Cockburn, Mary Chapin Carpenter, and Greg Brown, among others. Patty was the Executive Producer of the groundbreaking La Guitara, a compilation of women guitarists actively changing preconceptions about gender and guitar heroes. Patty was raised in the Midwest, and is a descendant of a long line of Irish American singers and taletellers. Her mother was a painter, and her sisters are both musicians. She studied English Literature and Folklore in the Pacific Northwest, as well as jazz guitar and voice at the Berklee College of Music. While in Boston, Patty honed her performance chops in listening rooms, clubs, and festivals. Her songs have been covered by various artists including Cher and Holly Cole and have been featured in television and film including Evolution (DreamWorks); Random Hearts (Columbia Pictures); Sliding Doors (Miramax); and Men in Trees. With 11 Boston Music Awards to her credit, Patty is also the recipient of an Honorary Doctorate of Music from Berklee College of Music and she has been honored by Boston Mayor Thomas Menino for her music and philanthropy. She lives with her family on Cape Cod.
She started out singing in Chicago folk music clubs as a teenager. Then, barely out of high school, Lucy Kaplansky took off for New York City. There she found a fertile community of songwriters and performers—Suzanne Vega, Steve Forbert, The Roches, and others. With a beautiful flair for harmony, Lucy was everyone’s favorite singing partner, but most often she found herself singing as a duo with Shawn Colvin. People envisioned big things for them; in fact, The New York Times said it was “easy to predict stardom for her.” But then Lucy dropped it all.
Convinced that her calling was in another direction, Lucy left the musical fast track to pursue a doctorate in Clinical Psychology. Upon completing her degree, Dr. Kaplansky took a job at a New York hospital working with chronically mentally ill adults, and also started a private practice. Yet she continued to sing. Lucy was often pulled back into the studio by her friends, (who now had contracts with record labels) wanting her to sing on their albums. She harmonized on Colvin’s Grammy-winning "Steady On," and on Nanci Griffith’s "Lone Star State of Mind" and "Little Love Affairs." She also landed soundtrack credits, singing with Suzanne Vega on "Pretty in Pink" and with Griffith on "The Firm," and several commercial credits as well—including “The Heartbeat of America” for Chevrolet.
Then Shawn Colvin—who was itching to produce a record—hooked up with Lucy, her ex-singing partner. They went into the studio, and when Lucy’s solo tapes got into the hands of Bob Feldman, president of Red House Records, he was blown away. Suddenly, Lucy was back in the music business. She signed with Red House Records and started playing gigs. Red House released The Tide in 1994 to rave reviews, and within six months Lucy signed with a major booking agency—Fleming Artists—and began touring so much it required leaving her two psychologist positions behind.
Lucy’s second album, Flesh and Bone (1996), emphasized her development as a gifted songsmith. Then Lucy’s success took flight with back-to-back hit albums Ten Year Night (1999) and Every Single Day (2001). Both received the AFIM award (Association For Independent Music) for Best Pop Album of the year. Lucy also contributed her story to a unique book, SOLO: Women Singer- Songwriters in Their Own Words, which includes some of the best known women on the music scene today: Ani DiFranco, Shawn Colvin, Sheryl Crow, Jewel, Sarah McLachlan and others. She was also featured in Lipshtick, a collection of essays by NPR commentator Gwen Macsai, published in the fall of 1999.
In 1998 Lucy teamed with Dar Williams and Richard Shindell to form supergroup Cry Cry Cry, and recorded some of their favorite songs written by other artists. The resulting album, Cry Cry Cry (which The New Yorker dubbed “a collection of lovely harmonizing and pure emotion,” and to which Entertainment Weekly gave an “A” rating), was an astonishing success in stores and on radio. A national tour of sold-out concerts by the trio served to introduce Lucy’s luminous voice to a new audience. In 2017 and 2018, the trio celebrated their 20th anniversary with a sold out national tour and the release of their first recording in 20 years, a single of Jump Little Children's "Cathedrals."
The Red Thread followed the commercial and critical hit Every Single Day, weaving together themes of motherhood, home and the family with stunning production. Lucy’s 2007 release Over the Hills as well as her 2012 release Reunion explored universal themes of love, joy, loss, and dreams for the future, through reflections on family.
In 2009 and 2010 Lucy had two songs commissioned by the international cosmetics company La Prairie to help launch their new fragrance line “Life Threads.” As part of that marketing campaign, Lucy was featured in a music video, as well in as in a variety of marketing appearances and materials, including a feature story in “Women’s Wear Daily.”
In 2010 Lucy joined up with acclaimed singer-songwriters John Gorka and Eliza Gilkyson to record an album as part of new folk super-group Red Horse. Awash in gorgeous harmonies and stripped down production, the album features the singers performing each other’s songs. Red Horse received rave reviews and was the number one album on Folk Radio for several months in 2010. Since the album’s release, the trio were interviewed on NPR’s “Weekend Edition” with Liane Hansen and appeared on NPR’s “Mountain Stage.”
In 2011 Lucy released an EP, Kaplansky Sings Kaplansky, featuring songs written by her father, famed University of Chicago mathematician Irving Kaplansky, including live performances of the two of them performing together in California. This is Lucy’s first venture into 1940’s style swing, reminiscent of the work of Kaplansky’s former student Tom Lehrer.
Lucy's September 2018 release, Everyday Street, is a stunning collection of songs weaving stories of joy, friendship, family, loss and discovery. It is somewhat of a departure sonically: stripped down, spontaneous, acoustic, with the feel of one of her concerts. The songs were recorded over four days with her long-time collaborator Duke Levine on acoustic guitar, electric guitar, mandola, National guitar, and octave mandolin, and Lucy on acoustic guitar, mandolin and piano. These are genuine performances, many were captured in one take.
The opening song, “Old Friends,” a duet with Lucy's long-time friend Shawn Colvin, is a reflection on their friendship and on their times together in the early days of the Greenwich Village folk scene. “Keeping Time,” with Richard Shindell on harmony, is from her vantage point as a mother sharing her neighborhood’s rhythms, albeit from a distance, with the late actor and father of three Philip Seymour Hoffman. “Janie’s Waltz” is about the beauty and grace of an ordinary day. The everyday streets of her long-time home, Greenwich Village in New York City, are woven throughout the recording. There are also four cover songs which have all been fan favorites from her shows, including Bruce Springsteen’s “Thunder Road,” Nanci Griffith’s “I Wish it Would Rain,” and the traditional Scottish song “Loch Lomond.” Finally, there is a re-imagined version of the title song of her first album, The Tide.
Lucy's version of Roxy Music's "More than This" was featured on a Spotify playlist, "Your Favorite Coffeehouse," and to date her recording has over 11.5 million streams. She has appeared on the CBS Morning Show, NPR’s Weekend and Morning Editions and All Things Considered, Mountain Stage, and West Coast Live. Her voice has remained in high demand by her peers. Lucy's song “Guilty as Sin” was featured in the NBC television show Ed. In addition, she can be heard on releases by Bryan Ferry and Nanci Griffith, and on the Greg Brown tribute album Going Driftless (also featuring Ani Difranco, Iris Dement, Mary Chapin Carpenter, Gillian Welch, Lucinda Williams and others).
Lucy continues to tour and receive airplay both nationally and internationally. Her CD Ten Year Night is the #1 selling album of all time at Red House Records.