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Pour plus d'informations en français, veuillez visiter notre page web à ce lien : https://www.cirmmt.org/fr/events/workshops/research/12-nov-2024Description
Following Nina Eidsheim’s Distinguished Lecture Metaphor as material practice on November 11, 2024, this joint CIRMMT/ACTOR workshop will focus on vocal and instrumental timbre in relation to the metaphors used to describe them and to the concept of materiality in contemporary music.
The workshop will take place in room A-832 and Tanna Schulich Hall (527 Sherbrooke St. W.).
Registration
Please register by following the link in the "Tickets" section.
*Participants who register by Wednesday Nov. 7 will receive lunch. Late registrations will be accepted if there are remaining spaces, but are not guaranteed lunch.
Program
Session 1: Caroline Traube, chair; Nina Eidsheim, respondent
9:30–12:00, Room A-832, Wirth Music Building, 527 Sherbrooke Street West
12:00-13:00: Lunch for registered presenters and participants in A-832
Session 2: Jay Marchand Knight, chair; Nina Eidsheim, respondent
13:00–14:35, Tanna Schulich Hall, Wirth Music Building, 527 Sherbrooke Street West
Session 3: Robert Hasegawa, chair; Nina Eidsheim, respondent
14:45–17:00, Room A-832, Wirth Music Building, 527 Sherbrooke Street West
For a detailed schedule, please see the event page: https://www.cirmmt.org/en/events/workshops/research/12-nov-2024
Photo credit: Spectrogram of Kaaija Saariaho's "Petals", section B3; 4:33 – 6:37. ©Wirasinghe, S. (2023, April 26). Tension and the cello: Kaija Saariaho’s "Petals". Timbre and Orchestration Resource. Retrieved Sep 24, 2024, from https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2023/4/26/tension-and-the-cello. https://doi.org/10.5281/zenodo.11176562
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Event Venue & Nearby Stays
527 Rue Sherbrooke Ouest, Montreal, QC, Canada, Quebec H3A1E3
Tickets
