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Torsdag 9. desember inviterer Interkulturelt Museum og Teatermuseet til dobbeltforedrag med Deise Nunes og Nilu Kamaluddin, som del av foredragsserien Dekoloniser teaterhistorien!NILU KAMALUDDIN "The perimeter of contemporary theatre praxis in India": I dette foredraget om det urbane samtidsteatret i India, diskuterer Kamaluddin hvordan koloniale strukturer er internalisert og videreføres i det post-uavhengige Indiske kontinentet. Dagens interkulturelle og hybride indiske teater kan forstås som både en konsekvens av og en videreføring av kolonitiden. Foredraget holdes på engelsk.
DEISE NUNES "Re-imagining Fanon – Black Skin, White Masks as theatre performance": Nunes vil i sitt foredrag se på den dystopiske forestillingen Black Skin, White Masks fra 2019, basert på den toneangivende boken av Frantz Fanon. Produksjonen ble regissert av Fernanda Júlia Onisajé, den første svarte kvinnelige regissøren til University of Bahia Theatre Company i Brasil. Dette dystopiske stykket tar opp hvordan kolonialiseringsprosessen påfører svarte psykisk lidelse. Foredraget holdes på engelsk.
PÅMELDING: Send e-post til [email protected]
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ENGLISH
Intercultural Museum and Theatre Museum invite you to a double lecture with Deise Nunes and Nilu Kamaluddin, as part of the lecture series Decolonize theater history!
NILU KAMALUDDIN "The perimeter of contemporary theatre praxis in India": In this talk, Kamaluddin argues that contemporary urban theatre practice can be seen as a continuation and legacy of the colonial past in the Indian subcontinent. Post-independent India can be understood as a part of a wider notion of colonialist interpellation, which is implanted within the postcolonial structure. It can also be interpreted as internal colonialism, locked in ‘the difference within’. Biculturalism and hybridity are at the core of present-day theatre practices. Lecture held in English.
DEISE NUNES "Re-imagining Fanon – Black Skin, White Masks as theatre performance": In this lecture, Nunes approaches the contents and contexts of the performance Black Skin, White Masks from 2019, based in the seminal work by Frantz Fanon. The production was directed by Fernanda Júlia Onisajé, the first Black woman to occupy the director position in the history of the University of Bahia’s Theatre Company. The dystopian play talks about how the colonization process creates psychological suffering on Black individuals.
REGISTRATION: Send an e-mail to [email protected]
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Event Venue & Nearby Stays
Interkulturelt Museum, Oslo, Norway